From Amazon
The unnamed narrator in Jesus' Son lives through a car wreck and a heroin overdose. Is he blessed? He cheats, lies, steals--but possesses a child's (or a mystic's) uncanny way of expressing the bare essence of things around him. In its own strange and luminous way, this linked collection of short fiction does the same. The stories follow characters who are seemingly marginalized beyond hope, drifting through a narcotic haze of ennui, failed relationships, and petty crime. In "Dundun" the narrator decides to take a shooting victim to the hospital, though not for the usual reasons: "I wanted to be the one who saw it through and got McInnes to the doctor without a wreck. People would talk about it, and I hoped I would be liked." Later he takes his own pathetic stab at violence in "The Other Man," attempting to avenge a drug rip-off but succeeding only at terrorizing an innocent family. Each meandering story--some utterly lacking in the usual elements of plot, including a beginning and an end--nonetheless demands compulsive reading, with Denis Johnson's first calling as a poet apparent in the off-kilter beauty of his prose. Open to any page and gems spill forth: "I knew every raindrop by its name. I sensed everything before it happened. I knew a certain Oldsmobile would stop for me even before it slowed, and by the sweet voices of the family inside that we'd have an accident in the storm."
The most successful stories in the collection offer moments of startling clarity. In "Car Crash While Hitchhiking," for instance, the narrator feels most alive while in the presence of another's loss: "Down the hall came the wife. She was glorious, burning. She didn't know yet that her husband was dead.... What a pair of lungs! She shrieked as I imagined an eagle would shriek. It felt wonderful to be alive to hear it! I've gone looking for that feeling everywhere." In "Work," while "salvaging" copper wire from a flooded house to fund their habits, the narrator and an acquaintance stop to watch the nearly unfathomable sight of a beautiful, naked woman paragliding up the river. Later the narrator learns that the house once belonged to his down-and-out accomplice and that the woman is his estranged wife. "As nearly as I could tell, I'd wandered into some sort of dream that Wayne was having about his wife, and his house," he reasons. Such is the experience for the reader. More Genet than Bukowski, Denis Johnson lures us into a misfit soul's dream from which he can't awake. --Langdon Cook --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Taking its title from a line in Lou Reed's notorious song "Heroin," this story collection by with-it novelist Johnson focuses on the familiar themes of addiction and recovery. In his novels ( Angels ; Resuscitation of a Hanged Man ) Johnson has shown his ability to transform the commonplace into the extraordinary, but this volume of 11 stories is no better than, and often seems inferior to, the self-destruction/spiritual rehab books currently crowding bookstore shelves. All of the tales, set in the Midwest and West, are told by a single narrator, and while this should provide unity and depth, instead it makes the stories fragmentary and monotonous. Some disturbing moments do recall Johnson at his inventive best, as when a peeping Tom catches sight of a Mennonite man washing his wife's feet after a marital spat in "Beverly Home," or when the narrator 'fesses up to his fright in a confrontation with the boyfriend--"a mean, skinny, intelligent man who I happened to feel inferior to"--of a woman he's fondling in "Two Men." But for the most part the stories are neurasthenic, as though Johnson hopes the shock value of characters fatally overdosing in the presence of lovers and friends will substitute for creativity and hard work from him. Even the dialogue for the most part lacks Johnson's usual energy.
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
Set in the Midwest and West, these aggressively grim stories are linked by a common narrator--a young, nameless substance abuser of unspecified background and education. Like the other marginal and directionless individuals who populate these tales, he is locked into a downward spiral of booze, drugs, and petty crime, the squalor of his life emblematic of a more profound spiritual malaise. The best pieces--like "Beverly Home," which concerns a recovering addict who spies on a Mennonite couple through their bedroom window, and "Car Crash While Hitchhiking," which is exactly what the title implies--balance longing with despair, revealing the yearning for a kind of meaning ultimately lost to these lives. Johnson writes with hallucinatory brilliance, giving these stories a nightmarish edge. Bleak and disturbing, they are not for the faint-hearted.
- Lawrence Rungren, Bedford Free P.L., Mass.
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
- Lawrence Rungren, Bedford Free P.L., Mass.
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Review
"Reading these stories is like reading ticker tape from the subconscious."--The Nation
"A work of spare beauty and almost religious intensity."--Entertainment Weekly
"Intense, vicious, and beautiful, these stories are fraught with a cutting wit purposefully juxtaposed against the too-big sentimentality of a drunk. Denis Johnson is an exquisite writer."--Mary Gaitskill
"A work of spare beauty and almost religious intensity."--Entertainment Weekly
"Intense, vicious, and beautiful, these stories are fraught with a cutting wit purposefully juxtaposed against the too-big sentimentality of a drunk. Denis Johnson is an exquisite writer."--Mary Gaitskill
"[Dennis Johnson is] a synthesizer of profoundly American voices: we can hear Twain in his biting irony, Whitman in his erotic excess, not a little of Dashiell Hammett too in the hard sentences he throws back at his gouged, wounded world. And behind all these you sense something else: a visionary angel, a Kerouac, or, better yet, a Blake, who has seen his demon and yearned for God and forged a language to contain them both."--Newsday
"Ferocious intensity. . . . No American novelist since William Burroughs has so flagrantly risked 'insensitivity' in an effort to depict the pathology of addiction."--The New York Times Book Review
Book Description
Jesus' Son is a visionary chronicle of dreamers, addicts, and lost souls. These stories tell of spiraling grief and trancendence, of rock bottom and redemption, of getting lost an dfound and lost again. The raw beauty and careening energy of Denis Johnson's prose has earned this book a place among the classics of twentieth-century American literature.
About the Author
DENIS JOHNSON is the author of seven works of fiction, three collections of poetry, and one book of reportage. He is the recipient of a Lannan Fellowship and a Whiting Writers' Award, among many other honors for his work.
Excerpt. © Reprinted by permission. All rights reserved.
Jesus' Son
Car Crash While Hitchhiking
A salesman who shared his liquor and steered while sleeping ... A Cherokee filled with bourbon ... A VW no more than a bubble of hashish fumes, captained by a college student ...
And a family from Marshalltown who headonned and killed forever a man driving west out of Bethany, Missouri ...
... I rose up sopping wet from sleeping under the pouring rain, and something less than conscious, thanks to the first three of the people I've already named--the salesman and the Indian and the student--all of whom had given me drugs. At the head of the entrance ramp I waited without hope of a ride. What was the point, even, of rolling up my sleeping bag when I was too wet to be let into anybody's car? I draped it around me like a cape. The downpour raked the asphalt and gurgled in the ruts. My thoughts zoomed pitifully. The travelling salesman had fed me pills that made the linings of my veins feel scraped out. My jaw ached. I knew every raindrop by its name. I sensed everything before it happened. I knew a certain Oldsmobile would stop for me even before it slowed, and by the sweet voices of the family inside it I knew we'd have an accident in the storm.
I didn't care. They said they'd take me all the way.
The man and the wife put the little girl up front with them and left the baby in back with me and my dripping bedroll. "I'm not taking you anywhere very fast," the man said. "I've got my wife and babies here, that's why."
You are the ones, I thought. And I piled my sleeping bag against the left-hand door and slept across it, not caring whether I lived or died. The baby slept free on the seat beside me. He was about nine months old.
... But before any of this, that afternoon, the salesman and I had swept down into Kansas City in his luxury car. We'd developed a dangerous cynical camaraderie beginning in Texas, where he'd taken me on. We ate up his bottle of amphetamines, and every so often we pulled off the Interstate and bought another pint of Canadian Club and a sack of ice. His car had cylindrical glass holders attached to either door and a white, leathery interior. He said he'd take me home to stay overnight with his family, but first he wanted to stop and see a woman he knew.
Under Midwestern clouds like great grey brains we left the superhighway with a drifting sensation and entered Kansas City's rush hour with a sensation of running aground. As soon as we slowed down, all the magic of travelling together burned away. He went on and on about his girlfriend. "I like this girl, I think I love this girl--but I've got two kids and a wife, and there's certain obligations there. And on top of everything else, I love my wife. I'm gifted with love. I love my kids. I love all my relatives." As he kept on, I felt jilted and sad: "I have a boat, a little sixteen-footer. I have two cars. There's room in the back yard for a swimming pool." Hefound his girlfriend at work. She ran a furniture store, and I lost him there.
The clouds stayed the same until night. Then, in the dark, I didn't see the storm gathering. The driver of the Volkswagen, a college man, the one who stoked my head with all the hashish, let me out beyond the city limits just as it began to rain. Never mind the speed I'd been taking, I was too overcome to stand up. I lay out in the grass off the exit ramp and woke in the middle of a puddle that had filled up around me.
And later, as I've said, I slept in the back seat while the Oldsmobile--the family from Marshalltown--splashed along through the rain. And yet I dreamed I was looking right through my eyelids, and my pulse marked off the seconds of time. The Interstate through western Missouri was, in that era, nothing more than a two-way road, most of it. When a semi truck came toward us and passed going the other way, we were lost in a blinding spray and a warfare of noises such as you get being towed through an automatic car wash. The wipers stood up and lay down across the windshield without much effect. I was exhausted, and after an hour I slept more deeply.
I'd known all along exactly what was going to happen. But the man and his wife woke me up later, denying it viciously.
"Oh--no!"
"NO!"
I was thrown against the back of their seat so hard that it broke. I commenced bouncing back and forth. A liquid which I knew right away was human blood flew around thecar and rained down on my head. When it was over I was in the back seat again, just as I had been. I rose up and looked around. Our headlights had gone out. The radiator was hissing steadily. Beyond that, I didn't hear a thing. As far as I could tell, I was the only one conscious. As my eyes adjusted I saw that the baby was lying on its back beside me as if nothing had happened. Its eyes were open and it was feeling its cheeks with its little hands.
In a minute the driver, who'd been slumped over the wheel, sat up and peered at us. His face was smashed and dark with blood. It made my teeth hurt to look at him--but when he spoke, it didn't sound as if any of his teeth were broken.
"What happened?"
"We had a wreck," he said.
"The baby's okay," I said, although I had no idea how the baby was.
He turned to his wife.
"Janice," he said. "Janice, Janice!"
"Is she okay?"
"She's dead!" he said, shaking her angrily.
"No, she's not." I was ready to deny everything myself now.
Their little girl was alive, but knocked out. She whimpered in her sleep. But the man went on shaking his wife.
"Janice!" he hollered.
His wife moaned.
"She's not dead," I said, clambering from the car and running away.
"She won't wake up," I heard him say.
I was standing out here in the night, with the baby, for some reason, in my arms. It must have still been raining, but I remember nothing about the weather. We'd collided with another car on what I now perceived was a two-lane bridge. The water beneath us was invisible in the dark.
Moving toward the other car I began to hear rasping, metallic snores. Somebody was flung halfway out the passenger door, which was open, in the posture of one hanging from a trapeze by his ankles. The car had been broadsided, smashed so flat that no room was left inside it even for this person's legs, to say nothing of a driver or any other passengers. I just walked right on past.
Headlights were coming from far off. I made for the head of the bridge, waving them to a stop with one arm and clutching the baby to my shoulder with the other.
It was a big semi, grinding its gears as it decelerated. The driver rolled down his window and I shouted up at him, "There's a wreck. Go for help."
"I can't turn around here," he said.
He let me and the baby up on the passenger side, and we just sat there in the cab, looking at the wreckage in his headlights.
"Is everybody dead?" he asked.
"I can't tell who is and who isn't," I admitted.
He poured himself a cup of coffee from a thermos and switched off all but his parking lights.
"What time is it?"
"Oh, it's around quarter after three," he said.
By his manner he seemed to endorse the idea of not doing anything about this. I was relieved and tearful. I'dthought something was required of me, but I hadn't wanted to find out what it was.
When another car showed coming in the opposite direction, I thought I should talk to them. "Can you keep the baby?" I asked the truck driver.
"You'd better hang on to him," the driver said. "It's a boy, isn't it?"
"Well, I think so," I said.
The man hanging out of the wrecked car was still alive as I passed, and I stopped, grown a little more used to the idea now of how really badly broken he was, and made sure there was nothing I could do. He was snoring loudly and rudely. His blood bubbled out of his mouth with every breath. He wouldn't be taking many more. I knew that, but he didn't, and therefore I looked down into the great pity of a person's life on this earth. I don't mean that we all end up dead, that's not the great pity. I mean that he couldn't tell me what he was dreaming, and I couldn't tell him what was real.
Before too long there were cars backed up for a ways at either end of the bridge, and headlights giving a night-game atmosphere to the steaming rubble, and ambulances and cop cars nudging through so that the air pulsed with color. I didn't talk to anyone. My secret was that in this short while I had gone from being the president of this tragedy to being a faceless onlooker at a gory wreck. At some point an officer learned that I was one of the passengers, and took my statement. I don't remember any of this, except that he told me, "Put out your cigarette." We paused in our conversation to watch the dying man being loaded into the ambulance. Hewas still alive, still dreaming obscenely. The blood ran off him in strings. His knees jerked and his head rattled.
There was nothing wrong with me, and I hadn't seen anything, but the policeman had to question me and take me to the hospital anyway. The word came over his car radio that the man was now dead, just as we came under the awning of the emergency-room entrance.
I stood in a tiled corridor with my wet sleeping bag bunched against the wall beside me, talking to a man from the local funeral home.
The doctor stopped to tell me I'd better have an X-ray.
"No."
"Now would be the time. If something turns up later ..."
"There's nothing wrong with me."
Down the hall came the wife. She was glorious, burning. She didn't know yet that her husband was dead. We knew. That's what gave her such power over us. The doctor took her into a room with a desk at the end of the hall, and from under the closed door a slab of brilliance radiated as if, by some stupendous process, diamonds were being...
