- Paperback: 464 pages
- Publisher: Oxford Paperbacks; New Edition edition (July 1 1999)
- Language: English
- ISBN-10: 019283343X
- ISBN-13: 978-0192833433
- Product Dimensions: 19.4 x 12.8 x 2.2 cm
- Shipping Weight: 322 g
- Average Customer Review: 4.0 out of 5 stars See all reviews (1 customer review)
- Amazon Bestsellers Rank: #474,763 in Books (See Top 100 in Books)
- See Complete Table of Contents
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Product Description
Product Description
'I beg as soon as you get Fielding's Joseph Andrews, I fear in Ridicule of your Pamela and of Virtue in the Notion of Don Quixote's Manner, you would send it to me by the very first Coach.' (George Cheyne in a letter to Samuel Richardson, February 1742) Both Joseph Andrews (1742) and Shamela (1741) were prompted by the success of Richardson's Pamela (1740), of which Shamela is a splendidly bawdy parody. But in Shamela Fielding also demonstrates his concern for the corruption of contemporary society, politics, religion, morality, and taste. The same themes - together with a presentation of love as charity, as friendship, and in its sexual taste - are present in Joseph Andrews, Fielding's first novel. It is a work of considerable literary sophistication and satirical verve, but its appeal lies also in its spirit of comic affirmation, epitomized in the celebrated character of Parson Adams. This revised and expanded edition follows the text of Joseph Andrews established by Martin C. Battestin for the definitive Wesleyan Edition of Fielding's works. The text of Shamela is based on the first edition, and two substantial appendices reprint the preliminary matter from Conyers Middleton's Life of Cicero and the second edition of Richardson's Pamela (both closely parodied in Shamela). A new introduction by Thomas Keymer situates Fielding's works in their critical and historical contexts.
About the Author
Thomas Keymer is at St Anne's College, Oxford.
Inside This Book
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First Sentence
As it is possible the mere English Reader may have a different Idea of Romance with the Author of these little Volumes; and may consequently expect a kind of Entertainment, not to be found, nor which was even intended, in the following Pages; it may not be improper to premise a few Words concerning this kind of Writing, which I do not remember to have seen hitherto attempted in our Language. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
As it is possible the mere English Reader may have a different Idea of Romance with the Author of these little Volumes; and may consequently expect a kind of Entertainment, not to be found, nor which was even intended, in the following Pages; it may not be improper to premise a few Words concerning this kind of Writing, which I do not remember to have seen hitherto attempted in our Language. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Most helpful customer reviews
4.0 out of 5 stars
unreservedly recommended,
By
This review is from: Joseph Andrews and Shamela (Paperback)
So I was getting ready to reread Don Quijote (1605)(Miguel de Cervantes 1547-1616) in the excellent Burton Raffel translation and as I was looking for information about the book and author, saw repeated references to Fielding's Joseph Andrews. I'd read his Tom Jones a couple of years ago and found it kind of tough sledding, but when I stumbled upon this one at a library book sale for a quarter, it seemed a stroke of destiny.The parallels with Don Quijote are readily apparent. First of all, the book consists of a series of humorous travel adventures; second, the travellers involved seem too innocent to survive in the harsh world that confronts them. When Joseph Andrews, the naive footman of Lady Booby, deflects the amorous advances of both her Ladyship and Slipslop, the Lady's servant, he is sent packing. Upon his dismissal, Joseph, along with his friend and mentor Parson Adams, an idealistic and good-hearted rural clergyman, who essentially takes the physical role of Sancho Panza but the moral role of Quijote, sets out to find his beloved but chaste enamorata, Fanny Goodwill, who had earlier been dismissed from Lady Booby's service as a result of Slipslop's jealousy. In their travels they are set upon repeatedly by robbers, continually run out of funds and Adams gets in numerous arguments, theological and otherwise. Meanwhile, Fanny, whom they meet up with along the way, is nearly raped any number of times and is eventually discovered to be Joseph's sister, or maybe not.. The whole thing concludes with a farcical night of musical beds, mistaken identities and astonishing revelations. I've seen this referred to as the first modern novel; I'm not sure why, in light of it's obvious debt to Cervantes. But it does combine those quixotic elements with a seemingly accurate portrayal of 18th Century English manners and the central concern with identity and status do place it squarely in the modern tradition. At any rate, it is very funny and, for whatever reason, seemed a much easier read than Tom Jones. I recommend it unreservedly. GRADE: B+
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
4.0 out of 5 stars (1 customer review) 5 of 6 people found the following review helpful
4.0 out of 5 stars
unreservedly recommended,
By Orrin C. Judd "brothersjudddotcom" - Published on Amazon.com
This review is from: Joseph Andrews and Shamela (Paperback)
So I was getting ready to reread Don Quijote (1605)(Miguel de Cervantes 1547-1616) in the excellent Burton Raffel translation and as I was looking for information about the book and author, saw repeated references to Fielding's Joseph Andrews. I'd read his Tom Jones a couple of years ago and found it kind of tough sledding, but when I stumbled upon this one at a library book sale for a quarter, it seemed a stroke of destiny.The parallels with Don Quijote are readily apparent. First of all, the book consists of a series of humorous travel adventures; second, the travellers involved seem too innocent to survive in the harsh world that confronts them. When Joseph Andrews, the naive footman of Lady Booby, deflects the amorous advances of both her Ladyship and Slipslop, the Lady's servant, he is sent packing. Upon his dismissal, Joseph, along with his friend and mentor Parson Adams, an idealistic and good-hearted rural clergyman, who essentially takes the physical role of Sancho Panza but the moral role of Quijote, sets out to find his beloved but chaste enamorata, Fanny Goodwill, who had earlier been dismissed from Lady Booby's service as a result of Slipslop's jealousy. In their travels they are set upon repeatedly by robbers, continually run out of funds and Adams gets in numerous arguments, theological and otherwise. Meanwhile, Fanny, whom they meet up with along the way, is nearly raped any number of times and is eventually discovered to be Joseph's sister, or maybe not.. The whole thing concludes with a farcical night of musical beds, mistaken identities and astonishing revelations. I've seen this referred to as the first modern novel; I'm not sure why, in light of it's obvious debt to Cervantes. But it does combine those quixotic elements with a seemingly accurate portrayal of 18th Century English manners and the central concern with identity and status do place it squarely in the modern tradition. At any rate, it is very funny and, for whatever reason, seemed a much easier read than Tom Jones. I recommend it unreservedly. GRADE: B+ |
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