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Jackie Brown [Blu-ray + DVD] (Bilingual)


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Jackie Brown [Blu-ray + DVD] (Bilingual) + Pulp Fiction / Fiction Pulpeuse (Bilingual) [Blu-ray + DVD] + Reservoir Dogs: 15th Anniversary Edition [Blu-ray]
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Product Details

  • Actors: Samuel L. Jackson, Pam Grier, Robert de Niro, Michael Keaton, Robert Forster
  • Directors: Quentin Tarantino
  • Writers: Quentin Tarantino, Elmore Leonard
  • Format: NTSC
  • Language: English
  • Dubbed: French
  • Subtitles for the Hearing Impaired: English
  • Region: Region A/1
  • Aspect Ratio: 1.85:1
  • Number of discs: 2
  • MPAA Rating: R
  • Studio: Alliance Films
  • Release Date: Oct. 4 2011
  • Run Time: 154 minutes
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (107 customer reviews)
  • ASIN: B005GNU60U
  • Amazon Bestsellers Rank: #9,665 in DVD (See Top 100 in DVD)

Product Description

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The curiosity of Quentin Tarantino's Jackie Brown is Robert Forster's worldly wise bail bondsman Max Cherry, the most alive character in this adaptation of Elmore Leonard's Rum Punch. The Academy Awards saw it the same way, giving Forster the film's only nomination. The film is more "rum" than "punch" and will certainly disappoint those who are looking for Tarantino's trademark style. This movie is a slow, decaffeinated story of six characters glued to a half million dollars brought illegally into the country. The money belongs to Ordell (Samuel L. Jackson), a gunrunner just bright enough to control his universe and do his own dirty work. His just-paroled friend--a loose term with Ordell--Louis (Robert De Niro) is just taking up space and could be interested in the money. However, his loyalties are in question between his old partner and Ordell's doped-up girl (Bridget Fonda). Certainly Fed Ray Nicolette (Michael Keaton) wants to arrest Ordell with the illegal money. The key is the title character, a late-40s-ish flight attendant (Pam Grier) who can pull her own weight and soon has both sides believing she's working for them. The end result is rarely in doubt, and what is left is two hours of Tarantino's expert dialogue as he moves his characters around town.

Tarantino changed the race of Jackie and Ordell, a move that means little except that it allows Tarantino to heap on black culture and language, something he has a gift and passion for. He said this film is for an older audience although the language and drug use may put them off. The film is not a salute to Grier's blaxploitation films beyond the musical score. Unexpectedly the most fascinating scenes are between Grier and Forster: two neo-stars glowing in the limelight of their first major Hollywood film after decades of work. --Doug Thomas

Special Features

The documentary Jackie Brown: How It Went Down is basically a vacuous cast-and-crew lovefest, but their enthusiasm is genuine, and the other bonus features are consistently worthwhile. A 54-minute interview with Quentin Tarantino seems excessive until you fully appreciate the writer-director's passionate devotion to movies and movie knowledge; film students are advised to listen attentively. The gem of the bunch, however, is the complete "Chicks with Guns" infomercial that's partially seen in Jackie Brown; it's like the NRA meets the Snap-on tools calendar girls! For those seeking pop-cultural perspective, trailers for films starring Robert Forster and Pam Grier demonstrate the rigors of survival in Hollywood, making their Jackie Brown comebacks even more gratifying. At least one deleted scene is a classic, as Grier cracks up Michael Keaton with an improvised zinger. Digging deeper, there's a well-chosen archive of reviews and articles, and DVD-ROM features allowing movie playback with informative text and trivia or side by side with the complete screenplay. --Jeff Shannon

Customer Reviews

4.3 out of 5 stars

Most helpful customer reviews

1 of 1 people found the following review helpful By Jenny J.J.I. TOP 500 REVIEWER on Dec 10 2007
If you were to take this film, and compare it to Tarantino's earlier work, you'd never guess they came from the same director and yes baby he did a great job with "Jackie." This is one of those films which is strange but yet captivating. You'll definitely feel as though you are watching a "Blaxploitation" flick to the point that you'll be wondering what corner Richard Roundtree was hiding behind.

Tarantino slows down a little and shows his skill at plotting an entertaining tale that doesn't tax your patience. In here, you do get less blood and more characterizations than usual and is unlike either of his first 2 movies. In Jackie Brown, Tarantino takes us for a ride as we follow Jackie Brown (Pam Grier), a flight attendant helping an arms dealer named Ordell Robbie (Samuel L. Jackson) get money where it needs to be. After a flight, she is pull aside by two cops, one being Ray Nicolet (Michael Keaton), who find the cash she is smuggling in for Ordell. Now she faces jail time and Ordell must get rid of somebody who might snitch. What happens now is the bail bondsman Max Cherry (Robert Forster) and Brown team up to mess with Ordell and his two pot smoking companions, Melanie (Bridget Fonda) and Louis Gara (Robert De Niro). Now it's a nice plot of how Ordell wants the half a million dollars he has coming to him with these arms deals and how Jackie Brown is the only connection between Ordell and the police and Cherry.

This movie received an Oscar nomination for Best Supporting Actor (Robert Forster) and many good reviews. Forster isn't the only one giving a great performance. De Niro, Fonda, Jackson, Grier, Keaton, even Chris Tucker who is in the movie for probably less than five or ten minutes gives a notable performance.
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Format: DVD
Tarantino did a great job with Jackie Brown. This is one of those films which is strange but yet captivating. You'll definitely feel as though you are watching a "Blaxploitation" flick from the 1970's. Almost to the point that you'll be wondering what corner Richard Roundtree was hiding behind.

Pam Grier, Samuel L. Jackson, Robert Forster, Michael Keaton and De Niro are all stellar as the extreme characters they play in this movie which focuses on lost drug money. Tarantino slows down a little and shows his skill at plotting an entertaining tale that doesn't tax your patience. In here, you do get less blood and more characterizations than usual and is unlike either of his first 2 movies.

However, this movie is uniquely Quentin T. and exhibits his versatile film making style. When he directs he allows his imagination free rein to experiment and explore. Each of his directorial efforts has been unique, and "Jackie Brown" is another successful experiment. This movie does have a very good dialogue. Not surprising considering this WAS an Elmore Leonard book with Tarantino doing the scripting. Both men have quite a talent for what they do. It is also clear that Tarantino loves what he does, sometimes a little too much.

At the end of this, all the adventures and bizarre paths taken by these characters converge into a great film. Highly recommended along with the soundtrack.
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I love Quentin Tarantino. You watch him speak about his art in interviews, and while I realize what I'm responding to might simply be a cleverly-wrought public persona, his energy and enthusiasm for his craft is just so infectious that one cannot help but be energized too. That energy certainly carries over into his movies, and while he may not be the most thrillingly visual director, his undeniable gift for dialogue more than compensates in his films.
PULP FICTION, as of now, is my favorite movie; the dialogue sparkles with wit, and I could hear those lines over and over again without ever getting tired of them. JACKIE BROWN, his follow-up to PF, is just as good as PF, if not quite its superior. Many complained upon its release that this movie was too sluggish and slow-moving (the above Editorial Review calls it "decaffeinated"). Sure, the plot of this movie certainly could become a taut, exciting thriller under another director's hands. But clearly writer-director Tarantino isn't aiming merely for action-movie thrills. He is also focused on his characters, particularly with the two older characters, Jackie Brown (Pam Grier) and Max Cherry (Robert Forster), two characters who have an unspoken attraction to each other that brings an intriguing undertone to a majority of the crime story. If Tarantino takes his time developing his characters and laying out the plot...well, the characters' dialogue is consistently full of life; the characters are interesting (and the performances terrific across the board, particuarly Forster's); and the convoluted plot, when it kicks into high gear, is a source of fascination as well. Watching it, I hardly ever felt that it was too slow for its own good: I was too fascinated by what I was seeing and hearing to notice any possible deficiencies in pacing.
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Jackie Brown is the third film from Quentein Tarantino. The pop cultre master has made another perfect film, and put simply this guy is the man.
Jackie Brown(Grier) is a flight attendant for the worst air line in the U.S.. She doesn't like her job alot, but it pays her bills and lets her work. Ordell(Jackson) is a guns dealer. He sells guns to whoever will buy them and he's not shy about it. He has $500,000 in Mexico and he's slowly smuggling it into the U.S. with Jackie bringing in some on each of her trips. Ordell has just had one of his old prison buddies Louis(De Niro) get out of jail and the ex-con starts working for him. He meets Ordells' stoned out beach bunny girl friend Melanie(Fonda) who knows a lot about Ordell and about his plans.
After Beaumont(Tucker) gets arrested Ordell goes to bail him out. He uses Max Cherry(Forester) as the bails bondman to get Beaumont out. Ordell gets him out and quickly kills him before to much can be said about their link together. The next day Jackie is arrested outside the airport by ATF officers Ray(Keaton) and Mark(Bowen). They know she has the money on her from the tip from Beaumont and they take her to jail. Ordell bails her out using Cherry again.
Cherry goes to get Jackie out and almost instantly falls in love with her. He offers to help her in any way that he can. Jackie being the smart woman she is knows Ordell wants her dead. After she stops his attempt at it thye cut a deal on how to get his money back into the U.S. where neither will have to go to jail. The plot quickly turns into a race where everybody is involved in getting the $500,000. Who is playing who and who will end up with the money. That's the master tail of Jackie Brown.
This movie has the perfect cast in it.
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