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Job: Comedy of Justice Mass Market Paperback – Oct 12 1985


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Product Details

  • Mass Market Paperback: 448 pages
  • Publisher: Del Rey; Reissue edition (Oct. 12 1985)
  • Language: English
  • ISBN-10: 0345316509
  • ISBN-13: 978-0345316509
  • Product Dimensions: 10.6 x 2.4 x 17.4 cm
  • Shipping Weight: 227 g
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (76 customer reviews)
  • Amazon Bestsellers Rank: #272,956 in Books (See Top 100 in Books)

Product Description

From the Publisher

Like many people, I go way, way back with Heinlein. My very favorite book (and one that stands out in my mind--and with much affection--to this day) is Tunnel in the Sky. I really, really wanted to go off to explore new worlds with a covered wagon and horses, like the hero does at the very end of the book. But one of the nice things about Robert Heinlein is that he's got something for everyone. One of my best friends has a different favorite: Podkayne of Mars. Go figure.
                        --Shelly Shapiro, Executive Editor

About the Author

Robert A. Heinlein was one of the greatest science fiction writers of the century and won the coveted Hugo Award on several occasions. He died in 1989. --This text refers to the Paperback edition.

Customer Reviews

4.6 out of 5 stars

Most helpful customer reviews

2 of 2 people found the following review helpful By Zafri M. on Oct. 19 2009
Format: Mass Market Paperback
A for "Job: A comedy of justice" by Robert Heinlein

A bit weird, but his rich characters and their plight makes for a humour-filled ride. I enjoyed it as the funny novel that it is, but I think "Starship Troopers", "The Moon is a Harsh Mistress", and "Stranger in a Strange Land" still stand as better examples of his work. This is a fun romp, with some interesting philosophical implications, but it is not his greatest work.
Still highly recommended.
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1 of 1 people found the following review helpful By "jradoff" on March 25 2004
Format: Mass Market Paperback
I first read this book as a teenager. Perhaps this was the best time I could have opened the cover to Job, a time when I was questioning many of the things I had been taught. My mind was pliant clay where ideas were constantly clashing. I was a youth who suspected that society was rife with hypocrisy and lies.
Why do we believe what we do? Why are certain parables regarded as examples of morality? Have we been conditioned to believe that great evils were in fact just and moral? What the heck is morality anyway?
These are a few of the questions that Job will challenge you with. It is a book that left an indelible impression on me, and caused me to reject many of the things I had been force-fed as a child.
If you are looking for Heinlein's typical science-fiction, you won't find it here. Instead you'll find a story spun from Heinlein's ascerbic wit that navigates the human system of beliefs and values, and does so with greater incisiveness than he's done in any other title.
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Format: Mass Market Paperback
This late-period Heinlein work is one of my personal favorites of his, although I don't think it's one of his absolutely top-drawer novels. Heinlein kept experimenting right up to the very end; this is his last novel but two, and the final two were just as daringly experimental.
This one is essentially a retelling of the story of Job, with Alexander Hergensheimer as the put-upon protagonist. The outcome, too, parallels the story of Job, but I can't tell you how without giving away the ending. Let's just say that Heinlein borrows from, and builds on, some of his own nearly-forgotten early fantasy/horror works, particularly 'They' and 'The Unpleasant Profession of Jonathan Hoag'.
It's also a grand homage to two of Heinlein's literary forebears -- James Branch Cabell (_Jurgen: A Comedy of Justice_) and Samuel Langhorne Clemens ('Mark Twain'; 'Captain Stormfield's Visit to Heaven'). You don't _have_ to know this in order to appreciate the story, but it helps.
You probably already know the plot. On a bet, Hergensheimer undertakes a firewalk and comes out the other side in a different world, one in which people keep calling him 'Alec Graham'. Level One plot: Who is Graham and how did Hergensheimer come to take his place? And what's up with this world-changing business?
Hergensheimer is also a minister in a conservative Protestant sect, and he's married. But in his new world, he's got Graham's girlfriend: a stunning Danish beauty named Margrethe, with whom he commits all sorts of 'sins' and for whose soul he is deeply concerned (she worships Odin). Level Two plot: How does Hergensheimer handle all the moral quandaries, and how does he grow and change in the process?
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By Rachel E. Watkins on March 16 2004
Format: Mass Market Paperback
I personally did not find this tragedy to be a comedy, rather a well done work about utter futility. Heinlein deffinitly decided to stray from his beaten path in this book, and the result is very good. No Jubal Hershal/Lazrus Long types will you find in excess...just one pious man for whom life has turned utterly wrong, and his love.
The various paralell universes turn out to be prety interresting themselves, the wonder of such things as street lights(people will actually obey a light?) or other minor things add to the story. As they move through elaborate tests, the world changing around them with no warning at random intervals they seek some kind of stability on which to stand. At every turn they work hard, save thier money, only to find all thier hard work for nothing, and themselves destitute once more.
And why all the suffering? His "all-powerful" god wants to have fun with a wager, and send him all this suffering and pain. Unlike the biblical Job, our protaginist does not suffer from boiles and fevers and sickness. Finally, he comes to understand that the world of his creator is not as he had thought, and those enemies of his creator are not all bad.
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Format: Mass Market Paperback
Back in 1942 Heinlein wrote an amazing short story, "The Unleasant Profession of Jonathan Hoag." It was an astonishing story for its time and genre. It was out of print for a number of years, but is now available in "The Fantasies of Robert Heinlein." I mention "Jonathan Hoag" because as he often did in the last decades of his life, Heinlein returned to some of the themes of earlier books. He returned to some of the ideas of "Jonathan Hoag" in this remarkable book, "Job."
Read at one level, this novel is a updated biblical Book of Job. The main character is put through the wringer because of a wager made by his Creator. Read at another level, it is the story of transformation: religious bigot and all-around prig Alex Hergensheimer is transformed into a much better person, even if that may not have been anyone's intent. But at another, deeper level, Heinlein illustrates what is really important, what really matters, what really endures. Because Alex discovers, over the course of the story, what real love can be, and how real love is the most important thing in the universe. More important than the dubious Heaven he finds when, about to lose his wager, the Creator pulls the Last Trump and Alex ascends to sainthood and Heaven, without his true love. He abandons Heaven and harrows Hell to find her. Heinlein couldn't have put it much more plainly.
My favorite scene: when, risen into Heaven as a Saint, Alex asks Heaven's help in finding his wife. And Heaven produces his wife. His first wife. From before he found real love. She's a harridan, and the transformed Alex is appalled. Even the angels are embarrassed for Alex.
The denouement hearkens back to the denouement of "Jonathan Hoag.
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