From Amazon.com
The beauty and gentle eroticism of John Singer Sargent's paintings and drawings of nude males are the raison d'être of this otherwise somewhat slight book. Most are exquisitely languid, with such tender touches as a pink tinge on the buttocks of a boy lying prone on a beach in Capri, or two intimate "tommies"--privates in the World War I British Army--napping on a riverbank after a swim, heads together. Then there are a few nude wrestling matches, à la Eadweard Muybridge and D.H. Lawrence. And, as the author somewhat frantically insists, there are works that possess an "uplifting and spiritual aspect."
The wonder is that Sargent's sisters preserved these works--which the artist had kept private--after his death. They are thrilling, as much for Sargent's astonishing facility with a brushload of color as for the sensuous subjects. The essay may be skipped by readers who wince when informed that any subject of a society portrait by Sargent was "transformed into a fashionable denizen of the Edwardian age, whomever he was." Author John Esten sniffs prissily at the suggestion that Sargent may have harbored homoerotic feelings, while the works themselves often unabashedly focus on the genitalia of the models, and the ones that don't are filled with the kind of closeness and warmth of observation that makes the model's soft skin seem almost palpable. Linger over the book's 18 color plates, which are a lasting, luscious pleasure; the scores of black-and-white drawings are similarly inspired. --Peggy Moorman
Book Description
Published on the occasion of a major Sargent retrospective in 1999 traveling to the National Gallery of Art in Washington, D.C. and the Museum of Fine Arts in Boston, "John Singer Sargent: The Male Nudes" reveals a fascinatingly erotic portion of the artist's work long hidden from the public eye.
Beginning in his adolescence and continuing throughout his distinguished career, Sargent, the celebrated painter of the elegant patrician class, produced a brilliantly executed, powerful, and uninhibited body of work that was rarely seen and never exhibited because of its shocking content: The male nude. In Sargent's era, these images were considered little more than pornography, but despite this stigma, he persisted in sketching and painting male models (one of whom stayed in the artist's employ for nearly 26 years). Sargent was determined to capture "the human form divine."
Over the last century, these little known works have dispersed into collections around the world. In this volume, John Esten reveals the most extraordinary of these works, ranging from vibrant watercolors to unfinished charcoal sketches, as they are published for the first time together.