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Jazz Paperback – Apr 1 1993

3.9 out of 5 stars 49 customer reviews

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Product Details

  • Paperback: 240 pages
  • Publisher: Plume; Open market ed edition (April 1 1993)
  • Language: English
  • ISBN-10: 0452269652
  • ISBN-13: 978-0452269651
  • Product Dimensions: 13.5 x 1.6 x 20.2 cm
  • Shipping Weight: 200 g
  • Average Customer Review: 3.9 out of 5 stars 49 customer reviews
  • Amazon Bestsellers Rank: #459,436 in Books (See Top 100 in Books)
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Product Description

From Amazon

Lauréate du prestigieux Prix Pulitzer (équivalent du prix Goncourt) avec son roman Beloved, Toni Morrison est l'une des plus fortes voix afro-américaines à être apparue dans la littérature américaine des années 80 et 90. Lié à son histoire personnelle, celle de sa famille et de la communauté noire américaine, ce roman se déroule dans le Harlem des années 20, haut lieu de la bourgeoisie noire et des débuts du jazz. C'est cette musique, la première musique réellement noire-américaine qui rythme le récit, étourdissant.

Joe Trace assassine en 1926 sa jeune maîtresse Dorus devant sa femme, Violette, qui à son tour assassine une deuxième fois sa défunte rivale, dans un mouvement de vengeance folle. Ces deux gestes désespérés, associés au vent de liberté qui flotte sur le Harlem des années 20, vont contraindre les deux époux à chercher dans leur passé commun les traces de leur présent ravagé. Sur un fond de jazz naissant, c'est une fresque de moeurs, à la fois tragique et sublime, à laquelle nous convie Toni Morrison. --Florent Mazzoleni --This text refers to an alternate Paperback edition.

From Publishers Weekly

Morrison's authoritative novel--a BOMC main selection and a 17-week PW bestseller in cloth--tells the story of three intersecting tragic lives, and adroitly uses the motif of jazz to make palpable the feel and excitement of Harlem in the 1920s.
Copyright 1993 Reed Business Information, Inc.

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Customer Reviews

Top Customer Reviews

Format: Paperback
The book is a kind of poetry. Every word of it is right. You have to figure out how to be welcoming and defensive at the same time in the city according to one of the characters. Violet and Joe Trace live on Lenox Ave. in Harlem. Violet went to Dorcas Manfred's funeral with a knife. This occurred in 1926. Later she acquired a picture of the girl so that she and Joe could look at it in their living room. Violet is an unlicensed beautician who works in the apartment or in the apartments of her customers. After the funeral Violet usually worked in other places where people took pity on her and permitted her to do their hair. Violet had listened to her grandmother, True Belle, tell Baltimore stories. After the funeral Violet threw out her birds. This left her without her routines, rituals.
Joe and Violet met in Vesper County, Virginia in 1906. Dorcas moved to the city from East St. Louis where her parents had been killed in the riots. She lived with her Aunt Alice who disliked the music and felt it was responsible for most social ills. By the time she was eleven her whole life was unbearable. Alice Manfred worked hard to make her niece private, but she was no match for a city seeping music. Joe met Dorcas at Alice Manfred's place. Alice tells Violet sometime after Dorcas's death that she does not understand women with knives. Violet's father and mother had been dispossessed, in a sense driven off of the land. Her mother committed suicide just before one of the four or so times when her father returned to the family with funds. The important thing learned by Violet was never to have children. She had met Joe when she was doing a bad job of picking cotton. Joe did not want children either. Later on, though, Violet longed for a child.
Dorcas was young but wise.
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Format: Paperback
Morrison has done it again. The story of a twisted love affair gone awry, Jazz takes you through the streets of an up and coming Harlem in the 1920s. It bares the souls and psyches of Violet, a 50-something black woman going through a midlife crisis, and her husband Joe, who falls in love with a teenage girl in an attempt understand his disjointed past.
If you have read any of Toni Morrison's works, this book follows the exact same pattern of her others: no visible pattern at all, but somehow coming together throughout the various narratives in various times and places within history. Although many questions are left unanswered, you still feel as if you have been immersed in a dream, a fantastic journey into the past that you never want to end. Morrison's writing is both beautiful and complex. There literally are no words to describe it. There is no one else out there like Morrison.
I suggest that first-time Toni Morrison readers start off with Sula, which is her shortest and least complex work, but still one of her greatest, and then pick up Jazz after you have read a few others including Beloved, Tar Baby, and Song of Solomon.
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Format: Paperback
After having read this novel I can't believe all the negative reviews, most people claiming that the novel was too hard or difficult to follow. I've read 4 of Morrison's books (The Bluest Eye, Song of Solomon, Sula and Beloved) and I'll have to say that enjoyed this one amensely and I pretty much read over a span of three days. It's not a difficult read, nor is it difficult to follow if you've read any of her before or read Hemmingway, Faulkner or Kerouac for that matter. On a second reading of any of Morrison's novels, you always come away with something new, as with any quality piece of literature. So I really don't buy into this idea that Morrison's novels, this one in particular are difficult to read.
This being said, I found this novel to be a great pleasure, a story that's simple enough about a middle-aged married black couple The Traces in "the City" during 1920's the husband Joe Trace has a fling with a young girl named Dorcas Manfred whom he later kills in the middle of party though the girl's Aunt/Guardian doesn't press charges and the wife Violet "Violent" Trace tries to disfigure the dead girl in the casket at her funeral. That's basically it without giving away the novel. There is an almost sensual use of language here that tells the stories behind the story that is common in Morrison's novels that gives Jazz that particular kind of flavor that distinguishes it from Morrison's other works and makes this novel more than a pleasure to read. I highly recommend it!
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Format: Paperback
Inspired by a newspaper story where a woman stabbed a dead woman at the funeral, Morrison tackles obsession, vitriolic hatred manifested as marrings. The marring of a deep love by an affair, the marring of the mistress, the marring of Violet's reputation/identity by her actions throughout the community that once embraced her.
To defend, to attack a live mistress/sexual opponent is acceptable but when one's husband has killed hsi mistress to hold the love in amber, is madness. A madness that goes deeper than what we can imagine.
Or can we?
In Tar Baby, the topic was love and loving with White people as the background, a white canvas, if you will but here, it is Black on black canvas. Cry for freedom by traveling from the South as a loving couple, cry for release through a 50 year old man finding love with an 18 year old girl and then cry vengeance with a capital V for Violet. Hot like hot chocolate in hell, thsi book is jazz, hits its mark with the improvisation, the dance of the sentences that are no longer simply poetry but now notes, harmony, lyrics, melody dancing along the ceiling, on the wall as shadows, as figures entwined first 1 then 2 then 3 then 2 then a solitary one again. Bebop, bebop. 4 beat to 8 beat to 16 beat then to 8 then to 4. Improved as scat through Coltrane, a love supreme, a love supreme, a love supreme.
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