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Jayber Crow: A Novel
 
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Jayber Crow: A Novel [Paperback]

Wendell Berry
4.8 out of 5 stars  See all reviews (22 customer reviews)
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The questions who and what and how and why are no doubt useful and occasionally even noble in their place. But for Wendell Berry, whose spare and elegant prose has long testified to the rural American values of thrift and frugality, four interrogatives must seem a waste, when one will do. Where is the ultimate qualifier, the sine qua non, for both the author and his characters. Place shapes them and defines them; the winding Kentucky River and the gentle curves of the Kentucky hills find an echo in their lilting speech and brusque affections.

Jayber Crow is another story of the Port William membership, the community whose life--and lives--Berry has unfurled over the course of a half dozen novels. Jayber himself is an orphan, lately returned to the town. And his status as barber and bachelor places him simultaneously at its center and on its margins. A born observer, he hears much, watches carefully, and spends 50 years learning its citizens by heart.

They were rememberers, carrying in their living thoughts all the history that such places as Port William ever have. I listened to them with all my ears, and have tried to remember what they said, though from remembering what I remember I know that much is lost. Things went to the grave with them that will never be known again.
Jayber tells the town's stories tenderly. Gently elegiac, the novel charts the tension between an urge to isolation and an impulse to connectivity, writ both small and large. As the 20th century moves inexorably forward, swallowing in great mechanized gulps rural towns governed by agricultural rhythms, Port William turns in upon itself. And as Jayber admits quietly, "Once a fabric is torn, it is apt to keep tearing. It was coming apart. The old integrity had been broken." Integrity, both whole and shattered, is key to the stories of Burley Coulter, Cecelia Overhold, Troy Chatham, and above all, Athey Keith and his daughter Mattie, to whom Jayber pledges his undying and unrequited love.

Berry's prose, so carefully tuned that you never know it is there, carries us into the very heart of the land itself; his exquisitely constructed sentences suggesting the cyclic rhythms of his agrarian world. Jayber Crow resonates with variations played on themes of change, looping transitions from war into peace, winter into spring, browning flood destruction into greening fields, absence into presence, lost into found. --Kelly Flynn --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

The role of community in the shaping of character is a recurring theme in the work of poet, essayist and novelist Berry, as evidenced once more in this gratifying novel set in Berry's fictional Port William, Ky. Jayber Crow, town barber from 1937 until 1969, is born in the environs of Port William, but after the deaths of his parents and, later, his guardians, he is sent to an out-of-town orphanage at the age of 10. Returning 13 years later, in the flood year of 1937, the solitary young man goes on to learn the comradely ways of the town. "In modern times much of the doing of the mighty has been the undoing of Port William and its kind," Crow reflectsAa reflection, too, of Berry's often-stated beliefs that salvation must be local, that rootlessness and a fixation on the postindustrial era's bright new toys will destroy us environmentally and economically. Crow earns his living with simple tools; he becomes a church sexton, though he is not unthinkingly pious; and his unrequited love for farmer's wife Mattie Chatham is pure and strong enough to bring him serene faith. In contrast, Mattie's husband, Troy, the novel's villain, disturbs the "patterns and cycles of work" on Mattie's family farm, trumpeting "whatever I see, I want" and using a tractor. The tractor stands for the introduction of new machinery and the unraveling of the fabric of family farming. It is not surprising when Troy cheats on his wife nor does it come as a shock when the Chatham's young daughter becomes a victim of dire chance. Berry's narrative style is deliberately traditional, and the novel's pace is measured and leisurely. Crow's life, which begins as WWI is about to erupt, is emblematic of a century of upheaval, and Berry's anecdotal and episodic tale sounds a challenge to contemporary notions of progress. It is to Berry's credit that a novel so freighted with ideas and ideology manages to project such warmth and luminosity. 12-city author tour. (Sept.)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

22 Reviews
5 star:
 (19)
4 star:
 (2)
3 star:
 (1)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.8 out of 5 stars (22 customer reviews)
 
 
 
 
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3.0 out of 5 stars Too long and tedious at times, Jun 10 2005
By A Customer
This review is from: Jayber Crow: A Novel (Paperback)
While this book certainly has its strong points, on the whole the book is just too long at times with its endless trivial details of the lives of the people of Port William. Perhaps if you grew up in that era, in that kind of town, you might enjoy a nostalgic look back at those simpler times, but otherwise the book comes off as a marathon session of Mayberry RFD.
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5.0 out of 5 stars Berry at his best, May 30 2004
By 
R. Chaffey "beckahi" (Chicago) - See all my reviews
(REAL NAME)   
This review is from: Jayber Crow: A Novel (Paperback)
As a long-time fan of Berry's poetry and essays, I decided it was time to turn to his prose. And I shouldn't have been surprised to find that it was a mingling of those two - a beautifully poetic prose tinged with the instructiveness of an essay. Wendell Berry has proven himself a master storyteller and his tales are always compelling.

"Jayber Crow" tells the life story of Jonah Crow, a barber in the Port William Membership, who affectionately becomes known as Jayber. The novel builds slowly, dwelling on Jayber's youth and his misguided attempts to serve God through the ministry. Disillusioned with too many doubts and questions with no answers in sight, Jayber sets off on his own and eventually discovers his talent for cutting hair. He finds himself the barber of Port William for over thirty years, faithfully cutting hair and participating in the lives of those around him.

Initially, Jayber may seem like a lonely man. He is a confirmed bachelor, who lives in his small apartment above the barber shop. Yet he knows the deepest, fullest extent of love and passion, as yet unrequited by Mattie Keith (Chatham). (As he says, "I was married to Mattie Chatham, but she was not married to me...) He watches Mattie as she herself experiences love, marriage, loss and misery, never once able to express his true feelings for her. Even after he retires as barber, Jayber still remains the town's barber, and becomes an owner of property - a small cottage by the river where he can fish and reflect on the glories of nature. By and by, Jayber comes to find the answers to those doubts and questions he had long ago concerning God and he proves himself to be a faithful servant and steward of God's creation.

Wendell Berry creates a wonderful cast of characters whom he evokes with believability and wisdom. The town of Port William Membership becomes a real place on the Kentucky River, that watches as the land around it becomes more technological and industrial. Yet Berry maintains his focus on how this industrial progress can be just as destructive as others might deem it necessary. Berry shows this distinction in the story of the Keith family - the struggle between father and son-in-law - for the future of the family farm.

Berry's telling of Jayber's life is poetic and often elegiac. As he gives up his barber shop, the reader feels like they are saying goodbye to Jayber as well. We have lived with him through the peaks and valleys, and felt the sting of his unrequited love for Mattie. As industrial progress closes in on Port William, we feel the decrepitude and downfall of the small "backwater" town. We grieve for Jayber's losses; but Berry is not one to let the story die without a hopeful conclusion. His final paragraphs, to me, rank among some of the best conclusions in literature.

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5.0 out of 5 stars Jayber Crow - A personal review, April 6 2004
By 
ernest mcdaniel (West Lafayette, Indiana) - See all my reviews
This review is from: Jayber Crow: A Novel (Paperback)
I just finished reading Jayber Crow, a novel by Wendell Berry. It relates the sojourn of a Kentucky boy, orphaned early; raised by his uncle and aunt to age of 10. Orphaned again by their death, he ends up in a real orphanage. His next stop is a provincial theological seminary where he stays until he finally decides that the stories of the bible are not real. Leaving the seminary he makes his way to Lexington where he finds employment as a stable boy at the trotting track and takes classes in English literature at the University without mingling with other students, taking examinations or otherwise becoming part of the University. His employment status improves as he finds work as a barber using skills he had picked up during his long stay at the orphanage. This is his life until loneliness drives him to place his few belongings in a cardboard box, stuff his savings in his shoes and jacket lining and set off for Port William, the hamlet that held the graves and memories of his childhood.
At some point in his growing up, Jaber had gotten the idea that he had the latent ability of "make something of him self and amount to something."
He ends up as the bachelor barber of Port Williams where most of the male community sooner or later drift into his shop on a more or less regular basis, "...men such as Uncle Isham Quail and Old Jack Beechum and, later, Athey Keith and Mat Feltner, intelligent men who knew things that were surprisingly interesting to me. They were remembers, carrying in their living thoughts all the history that such places as Port Williams ever have. I listened to them with all my ears..."

Jaber Crow does more than just listen. He develops a deep affection for them and an abiding linkage with Port Williams:
"I came to feel tenderness for them all. T his was something new to me. It gave me a curious pleasure to touch them, to help them in and out of the chair, to shave their weather-toughen old faces. They had known hard use, nearly all of them. You could tell it by the way they held themselves and moved. Most of all you could tell it by their hands, which were shaped by wear and often by the twists and swellings of arthritis. They had used their hands forgetfully, as hooks and pliers and hammers, and in every kind of weather. The backs of their hands showed a network of little scars where they had been cut, nicked, thornstuck, pinched, punctured, scraped and burned. Their faces showed that they had suffered things they did not talk about."

But Jaber Crow found more than just interesting faces in Port William. He found himself and he found his community...his place. He had carried with him his loneliness, his isolations, and his self-reliance for a long, long time. " I learned to think of myself as myself. The past was gone. I was unattached. I could put my whole life in a smallish cardboard box and carry it in my hand."
But when he got back to Port Williams and recognized some of the folks he knew and who knew him "...well, that changed me. After all those years of keeping myself aloof and alone, I began to feel tugs from the outside. I felt my life branching and forking out into the known world. ...nothing would ever be simple for me again. I never would be able to put my life in a box and carry it away."
Jayber's place in his community, his role there, his thoughts, his unattained love, and his relationship with the fields, streams and forests of the place provoke an inescapable reflection on what it means to "amount to something, to make something of oneself."

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