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4.0 out of 5 stars
Jeanne d'Arc in the service of WWI propaganda, Dec 5 2003
This review is from: Joan the Woman (DVD)
In 1916 a british soldier volunteers for a suicide mission. Jeanne d'Arc appears in his dreams and announces that he should right the wrong he committed against her. This soldier is apparently the reincarnation of Eric Trenet who raided the village of Domremy where Jeanne, a robust peasant girl saved his life and fell in love with him. Charles VII, the rightful king of France idles in the shabby court of Chinon and has not even enough money to pay the butcher. England & Burgundy employ the "Spider" to pamper and amuse the king while their armies lay siege to Orleans. Jeanne obeys her "voices" and appeals to the king to let her command his troops. In the battle of the towers she liberates the besieged city of Orleans. She is hailed as a hero, but the spider summons the mad monk to cause her downfall. Eric Trenet is taken as a prisoner, but she saves his life for a second time. At Rheims, Jeanne prevents the disloyal bishop Cauchon from poisoning the king but the web is tightening. The mad monk and the spider defame her as a witch. The english king orders Trenet to trap her. She has the vision of a black horseman and feels that her end is near. On her way to Compiege she is captured by the british. Trenet becomes a count but he feels ashamed. The monk and the bishop rejoice. They pray canting for her soul. The Spider dissuades king Charles from paying her ransom. She is put on trial as a witch. In a travesty of justice she is brought to a torture chamber and the mad monk threatens her with a white-hot rod. In her fear she is willing to revoke and put on women's clothes. But bishop Cauchon lets the worst ruffian in her cell. The priests observe with lip-smacking delight trough a peep-hole how this drunken man molests her. When she puts on men's clothes again the bishop pronounces her a relapsed heretic and announces her sentence: burning at the stake. Even the mad monk repents. She has the vision of an angel and wins strength from her faith. King Charles and his retinue live high and carouse. The public sqare where the stake is constructed becomes a fun-fair. Trenet prays: God forgive us, we burned a saint. The british soldier volunteers to carry a bomb behind enemy lines because he realizes that, since the britsh are responsible for Jeanne d'Arcs death it is their duty to help France... If the message seems forced it proves nevertheless that Cecil B. De Mille had an imagination. This film is famous for its special effects: double exposure (for the visions), colorizing. The fire has the color of fire and so have the seachlights in the war scenes. The acting is very good. Geraldine Farrar was a famous primadonna (She was often Carusos partner). Her performance is rather flamboyant than subtle, but this makes sense: her Jeanne has leadership qualities. Best of all: Raymond Hatton plays the weakly king in a kind of early Woody Allen performance. The baddies - the Spider, the monk, the bishop - are excellent. But not everything is perfect in this film. The first half consists of a seemingly endless series of battle scenes. De Mille had the command over thousands of extras, but they stumble pellmell over each other. Compare this with the masterful arrangements in Eisenstein's films. Excess alone is not art! If you appreciate opulence and high production values, De Mille is your man, but if you prefer the psycho-drama, then Dreyer's LA PASSION DE JEANNE D'ARC is the better film.
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27 of 29 people found the following review helpful:
5.0 out of 5 stars
The greatest Joan of Arc of the screen, Mar 9 2000
By Christoph Berner - Published on Amazon.com
This review is from: Joan the Woman (VHS Tape)
Well, though having watched Milla Jovovich as the new "Joan of Arc" in Luc Besson`s film a few weeks ago (although it is very good) no other treatment of the story comes as close as this 1916 masterpiece, which stands up as one of the first true epics in cinema history. You may wonder about the melodramatic storyline and the propaganda input into the movie when glorifying Joan of Arc as the saviour of France even 600 years later from the German enemy, but these scenes are more than made up by the typical DeMille treatment, involving grand scale battle scenes, beautiful sets for the time, a great performance by opera diva Geraldine Farrar (very holy) and a rousing organ score which will certainly haunt you even after seeing the movie. A movie that certainly rivaled "Intolerance" for the title of the greatest movie in the 1910`s. And a scene you certainly won`t forget is the moving climax when Joan is burned as a saint ... shot in an unbelievable beautiful done hand-colored scene that shows everyone the almost magical power of the silent screen. Certainly one of Cecil DeMille`s best films, even in this early stage of his career.
5 of 6 people found the following review helpful:
5.0 out of 5 stars
Early Cecil B De Mille at his best!, Jun 20 2005
By Barbara (Burkowsky) Underwood - Published on Amazon.com
This review is from: Joan the Woman (DVD)
This 1916 production is DeMille's first big spectacle picture and lays the groundwork for his most famous work in later decades, and it already has many of the DeMille hallmarks: grand battle scenes, impressive sets and dramatic performances by the principal players. "Joan the Woman" is a fairly accurate historical account of Joan of Arc, with the addition of a romance between Joan and Englishman Eric Trent to add deeper emotion and drama to which the audience can relate, as well as another intriguing aspect to make the film come to life and have relevance in our time: placing the story of Joan within the story about a World War I soldier faced with a suicidal mission and in need of saintly courage like that of a martyr, Joan of Arc. By far the bulk of the picture is about Joan, beginning with her first vision of an angel and hearing her calling, to her burning at the stake as a witch. Joan is portrayed superbly by the multi-talented opera singer Geraldine Farrar, (who also wrote songs and a few books) and I can't imagine anyone else playing the part of Joan better than she did. While not possessing the usual slim figure we are used to seeing in our heroines, Farrar's stout figure is perfect for the part Joan of Arc took upon herself, namely dressing as a man, a soldier, and leading the French Army to victory. Her gestures and serene face express the holy side of Joan, and I found Wallace Reid, a popular actor of the times, in the role of Eric Trent also a perfect choice. Apart from performances, there are many images that DeMille captures to express a mood or idea, and overall this is a beautiful, artistic film; in my opinion better than most of his later big spectacles. The picture quality on this DVD is wonderfully clear, and near the end we are treated to some special colour effects for the flames that engulf Joan at the stake. For such a grand picture I imagine an orchestral score would do it proper justice, but the organ accompaniment is the actual 1916 score and has all the necessary variety to emphasize the moods and dramas in the film. "Joan the Woman" is no doubt an important milestone in Cecil B DeMille's career, as well as in the development of the film industry; "Joan the Woman" competing with other big epics and directors such as D. W. Griffith and "Intolerance". Apart from having an important place in the silent film era - and in any good silent film collection - "Joan the Woman" would also be significant to anyone interested in history, particularly Joan or Arc.
1.0 out of 5 stars
Silence is not golden, Dec 16 2011
By Anthony J. Brida "razorSpirit" - Published on Amazon.com
Disappointed. Not expecting a silent movie. Would've been nice to know it was a silent movie before renting. I'd like to have seen a trailer before purchasing.
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