I think it is safe to say that more people have heard about "Billy the Kid versus Dracula," the 1966 drive-in flick that had John Carradine hamming it up as the vampire count who is involved in a love triangle with the infamous American outlaw suddenly turned good guy, than have actually seen the film. But somehow I managed to remain ignorant of "Jesse James Meets Frankenstein's Daughter," made by the same writer (Carl K. Hittleman) and same director (William Beaudine) that same year (1966). Part of the reason that this film has seeped through the cracks of pop culture history is that it lacks the redeeming campy nature of the other film, which was at least laughably bad. This one will just make you wince.
"Jesse James Meets Frankenstein's Daughter" flips the situation of "Billy the Kid versus Dracula" with the cowboy coming to the monster this time around. Jesse James (John Lupton) is being pursued by Marhsal MacPhee (Jim Davis; that is right, Jock Ewing himself), so he hides out in Baron Frankenstein's hacienda, which is now being run by his granddaughter Maria (Narda Onyx) and her brother Rudolph (Steven Geray), both of whom have pretty bad fake German accents. She is a chip off the old mad scientist's block, and promptly turns Jesse's less than intelligent sidekick, Hank Tracy (Cal Bolder), into a bald zombie now named Igor. She has been experimenting with brain transplants on the local young boys and that has not been working out so well.
Believe it or not "historically" this film takes place between the disastrous James gang attempt to rob a bank in Northfield, Minnesota and Jesse's death (Jesse even calls himself "Mr. Howard"). There is also the Wild Bunch, led by Butch Curry, so that a large part of this film is a relatively straightforward western. It is only when Hank needs a doctor that Jesse ends up over at the Frankenstein place; however, I defy you to explain why Juanita (Estelita Rodriquez) would take anybody back there now that she has finally succeeded in getting away from the crazy sibling tag team. This film is literally a collision between these two genres, like Hittleman wrote two scripts for two different genres and then mixed them together.
If for some reason you feel compelled to watch this film, then I would strongly suggest you check out the DVD version, which benefits from being presented by Joe Bob Briggs. That alone has got to double the entertainment value of watching "Jesse James Meets Frankenstein's Daughter." If you decided to do a drive-in double feature by screening both this one and "Billy the Kid versus Dracula," the order in which you view the two films is pretty much irrelevant (i.e., I have no opinion on which order would either provide the most fun or result in the least amount of harm to your cinematic sensibilities).