Jane and the Canterbury Tale: Being A Jane Austen Mystery Paperback – Aug 30 2011
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Stephanie Barron’s beloved Being A Jane Austen Mystery series is . . .
“[Stephanie] Barron’s ability to capture Austen’s tone helps make this series one of the more literary and enjoyable.”—Publishers Weekly (starred review)
“Wonderful . . . echoing the rhythms of the Austen novels with uncanny ease.”—Entertainment Weekly
“A genteelly jolly series.”—The New York Times Book Review
“Splendid fun!”—Minneapolis Star Tribune
“Charming, literate and unequaled.”—Kirkus Reviews
Excerpt. © Reprinted by permission. All rights reserved.
f CHAPTER ONE g
Marriages Made in Heaven
“. . . either you or I will win
My lady, and if it’s you, rejoicing in
Her love when I am dead, why then you’ll have her.”
Geoffrey Chaucer, “The Knight’s Tale”
Wednesday, 20 October 1813
Godmersham Park, Kent
“Ah, Miss Austen,” cried Mr. Richard Tylden as he offered me a glass of claret this evening—most welcome, as the day had been exceedingly wet, and the crush of persons in the ballroom at Chilham Castle so great as to entirely prevent me approaching the fire—“It has been an age since we met! And yet you appear to greater advantage than ever, if I may permit myself to offer so bold a compliment. That gown is excessively becoming. A shade exactly suited to a lady of your colouring.”
As the gown was new, and a source of inordinate pride—the very kick of fashion and purchased at breathless expence only six months before in Brighton—I blushed like a schoolgirl. “You flatter me, Mr. Tylden.”
“Indeed I do not!” he insisted, and raised his glass in salute. “To marriages made in Heaven,” he intoned, “and acquaintance renewed, after far too long a lapse.”
I had no intention of flirting with the poor man, who is already long since married and devoted to his country church; but I condescended to beam at him before taking a sip of wine. I could not help but be pleased with my situation—having come into Kent with my brother Edward’s entire family party in September, I had endured a headlong whirl of gaiety ever since, and tho’ excessively fatiguing, the change from the quieter pleasures of the Hampshire countryside had undoubtedly done me good. I might revisit all those treasured scenes of happier days, when Edward’s beloved Elizabeth reigned at his beautiful Godmersham Park; serve as counselor to my niece Fanny, who was caught in all the toils of young womanhood; and appear as boon companion to the affected and rather silly spinster charged with the governance of Edward’s madcap younger daughters. In the midst of which, naturally, I snatched the odd hour to jot my immortal phrases into the little books I sew up from bits of foolscap. They have a distinct advantage, in being no larger than the span of a pocket in a lady’s gown—into which mine are frequently slipped, when an unwanted visitor shatters the solitude of Edward’s great library.
There is nothing like a sojourn in the environs of Canterbury, indeed, for the refreshment and further education of a novelist—albeit a secret one, like myself. Everyone is rich here, and each has his peculiar story to tell. I think I could spend my whole life in Kent, collecting my characters and assembling my comic situations; and as I am presently at work on the story of a wealthy and indulged young lady by the name of Emma Woodhouse, who orders the existence of everybody about her exactly to her liking, much as my niece Fanny does—I could not be better placed. A wedding-party at Chilham Castle, for example, with all the elegance of Edward’s Kentish neighbours, must provide endless food for the writer’s imagination. Add to its recommendations, that it is the perfect occasion for the parading of my beloved wine-coloured silk—and you will understand a little of my inner exultation.
No matter if Mr. Tylden were sparse of hair and stooped of shoulder; I knew myself to be in excellent looks, and must be gratified that someone, and a male someone at that, had admired my prize on its first wearing.
“It has been some time since you were come into Kent, I think?” Mr. Tylden persisted.
“Four years, at least.”
“So long! I shall have to dispute the question of hospitality with your esteemed brother, Miss Austen—I certainly shall! I wonder you know your nieces and nephews again, after so long a lapse!”
“But you forget, sir—my brother has lately been staying with all his family on his Hampshire estate, in the village where I myself reside, so that our intercourse has been a matter of daily occurrence.”
“Just so. Nearly half the year they were gone to Chawton, and a refurbishment of Godmersham Park undertaken, I collect, during Mr. Knight’s absence. We were excessively glad to have the whole party back again.”
I frowned a little at the use of Edward’s adoptive name, tho’ it is hardly the first time I have heard it since coming into Kent. My brother must leave off the name of Austen, now that his patroness, our distant cousin Mrs. Knight, has passed from this world. In acceding to his full inheritance, Edward and all his progeny must be Knights forevermore; the Will so stipulates it. Mr. Tylden has accepted the change with more aplomb than myself; he did not stumble over his address, as I am forever doing, when some Kentish neighbour hails Edward unawares.
“And there are the fortunate couple now,” Mr. Tylden observed, setting down his glass with a benevolent look, as befit a man who had united Captain Andrew MacCallister with Adelaide Fiske. The two had just entered the ballroom, followed by our host, Mr. James Wildman, the bride’s cousin; and were receiving congratulations from every side.
“And you truly regard theirs as a marriage made in Heaven?” I enquired idly.
“Who could not? So much gallantry on the gentleman’s side, and so much beauty on the lady’s!”
These observations were certainly apt; and if nothing more than gallantry and beauty were required for conjugal happiness, the MacCallisters bid fair to enjoy a halcyon future. The Captain is a man of thirty, battle-hardened and a coming fellow—attached to the Marquis of Wellington’s staff, no less. Some six years his junior, Adelaide Fiske is just that sort of tall, raven-haired beauty possessed of speaking dark eyes, that must turn every head upon entering a room. She possesses the carriage of a duchess and a figure that should make a courtesan wild with envy—tho’ I may not utter that judgement aloud in present company; only my brother Henry should know how to appreciate it, and he is in London at present. Adelaide Fiske’s life to date, however—but it would be as well to dwell as little as possible on the lady’s sad career. The history of Adelaide’s first marriage and widowhood are all to be forgot, now that she is once more a bride; and I should do well to heed Mr. Tylden’s better angels, in wishing the pair nothing but good fortune—and leaving off the name Fiske for the MacCallister she has vowed to cherish until death.
It is unbecoming in a spinster to dwell upon the ominous at a wedding feast; it smacks of disappointment.
“Ah, they are to dance!” Mr. Tylden cried in appreciation. “Only look how well they appear together!”
And it was true, of course. MacCallister swept his wife into the daring strains of a waltz, his dress uniform a blaze of colour against her pale blue gown. His hair might be of a fiery carrot hue and his features nothing out of the ordinary way, but his shoulders were good; and his countenance was suffused with adoration as he gazed at his wife, so that it seemed almost indecent to observe them. Here was the true article: love deep and encompassing, not the pale social convention that too-often passes for it. I read triumph in the soldier’s look, and guessed he had worked long to win his prize. In the lady’s countenance there was greater reserve; she had long ago learnt to meet the publick eye with composure. Scandal is a hard school for young ladies gently bred.
“Your niece has also taken the floor,” Mr. Tylden observed. “We must regard the waltz as approved in Kent henceforth, Miss Austen, if Miss Knight consents to dance it.”
Miss Knight, indeed. And there was my own dear Fanny, who at the advanced age of twenty had been feverishly practicing the steps of the new dance with her brother the whole of the week past. Her countenance was becomingly flushed, and her grey eyes sparkled as she turned about the ballroom in her oyster silk—we had purchased the stuff for the gown in London together a few weeks since, and she was sublimely conscious of having two flounces to her hem and a bodice cut alarmingly low.
Her partner was a gentleman I did not recognise; his arm encircled Fanny’s waist in a shockingly intimate manner I must attribute to the waltz. He was tailored to swooning point in a black coat and cream satin breeches, his dark locks windswept à la Brutus, and his cravat a miracle of complexity. Far from affecting the Dandy, however, he proclaimed the sporting Corinthian with every inch of his muscular frame. It was his eyes that must chiefly draw attention, however—brooding black eyes that fixed upon Fanny’s with a smouldering look. She had excited a dangerous emotion in the young man’s breast, I judged—one it should be as well, perhaps, to discourage before it caused general comment. Intrigued, I taxed Mr. Tylden for the gentleman’s name.
“That is Julian Thane,” he informed me stiffly. “A very wild young man, from all I hear. Sent down from Oxford in his second year, for crimes as yet unnamed.”
“The bride’s brother?” Adelaide Fiske had been a Thane before her first marriage; and this young buck had his sister’s dark looks and self-possessed air. Julian Thane was the sort of man to throw all the girls of Canterbury into strong hysterics, indeed, if I knew anything of Fanny’s acquaintance. Rakes were in short supply in Kent at any season.
From the indignant looks that followed Mr. Thane from nearly every young man in the neighbourhood, I concluded with some amusement that the interloper should be treated with coldness henceforth; he had poached in other men’s preserves.
Grouped near the French doors letting out onto the balcony were three such Kentish fellows: John Plumptre, a serious young man of Oxford, with intellectual pretensions and a tendency to disapprove of frivolity; George Finch-Hatton, the blond god whom all the local girls apostrophized as Jupiter, whenever his planet swung across their firmament; and James Wildman, son and heir of our host, the most gentleman-like member of the set. I had known them boy and man, in company with my own nephews, as the most attractive and indolent passel of gilded youth as might be met with—friends from birth, companions by schooling and inclination, and united this evening in their disapprobation of my niece’s choice.
Fanny could not have done better than to have accepted Julian Thane for the waltz; she must be in hot request for the remainder of the evening—provided Thane consented to part with her. He looked much as a lion might, that had felled a gazelle; and he was supremely indifferent to the rancour of his friends.
“Young Thane is heir to Wold Hall, in Leicestershire,” Tylden supplied, “tho’ he inherited little enough but debt when his father went off—the old gentleman being as deep a gambler as ever lived. All the Thanes are sadly ramshackle, tho’ it does not do to say so on this happy occasion— Ah, Mr. Knight! Is not this an excellent ball? Are we not blessed in the amiability of our friends?”
“Good evening, Tylden,” my brother Edward answered. “I have come to claim my sister for the waltz. She appears too handsome, indeed, to stand stupidly by with the rest of the chaperons. Dance with me, Jane?”
I had watched Fanny often enough in recent days to have an idea of the steps, tho’ I had never attempted the waltz myself. I might have demurred, indeed—but here was Edward, a man of consequence in the neighbourhood, still handsome at six-and-forty, and from his lost expression, acutely lonely amidst the general revels. As I allowed him to lead me to the floor, I wondered for the thousandth time why my brother had not chosen some one, among the eligible ladies of his acquaintance, to marry. Five years had passed away since the death of his beloved Elizabeth, and still he mourned her. It was not for me to trespass on such private ground, with officious suggestions of companionship and suitable matches. I could only consent to partner him about the ballroom, when wretchedness pressed too hard upon him.
“What do you think of that fellow commandeering Fanny?” he demanded, as he led me to the floor. “Is he an insufferable bounder, or a callow youth not yet up to snuff? I cannot like the steadiness of his hands, Jane—the sensation of grasping a lady’s waist ought to be novel enough to make him tremble with embarrassment, whereas that jackanapes is as cool as a cucumber! One would think he spent every evening with his fingers tangled in a lady’s bodice!”
“Perhaps he does,” I said with amusement. “But you need never fear for Fanny; she is the soul of propriety. Confess, Edward—Mr. Thane is excessively handsome, and Fanny is enjoying herself hugely! I have not seen such an elegant fellow—or such brilliant indifference to publick opinion—since . . .” I paused, having been about to utter the words Lord Harold died, but supplied instead, “. . . my time in Brighton.”
“Ah, so now Julian Thane’s the equal of Lord Byron, is he? My cup runneth over.” Edward glanced darkly at the pirouetting pair. “Poor Fanny is aflame with blushes!”
“Edward,” I chided, “she is merely flushed with the exercise! You refine too much upon a trifle—the waltz is everywhere accepted at private parties now, and Fanny looks very well as she turns about the room. How her mother should have delighted in it! Such a picture as she makes!”
I had long thought privately that Fanny was too little seen, too little known, beyond the circle of her intimate acquaintance in Kent. She ought to have had a true London Season, with a hired house and vouchers for Almack’s—but such an establishment was not to Edward’s taste. It was unfortunate that one of her mother’s relations did not take Fanny under her wing, and chaperon her about the Marriage Mart, for Elizabeth had been of baronet’s blood, and her family might claim the notice of the Great—but I could not raise the subject without being assured that Fanny was perfectly content with her lot. Of course she was! It was not in her nature to find fault with circumstance. Fanny was apt to be grave and sober, when she ought to have been dreaming and frivolous; and for my part, I rejoiced to see her spinning about the room as tho’ her feet had grown wings. Little danger that so circumspect a child should let a man of Julian Thane’s stamp run away with her.
Edward’s eyes followed his daughter as he clasped my hand and waist. “She looks nothing like Elizabeth, you know. Too much Austen in her for real beauty. But she’ll do. By God, she’ll do. My Lizzy would be content, I think. I haven’t failed them all entirely, Jane, have I?”
But when he dragged his gaze from Fanny, I saw that the lost look had not entirely left my brother’s eyes. And I feared that it would remain with him forever.
Perhaps, I thought, as my feet found the music, there really were such things, once, as marriages made in Heaven.
-- Michael S. Miller Book Developer Scribe Inc.
Top Customer Reviews
Most Helpful Customer Reviews on Amazon.com (beta)
In the fall of 1813, while visiting her wealthy, widowed brother Edward at his grand estate in Kent, Jane attends a wedding at the neighboring Chilham Castle. Joined that day in connubial bliss are the beautiful young widow, Adelaide Fiske, and the dashing Captain Andrew McCallister. Jane's young niece Fanny Austen-Knight is also in attendance being courted by a queue of eager Beaux. While locals John Plumptre, James Wildman and George Finch-Hatton watch her dance the scandalous waltz with visiting dandy Julian Thane, a footman delivers a curious gift to the bride, a silken reticule that she accepts with some trepidation. Inside are dried brown beans. Jane is quick to observe that the bride's reaction must have some hidden meaning.
The following morning a man is found dead upon the pilgrim's path on the Godmersham estate near the ancient parish church dedicated to St Lawrence the Martyr. At first it is thought that he was felled by a stray hunting shot by one of the young local men out for a mornings sport of pheasant, but Jane sees the signs of an entirely different transgression. Her brother Edward, First Magistrate for Canterbury, is called to the scene and concurs that this was no hunting accident. The corner arrives to offer his assessment and soon discoveres that the deceased is none other than Curzon Fiske, the thought to be dead first husband of the recently married Adelaide, who after abandoning his wife in a flight from his creditors, departed for India four years prior and died there. Inside the depths of his coat pocket was a stained note with St Lawrence Church written upon it and one dried brown bean - an ominous tamarind seed.
As the mystery swiftly unfolds we are privy to an interesting collection of characters who each have their own tale to tell: a grieving widower, a young girl experiencing romance and heartbreak, an odious clergyman, a Bond Street Beau, a loose maid, a callous and calculating mother, and our adventurous detective Jane Austen, ever observant, always witty, relaying all of their stories in her journal and cleverly solving the crime.
Each chapter is epigraphed by pertinent quotes from Chaucer's tale and every word of this novel is a treasure. Barron is a Nonpareil in channeling my dear Jane. After eleven novels I never doubt her historical detail or unerring voice. This may be the last in the series, and I am sorely grieved at the loss. JANE AND THE CANTERBURY TALE is engaging, rich and dramatic. The ending is a shock, but not nearly as devastating as the possibility of the demise of this series.
Laurel Ann, Austenprose
Edward leads the investigation into the murder of a "dead man". However, it is Jane who finds clues while pondering why the first spouse came to the wedding of his wife to another man, but said nothing but he left something behind for his widow. While Edward frets one of his friends is the killer, the culprit observes Jane getting close to solving the Canterbury Tale homicide.
The latest Jane Austen mystery (see Jane and the Madness of Lord Byron) is a great entry that combines a strong amateur sleuth with insight into the relationships between the extended Austen family members. Part of the fun in this wonderful series is trying to match up the support characters with the novels. The story line is fast-paced from the moment a stunned bride learns of a strange commoner visiting her nuptials and never slows down until Jane and the killer confront one another.
If you're a fan of the series, you should enjoy this. If you haven't read any before, you will be entertained by this, but might benefit from reading the earlier books first, since relationships and characters develop over course of the series.
I'm grateful to Ms. Barron for this terrific series, well written and eminently entertaining.
"I shall chuse to take that as a compliment." p. 55 Fanny Austen-Knight to Jane Austen in Jane and the Canterbury Tale
And this quote is an apt description of the Jane Austen as described by Stephanie Barron in the latest of her brilliant historical mystery series featuring the famous author as sharp-eyed and even sharper witted detective solving ticklish murders that baffle everyone else. The series is written in such a way that it is faithful to the timeline of Jane's life and the real people that moved through it. When fiction meets the authentic, it fits together seamlessly into a cohesive story that is believable. Well...perhaps her penchant for being a magnet for murder might be a bit excessive, but I find myself not minding that at all.
I have been a fan of this series since the beginning and I get so excited when each new installment makes its appearance. This particular segment returns to the home of Jane's brother Edward, Godmersham Park in Kent, as the setting for the story. It is part of a series and would best be read in the series order, but in a pinch it could be read out of order.
Jane is on a visit to her brother and her niece, Fanny. While she's there, they attend the wedding of some people associated with Edward's nearest neighbor. Things get interesting when the bride's ne'er do well dead husband is discovered to have returned from the dead only to be found murdered on The Pilgrim's Way that runs through Edward's property. Edward is the magistrate charged to investigate and he requests Jane's help in untangling this nasty murder that involves people he considers friends and close acquaintance.
The plot was a slow-paced twisty type that laid out the facts, the set of characters/suspects, teased out the character's personalities, and presented just a bit more of Jane's life at the time. It's always interesting how there are several inexplicable little mysteries going on that may or may not have any bearing on the main mystery just like there are so many suspects that its tough to settle on a solution prior to the reveal.
I was impressed with the depth to which the character's were drawn. Even the unlikeable ones or ones that seem almost background are more than 2-D. Many were so sympathetic that I was on pins and needles that one of my favorites would be the culprit.
The historical background is one of the big draws for me to this series. All the little details from the time period from the speech, to the activities, to the description of things like carriages or clothes, household life and social norms. There are nifty footnotes sprinkled through to explain further or show when an actual letter gets quoted.
All in all, this was another sparkling one from this series and I look forward to what comes next. Those who enjoy historical mysteries and particularly those who are Austenesque fans should give this series a try.