Most helpful customer reviews
3.0 out of 5 stars
Not what it could have been, Nov 14 2008
This review is from: Island in the Sun (DVD)
On an island in the West Indies, four couples struggle to find happiness, with varying results. Plantation owner Maxwell Fleury (James Mason) fears his wife is unfaithful to him, his sister (Joan Collins) falls for a young British nobleman but carries a dangerous secret, his sister-in-law (Joan Fontaine) falls for a political organizer (Harry Belafonte), and a store clerk (Dorothy Dandridge) has an affair with a British officer. This movie deals with two inter-racial romances and was quite controversial in 1957. It tried to be daring and ground-breaking, but any semblance of inter-racial affection was censored out, resulting in a shallow, uninvolving soap opera. It moves too quickly from couple to couple in order to serve the large cast, and the result is that none of the plot lines is developed and all are fairly incoherent. Mason overacts but at least is interesting and Dandridge is beautiful, but Fontaine is totally miscast and Belafonte remains an enigma. This is a noble effort that suffers from a poor script, terrible editing, and the worst fault that can befall a movie - it's boring. On the plus side, the Extras include a very good biography of Dorothy Dandrige.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
4.0 out of 5 stars
A place like this can hide many things!,, Jun 26 2007
This review is from: Island in the Sun (DVD)
I had the chance to watch this film and even though "Island in the Sun" was produced in 1957 it should be recognized as indisputable breakthrough! There have been plenty of movies like this, but keep in mind that interracial relationships were political detonate at the time - and yet some of the film's observations remain upsetting even today. In this film the wealthy whites are ridicule here once again, lording their money-driven power over the black Caribbean field workers in this timely but talky issue-film. Belafonte also stars here as a native son on the fictional West Indies island of Santa Marta who wants to wrestle control of the government from the ruling white British regime, here embodied by political candidate James Mason (who harbors a deep, dark secret of his own -- pun completely intended). Joan Fontaine essays a white woman who happens to be in love with Harry; Dorothy Dandridge plays a local girl in love with a white man (John Justin); and Joan Collins portrays Mason's sister, trying to get English lord Stephen Boyd to fall for her. The location (Barbados/Grenada) of this film was just beautiful, and so is Harry Belafonte's voice, singing Jamaican songs at sunset. His relationship with Joan Fontaine is fantastic--if not especially romantic. The love story sidebars are soapy but not dull and they give the film what passion it has. Personally what I really wanted to see was more of Belafonte. He was at a peak here, and since he didn't get to use his own singing voice in "Carmen Jones", this is a great chance to watch and hear him perform unfettered. I also recommend is "Stormy Weather" because it is a important piece of history, being one of Hollywood's first pictures to star an entirely African-American cast. Though some racial stereotyping is on-hand here and there.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
4.0 out of 5 stars
A PRETTY GOOD SOAP with A GREAT CAST!, July 30 2002
After many years of trying to finally catch this one on "the telly", I recently was afforded the opportunity. As a "period piece" and "social commentary", the film works fairly well. One most realize that miscegenation was still a taboo in the 50's when this film was made; thus, it was considered a violation of "the natural order of things" in much of the Deep South. While the "romance" between Dorothy Dandridge ("Margot Seaton") and John Justin ("David Archer") was displayed, all that Harry Belafonte ("David Boyeur") and Joan Fontaine ("Mavis Norman") could muster were some occasional glances and a verbal exchange about the pros and cons of interracial relations. In light of the controversy surrounding the recent "Monster's Ball", we may not have matured as much as we think. Many of the other roles are filled by those that were under contract to Twentieth Century-Fox, the releasing company: Joan Collins (Jocelyn Fluery"), previously seen in "Land of the Pharoahs", Michael Rennie ("Hilary Carson"), earlier featured in "The Robe" and the classic "The Day the Earth Stood Still", and Patricia Owens ("Sylvia Fluery")from"The Fly". Even James Mason ("Maxwell Fluery") had been featured in the Lucille Ball-Desi Arnaz vehicle for Fox "Forever, Darling". Future "Ben-Hur" villain Stephen Boyd ("Euan Templeton") is on hand as the romantic interest for Collins. While the acting is equal to the talented cast, it is character veteran John Williams that steals the show. As "Colonel Whittingham", the police investigator of a character's demise, he seems as a precursor to television's "Columbo". Crafty, witty, and verbally adept, his "flatfoot" is not one's typical cop. In all, the film is enjoyable, not only for the performances but for the lush scenery and the glimpse at how movies "dared" to do something different in the 50's.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
|