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Joseph Anton: A Memoir [Deckle Edge] [Hardcover]

Salman Rushdie
3.3 out of 5 stars  See all reviews (3 customer reviews)
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Book Description

Sep 18 2012

Amazon.ca Editors' Pick: Best Books of 2012

On February 14, 1989, Valentine’s Day, Salman Rushdie was telephoned by a BBC journalist and told that he had been “sentenced to death” by the Ayatollah Khomeini. For the first time he heard the word fatwa. His crime? To have written a novel called The Satanic Verses, which was accused of being “against Islam, the Prophet and the Quran.”
 
So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. He was asked to choose an alias that the police could call him by. He thought of writers he loved and combinations of their names; then it came to him: Conrad and Chekhov—Joseph Anton.
 
How do a writer and his family live with the threat of murder for more than nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, how and why does he stumble, how does he learn to fight back? In this remarkable memoir Rushdie tells that story for the first time; the story of one of the crucial battles, in our time, for freedom of speech. He talks about the sometimes grim, sometimes comic realities of living with armed policemen, and of the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom.
 
It is a book of exceptional frankness and honesty, compelling, provocative, moving, and of vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day.

Praise for Salman Rushdie
 
“In Salman Rushdie . . . India has produced a glittering novelist—one with startling imaginative and intellectual resources, a master of perpetual storytelling.”—The New Yorker
 
“Salman Rushdie has earned the right to be called one of our great storytellers.”—The Observer
 
“Our most exhilaratingly inventive prose stylist, a writer of breathtaking originality.”—Financial Times

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Review

#1 NATIONAL BESTSELLER
INTERNATIONAL BESTSELLER
NOMINEE 2012 – Samuel Johnson Prize for Non-Fiction

“An often-gripping account of a life turned upside down, and of a writer forced to confront the unintended consequences of his life’s work.”
National Post
 
“A memoir…that reminds us of his fecund gift for language and his talent for explicating the psychological complexities of family and identity…. A harrowing, deeply felt and revealing document: an autobiographical mirror of the big, philosophical preoccupations that have animated Mr. Rushdie’s work throughout his career.”
—Michiko Kakutani, The New York Times Book Review

“A fast-paced…monument so impressive it threatens to overshadow all the mere fictions on which his considerable reputation currently rests…. In the spectacular collision that is Joseph Anton…a great writer treats great events with unmatchable authority. And zest…. [Joseph Anton]  could well prove to be the masterwork that survives long after the mere fictions have faded, as most are fated to do.”
The Globe and Mail

“Joseph Anton
is wonderful: as much a meditation on life, liberty and the pursuit of truth as an engrossing memoir.”
—Maclean’s
 
“Brutally honest and profound.”
—The Guardian
 
“Joseph Anton
is a splendid book, the finest new memoir to cross my desk in many a year.”
Jonathan Yardley, The Washington Post

About the Author

SALMAN RUSHDIE is the author of eleven previous novels--Luka and the Fire of Life, Grimus, Midnight's Children (for which he won the Booker Prize and the Best of the Booker), Shame, The Satanic Verses, Haroun and the Sea of Stories, The Moor's Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown, and The Enchantress of Florence--and one collection of short stories, East, West. He has also published three works of nonfiction: The Jaguar Smile, Imaginary Homelands: Essays and Criticism 1981-1991, and Step Across This Line, and coedited two anthologies, Mirrorwork and Best American Short Stories 2008. He is a former president of American PEN.

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Most helpful customer reviews
1 of 1 people found the following review helpful
3.0 out of 5 stars Inconsistent, but still Rushdie Dec 23 2012
Format:Hardcover
It's Salman Rushdie - whose grocery list would likely be a pleasure to read - but it feels like the great author took the acknowledgments section at the end of a normal book and stretched it to novel length. The attention to detail, which is normally a joy to experience in Mr. Rushdie's works of fiction, here feels at times tedious and drags the pacing between several of the genuinely entertaining anecdotes. There's a wonderful 250-300 page book in this body, which unfortunately has been stretched to 636.
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4.0 out of 5 stars GRIPPING Jan 3 2013
By little lady blue TOP 500 REVIEWER
Format:Hardcover
Having not read "The Satanic Verses" or any novel by Mr. Rushdie for some reason I was interested to read his memoir. Having done so I am sure his novels would not be of any interest to me since they all appear to be fantasy-based, but as for this book "Joseph Anton" I can only say that it is eloquently written, with attention to minor detail for which I am grateful because I simply could not get enough, it even showed sparks of humour, indeed a pleasant surprise under such alarming circumstances - a tribute to the man who lived it.

I was disappointed with the first 140 pages & almost gave up the reading; gladly I did not because the rest of the book is simply gripping. At first I was confused by the third person narrative until I realized the reason for it. `Joseph Anton' is the name Mr. Rushdie took when the fatwa came about & in writing this book which is a memoir of that period he is referring to Joseph Anton as `he' & `him' - he is not Joseph Anton, he is Salman Rushdie & Salman Rushdie is writing this book. I get it.

The so-called `name-dropping' is stupidly exaggerated. Since these are people who played a vital role in Mr. Rushdie's life during this period why would he not mention their names? For those who stood by him, offered friendship & help, perhaps this is his way of acknowledging them & stating his gratitude. What should he have done? Say: "Mr. X offered me a place to stay", "John Doe came to my defense", "Jane Doe showed me solidarity", I mean, really?? For those who did not, well, it would have been remiss not to mention them.

Since I have never had to live under such conditions I would not dare to criticize one who did. If he made some bad decisions & choices during this time it is surely allowed. I would have caved after 2 weeks! For him to have come out after 10 years of this kind of prison & still have his wits about him, to be sane & able to write about it is nothing short of a miracle.

Chapter X (At the Halcyon Hotel) is so thoughtful, insightful & right-on when it comes to people's perceptions I had to read it twice. It is so impressive & immediately urgent to note that indeed Literature does live long after its authors - such as Ovid's poetry outlasting the Roman Empire & so on. Beautifully put:
"Art was strong, artists less so" Salman Rushdie/'Joseph Anton'. Page 628.

If you have the least interest in `freedom of speech'; if you are interested in knowing the courage of a man with a price on his head; you will not want to miss reading this book. You will also learn a thing or two about the politics of the publishing business.

Neil Armstrong stepping onto the moon may have taken "one small step for man, one giant leap for mankind." Mr. Rushdie has done the same thing for freedom of speech & expression.
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0 of 1 people found the following review helpful
3.0 out of 5 stars Conflicted About It Dec 10 2012
Format:Hardcover
I don't know how to review this book. I did enjoy many aspects of it and it's far better than the detractors say. And yet, there some clear downsides too, and I found my opinion changing back and forth throughout the book.

On the plus side, the book is really well written. And the subject is undeniably fascinating, portraying Rushdie's life under the fatwa instituted by Iran. "Joseph Anton" is Rushdie's alias when he goes into hiding. For that reason alone it's an important book in the history of free speech. And it is hard to image how one couldn't be at least mildly curious about what it would be like to be Salman Rushdie during the late 80's and early 90's.

On the other hand, there are some strongly annoying aspects. I have a great deal of respect for Rushdie's talents and agree what he says about freedom of expression. And yet, even though I enjoyed the book overall, I found myself having less and less sympathy for him as a person.

Rushdie often comes across as cranky, ungrateful at times, unfaithful, and engendering a strong sense of entitlement. Even though he is receiving constant protection, he seem ungrateful at times and cranky even about minor details.

The entire book is written in the third person, which aids the narrative early on. However, eventually, through a lot of repetition, it sound more like an affectation. I also found that, even though the book is well-written, at times Rushdie is a little too wordy about incidental details which don't really move the story forward, and that bogs it down.

Please, though, don't misunderstand this as being dismissive of the book or Rushdie's work in general. There is a fair amount of good in this book, but it deserves some measure of criticism. I hope my criticism doesn't eclipse the fact that, in some senses, this really was a fascinating read. To give an honest review, I must draw attention to some of the negatives. And so, while Rushdie is a monumental figure in the history of literary freedom, I'm not quite ready to call this a "great" memoir.
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