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J.M. Coetzee's Disgrace
 
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J.M. Coetzee's Disgrace [Paperback]

van der Andrew Vlies

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"Lively, succinct, and readable, Andrew van der Vlies's handbook of key themes, contexts, and intertexts is the best reader's guide to J.M. Coetzee's Disgrace on the market. Attentive to the politics of literary form and to the controversies of the novel's reception, Van der Vlies's companion will stimulate discussions in the classroom and beyond for some time to come." - Mark Sanders (New York University), author of Ambiguities of Witnessing: Law and Literature in the Time of a Truth Commission

"When it was first published in 1999 Disgrace opened up a uniquely challenging space in our times, the meaning of which we are still trying to grasp. Andrew van der Vlies's wonderful book is an essential guide for all new and not-so-new readers eager to find their own way through this vitally important, absorbingly labyrinthine fiction and the unfolding story of its effects."
- Peter D. McDonald, (Oxford University), author of The Literature Police: Apartheid Censorship and its Cultural Consequences (2009)


'His detailed account of central themes, alongside a narrative of Disgrace's historical context and reception, will bolster the thinking of any casual reader.'
(Times Literary Supplement )


"Lively, succinct, and readable, Andrew van der Vlies’s handbook of key themes, contexts, and intertexts is the best reader’s guide to J.M. Coetzee’s Disgrace on the market. Attentive to the politics of literary form and to the controversies of the novel’s reception, Van der Vlies’s companion will stimulate discussions in the classroom and beyond for some time to come." - Mark Sanders (New York University), author of Ambiguities of Witnessing: Law and Literature in the Time of a Truth Commission

'His detailed account of central themes, alongside a narrative of Disgrace’s historical context and reception, will bolster the thinking of any casual reader.’
(, )

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One of the most widely read novels by a South African-born writer or 'about' South Africa, Nobel Laureate J.M. Coetzee's (second) Booker Prize-winning novel, Disgrace (1999), is a firm favourite with reading groups and a fixture on many university-level courses on postcolonial or international literatures in English. Sometimes regarded as offering a bleak picture of post-apartheid South Africa, Disgrace has also been read as an ultimately hopeful novel about renunciation and redemption.
This introduction offers an indispensable guide to the historical contexts and critical ideas necessary for an informed and rewarding engagement with one of the most significant novels of the last quarter century. Offering an overview of the author's career, informed discussion of the novel's setting and references, this guide considers such issues as the representation of race, gender, the land, and animals, and its concern with language, power, music, confession, and allegory. It provides a discussion of the novel's critical and popular reception, a comprehensive guide to further reading, and questions for discussion.
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Amazon.com: 3.0 out of 5 stars (1 customer review)

3.0 out of 5 stars Comic Book Version, April 30 2012
By Bradley R. Reed - Published on Amazon.com
This review is from: J.M. Coetzee's Disgrace (Paperback)
Our hero (aka: "the disgraced") is a 52 yr old, twice divorced, recently unemployed, womanizer who resides in South Africa. The "self-vanquished" college professor departs both his job and Capetown (in disgrace) leaving behind his whores, including one of his 20 yr old students, to visit his only child in a country "inferno" she calls a farm. While visiting his lesbian daughter (Lucy) at "the farm" he and his daughter are viciously attacked and brutalized by three black Africans. David (the disgraced) has his scalp and an ear seriously burned and his daughter is brutally raped by the three blacks and is impregnated. Lucy (being white) believes that the men who raped her are simply re-paying white Africa for past atrocities. One of the rapist moves in with her caretaker. Lucy decides to keep the baby. Real nice. Our hero, who has taken leave of God (of course), finds solace in euthanizing stray dogs with his daughter's married friend. (Naturally, he does the horizontal bop with his daughter's friend.) Can't let it burn inside, gotta let it out. In the hero's world dogs have souls and goats should not be eaten. I guess the moral of the story is to be kind to dogs (and their souls) and to goats (not sure if they have souls?) but get all the "action" you can because life is short. While all this action is going on our hero is trying to write an opera, I think he called it Byron in Italy. My favorite character (by far) was Lucy's pet bulldog. He had sense enough to latch on to a peeper when called to duty. Quite the tale. You can't make this stuff up. And I thought Philip Roth created modern characters with tons of problems.
 Go to Amazon.com to see the review  3.0 out of 5 stars 

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