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Review
“Norman is brilliant at evoking the postwar world from which the Beatles emerged and to which their unprecedented global success signaled the end…. This is the best life of Lennon to date.”
— The Guardian (UK)
“[A] well-crafted and altogether magisterial biography. A rich, rewarding portrait of a brilliant man.”
— The Washington Times
“Mammoth and marvelous.”
— Edmonton Journal
“[Norman] has uncovered much new material in his research for this impressive and highly readable book. It is greatly to Norman’s credit as a biographer that he does justice to all of it in a book whose 854 pages simply fly by.”
— Sunday Times (UK)
“Powerful and heartfelt.”
— Washington Post
“Epic.”
— National Post
From the Hardcover edition.
— The Guardian (UK)
“[A] well-crafted and altogether magisterial biography. A rich, rewarding portrait of a brilliant man.”
— The Washington Times
“Mammoth and marvelous.”
— Edmonton Journal
“[Norman] has uncovered much new material in his research for this impressive and highly readable book. It is greatly to Norman’s credit as a biographer that he does justice to all of it in a book whose 854 pages simply fly by.”
— Sunday Times (UK)
“Powerful and heartfelt.”
— Washington Post
“Epic.”
— National Post
From the Hardcover edition.
Book Description
National Bestseller
Drawing on previously unknown sources, unpublished letters, and unprecedented access to all the key figures, author and journalist Philip Norman gives us the most complete and revealing portrait of John Lennon that is ever likely to be published.
For this masterpiece of biography, Philip Norman set himself the challenge of looking afresh at every aspect of Lennon’s much-chronicled life. He has not just dug deep into the archives, including his own vast collection of tapes and notebooks dating back to the 60s, but spoken to hundreds of witnesses, from every walk of life and every stage of Lennon’s. The interviewees include Sean Lennon, whose moving reminiscences reveal his father as never before, and Yoko Ono, who speaks with sometimes shocking candour about her marriage to John.
In his brilliant Shout!, we were shown a band; in John Lennon, Philip Norman gives us a portrait of a man. It reconciles as never before the contradictions of this endlessly fascinating character–the volatile and violent hippie, the phenomenally wealthy advocate of no possessions, the family man and junkie–and his journey from Liverpool suburbia to becoming one of the presiding geniuses of pop culture.
From the Hardcover edition.
Drawing on previously unknown sources, unpublished letters, and unprecedented access to all the key figures, author and journalist Philip Norman gives us the most complete and revealing portrait of John Lennon that is ever likely to be published.
For this masterpiece of biography, Philip Norman set himself the challenge of looking afresh at every aspect of Lennon’s much-chronicled life. He has not just dug deep into the archives, including his own vast collection of tapes and notebooks dating back to the 60s, but spoken to hundreds of witnesses, from every walk of life and every stage of Lennon’s. The interviewees include Sean Lennon, whose moving reminiscences reveal his father as never before, and Yoko Ono, who speaks with sometimes shocking candour about her marriage to John.
In his brilliant Shout!, we were shown a band; in John Lennon, Philip Norman gives us a portrait of a man. It reconciles as never before the contradictions of this endlessly fascinating character–the volatile and violent hippie, the phenomenally wealthy advocate of no possessions, the family man and junkie–and his journey from Liverpool suburbia to becoming one of the presiding geniuses of pop culture.
From the Hardcover edition.
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Most helpful customer reviews
14 of 14 people found the following review helpful
5.0 out of 5 stars
A day in the life,
By E. A Solinas "ea_solinas" (MD USA) - See all my reviews (HALL OF FAME) (TOP 10 REVIEWER) (REAL NAME)
This review is from: John Lennon: The Life (Hardcover)
Most beloved public figures have many facets -- some of them nasty, some of them pleasant and admirable. Most biographies either focus on the good, or the bad.But fortunately, Philip Norman is making a valiant effort to show, if not all of John Lennon's facets, then as many of them as possible. Having explored the Beatles and their impact on a generation, Norman narrows his focus down to "John Lennon: The Life" -- and he does a superb job unearthing the many details, relationships and differing faces of this much-lamented rock star. We'll never get a John Lennon autobiography, but Norman does a pretty good job of getting inside his shaggy head. John Lennon was born into an incredibly stormy marriage (which broke up soon after) and raised by his loving, strict Aunt Mimi, though he was something of a hellraising trickster as a child. The one blot: the tragic, shocking death of his mother Julia. Of course, everyone knows what happened later -- after a brief stint at art school, Lennon became part of a band with an ever-shifting name, and started working on pop songs alongside Paul McCartney. Though briefly devastated by the death of a bandmate, Lennon quickly rose to fame and fortune when the renamed Beatles became not just a hit band, but a new way of life for the youth of Britain, and then the entire world. Hit album after hit album poured from the Beatles, along with the usual rock-star intake of drugs, sex and occasional PR disasters. But Lennon's interests began to stray in more spiritual directions, and as his marriage to the sweet-natured Cynthia fell apart, he met and fell in love with eccentric Japanese artist Yoko Ono. Suddenly he was devoting himself not to pop hits, but to experimental numbers, "bed-ins" and sitting in bags, and using his world-wide celebrity for the furtherance of peace. While this lifestyle didn't quite tame Lennon's wild side, it led to new focuses in his life -- until it was tragically cut short. You have to hand it to Philip Norman. While most biographers tend to portray Lennon as a hippie saint or a hopeless jerk, he tries very hard to find a happy medium that encompasses all of Lennon's personality: a flawed man who had a boatload of issues and could be both cruel and kind. While he gets a bit worshipy in the latter parts of Lennon's life, Norman does a pretty good portraying both the musician and those around him in a realistic, compelling light. Additionally, Norman gives as much careful attention to Lennon's youth as he does to the Beatlemania and John/Yoko years -- in particular, his relationships to his mother, Aunt Mimi, Paul McCartney and the delicate artist Stu, as well as the months and years as a struggling young musician. There's lots of pop psychology, but it works. In he meantime, Lennon's life is carefully framed in the political and social climes of the time -- the post-war fifties, colourful psychedelic chaos of the 1960s, and the later, grimmer times of the Vietnam War. Politicians, pop art, Liverpudlian slang and changing societies are all explored in detail, and Norman has the perspectives of a lot of people who actually lived in the time and knew Lennon -- his wives, his sons, his bandmates, and even his Aunt Mimi (and she gets a LOT of words in). He also injects a wry sense of humour into the story (Lennon's aunts turning up at a Beatles performance) as well as a steady, sometimes evocative writing style ("The room reeked of stale beer and wine, and was lined in dusty velvet drapes..."). At the same time, there's some pretty shocking allegations here, such as the claim that Lennon may have been inadvertently involved in the death of his bandmate, but Norman avoids tabloid journalism by explaining why he doubts Lennon actually did any of that. Lennon himself is a colourful mosaic of seemingly contradictory qualities -- he could be mean-spirited (mocking the disabled), wild, kindly, romantic, neglectful, vibrant, brilliantly unconventional and craving a spirituality that's hard to get when you're filthy rich. As seen by Norman, much of his personality seems to be based on the fear of loved ones dying and leaving him, but we get glimpses of dozens of different sides to his psyche. "John Lennon: The Life" attempts to accurately portray one of the twentieth century's most unconventional and beloved pop stars, and for the most part, Philip Norman does a brilliant job.
2 of 2 people found the following review helpful
5.0 out of 5 stars
"There are places I'll remember...",
By
This review is from: John Lennon: The Life (Paperback)
Agreeing with E.A. Solinas' review, this biography touches the good, the bad and the ugly. Phillip Norman does his research and spends his time doing it and you can tell. Norman interviews several individuals who have known Lennon one way or the other, he even quotes from other biographies such as Cynthia Lennon's "John" making sure he covers his tracks and that the reader gets all of the different perspectives.Keep in mind the book is about 900 pages and the first 100-150 is all about Lennon growing up and where he came from. But please bare with it, because there is important information in there that you will need to remember for later on in his life. We all carry our childhood with us, so it is relevant to the book and Norman knows this. One thing I had to do throughout reading this book, was pull out all of my Beatles albums and listen to the songs that Norman is writing about, the secrets and what the songs mean. A Day In the Life on the Sgt. Pepper's album, John wrote his part based on the newspaper he read that day: "Guiness Heir dies in car crash" and the song goes "He blew his mind out in a car..." And the list goes on. I quite enjoyed reading the pages that were filled of Lennon's life AFTER The Beatles. There isn't much literature out there on it and even the Anthology doesn't touch on it at all. At this point in Lennon's life you can see his song writing and personality are going through some changes and things that weren't important before suddenly do become a priority and you can that on the page. This is great book to read and I couldn't put it down. I thoroughly enjoy books, documentaries, etc. that keep the questions coming and make you dive into the next book or album for more answers. For this price you can't go wrong!! Cheers, Lindsay
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
3.9 out of 5 stars (97 customer reviews) 74 of 78 people found the following review helpful
4.0 out of 5 stars
Nearly the definitive biography of Lennon,
By WTDK "If at first the idea is not absurd, the... - Published on Amazon.com
Do we need another biography on John Lennon? Yes. Why? Because the two most popular ones are the hatchet job that Albert Goldman did and Ray Coleman's fine biography that didn't quite capture the essence of who Lennon was and was hamstrung by trying to undo the damage of Goldman's book. The other question we need to ask is if there are any new facts about Lennon's life that make this worthwhile (and considering that Norman covered part of Lennon's life in his Beatles book SHOUT!). Yes--Norman digs up new facts both good and bad. He doesn't turn these new bits of info salacious or sensational comments or observations providing them with a context to help us understand Lennon as a human being.Philip Norman has tackled one of the most difficult subjects for a biography because Lennon's life was well covered by the press and fostered a lot of myths himself. With access to Yoko Ono, Freddie Lennon's biography (and unpublished papers), Sean Lennon, Paul McCartney (via email) and others, Norman has prepared a biography that is fair balanced and presents his contradictory character thorughout his life--his bravado as well as his insecurities (of which there were many). Fans that have read other Beatles books or Lennon biographies should be aware that the bulk of the book covers Lennon's pre-Beatles life and his time in the band throughout most of the 800 plus pages of the book. Norman does revisit familiar ground simply because they are essential events and there are those that haven't read ANY books on Lennon but he also introduces a lot of new information as well. There are a few flaws because we are, after all, only human. There's no bibliography or discography for Lennon (although fans may be aware of the latter the former is important)although he usually cites his sources in the book. Nevertheless, Norman has written a nearly perfect (there are a few minor flaws that crept past those that reviewed the text)biography on Lennon in terms of the facts and the various opinions that knew him best. The book devotes too little in terms of Lennon's post-Beatles career and "The Lost Weekend" that he experienced when he broke up with Yoko. It also skimps over the recording sessions for "Double Fantasy" (where Yoko reportedly fought so much with Lennon during the sessions that co-producer Jack Douglas often scheduled them to work on their tracks at different times). Norman has his opinions as well and doesn't hesitate to let the reader know them. You may disagree with his opinions(I did on some) but he at least provides us with why be believes them. Recommended. 43 of 45 people found the following review helpful
5.0 out of 5 stars
Life of a Beatle,
By E. A Solinas "ea_solinas" - Published on Amazon.com
Most beloved public figures have many facets -- some of them nasty, some of them pleasant and admirable. Most biographies either focus on the good, or the bad.But fortunately, Philip Norman is making a valiant effort to show, if not all of John Lennon's facets, then as many of them as possible. Having explored the Beatles and their impact on a generation, Norman narrows his focus down to "John Lennon: The Life" -- and he does a superb job unearthing the many details, relationships and differing faces of this much-lamented rock star. We'll never get a John Lennon autobiography, but Norman does a pretty good job of getting inside his shaggy head. John Lennon was born into an incredibly stormy marriage (which broke up soon after) and raised by his loving, strict Aunt Mimi, though he was something of a hellraising trickster as a child. The one blot: the tragic, shocking death of his mother Julia. Of course, everyone knows what happened later -- after a brief stint at art school, Lennon became part of a band with an ever-shifting name, and started working on pop songs alongside Paul McCartney. Though briefly devastated by the death of a bandmate, Lennon quickly rose to fame and fortune when the renamed Beatles became not just a hit band, but a new way of life for the youth of Britain, and then the entire world. Hit album after hit album poured from the Beatles, along with the usual rock-star intake of drugs, sex and occasional PR disasters. But Lennon's interests began to stray in more spiritual directions, and as his marriage to the sweet-natured Cynthia fell apart, he met and fell in love with eccentric Japanese artist Yoko Ono. Suddenly he was devoting himself not to pop hits, but to experimental numbers, "bed-ins" and sitting in bags, and using his world-wide celebrity for the furtherance of peace. While this lifestyle didn't quite tame Lennon's wild side, it led to new focuses in his life -- until it was tragically cut short. You have to hand it to Philip Norman. While most biographers tend to portray Lennon as a hippie saint or a hopeless jerk, he tries very hard to find a happy medium that encompasses all of Lennon's personality: a flawed man who had a boatload of issues and could be both cruel and kind. While he gets a bit worshipy in the latter parts of Lennon's life, Norman does a pretty good portraying both the musician and those around him in a realistic, compelling light. Additionally, Norman gives as much careful attention to Lennon's youth as he does to the Beatlemania and John/Yoko years -- in particular, his relationships to his mother, Aunt Mimi, Paul McCartney and the delicate artist Stu, as well as the months and years as a struggling young musician. There's lots of pop psychology, but it works. In he meantime, Lennon's life is carefully framed in the political and social climes of the time -- the post-war fifties, colourful psychedelic chaos of the 1960s, and the later, grimmer times of the Vietnam War. Politicians, pop art, Liverpudlian slang and changing societies are all explored in detail, and Norman has the perspectives of a lot of people who actually lived in the time and knew Lennon -- his wives, his sons, his bandmates, and even his Aunt Mimi (and she gets a LOT of words in). He also injects a wry sense of humour into the story (Lennon's aunts turning up at a Beatles performance) as well as a steady, sometimes evocative writing style ("The room reeked of stale beer and wine, and was lined in dusty velvet drapes..."). At the same time, there's some pretty shocking allegations here, such as the claim that Lennon may have been inadvertently involved in the death of his bandmate, but Norman avoids tabloid journalism by explaining why he doubts Lennon actually did any of that. Lennon himself is a colourful mosaic of seemingly contradictory qualities -- he could be mean-spirited (mocking the disabled), wild, kindly, romantic, neglectful, vibrant, brilliantly unconventional and craving a spirituality that's hard to get when you're filthy rich. As seen by Norman, much of his personality seems to be based on the fear of loved ones dying and leaving him, but we get glimpses of dozens of different sides to his psyche. "John Lennon: The Life" attempts to accurately portray one of the twentieth century's most unconventional and beloved pop stars, and for the most part, Philip Norman does a brilliant job. 71 of 79 people found the following review helpful
5.0 out of 5 stars
Less about the myth, more about the man,
By Wesley Mullins - Published on Amazon.com
Forever romanticized by his tragic and puzzling murder, John Lennon has ascended to almost god-like status in pop culture. Remembered as the visionary and dreamer who soundtracked a generation, Lennon's legacy has largely been sculpted by those who loved and admired him, as his strengths, accomplishments and inspirations shine for all to see, while his flaws and failures have been forgotten. Philip Norman believes twenty-eight years of mourning-inspired deification seems about right, and with this book, he attempts to paint a more accurate picture of the man.The artist Norman depicts has a lot in common with the popular description of a rockstar. The poet who sang about love never missed a chance to cheat on his women, and the man who championed brotherhood and neighborly living often strong-armed and bullied his friends. Norman shows us that he never let people forget that he was John Lennon and they weren't. His book, however, is not a hatchet-job. Intertwined with his attempts to revise the pedestalized legacy of Lennon is a thorough, faithful account of the intimate and defining moments of a life that led to a canon of music unequaled in artistic merit and inspiration. Norman's intent was to show his readers both the sour and the sweet. He achieves his goal in part with impressive, exclusive interaction with Yoko One, Paul McCartney, Producer George Martin and others. To those interviews, Norman adds research and his own conjecture and formulates theories about Lennon's mother's death and (what is sure to be the focus of much of this book's publicity) questions about whether Lennon harbored any homosexual tendencies/curiosities. Norman's success is creating an account of an irresistible human being who has less in common with an Olympian figure than he does with the people who will be flipping through the book's pages. With that achievement, he has probably created the first genuine biography of the man who history has transformed into a mythic figure lacking authenticity and humanity. |
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