Journey to the Center of the Earth

You can now figure out that the question of how this will look depends on how bad the negative was before making the "separations" from it, the quality of workmanship, and how carefully they blended the separations when making the film we see on this DVD. They did a good job. It isn't perfect, but it does more or less reflect the color scheme the filmmakers went for in 1959, which is why it might seem a little like fake color to some. If you have a good monitor, it looks colorful in a slightly artful way that many older films intentionally strove for.

The sound is a bit out of synch at times but not much. Many videos have that problem. It could be better but most people won't notice. The hiss is fine since it doesn't distract and is better left in than having the sound muffled by filtering it. There are some other strange artifacts in the sound that shouldn't be in there. What is sloppier is that they get the left and right channels reversed at times! This is also not uncommon in the second rate attention usually given older films. In fact this DVD sounds unusually good! It even allows the bass end to remain intact, a big plus in the music for this film. Fox needed to proofread this DVD. It says it is modified (cropped to fit the TV) while in fact it is in its original widescreen on this DVD. This DVD is a commendable job and far superior to the horrid junk this studio released in previous releases of this movie.

You must have an appreciation of the absurd to enjoy this movie. If you like absurd or have an appreciation of the absurd, you will find this movie amusing and enjoyable. If you expect clinical or hyper-reality, hyper-violence or gritty realism, you will not like this film. You should also be able to enjoy a story that is in no hurry and be able to enjoy hand-made special effects and some simple stage-like backdrops. I did enjoy the Atlantis setting, it's a shame it didn't make more use of that. There are many things it glosses over in favor of things I wouldn't have bothered with. You may agree. Of course the lady stays a '50's movie lady, and extravagantly made-up and coiffed no matter how long away from a salon. As you no doubt know, many shows still pull that trick. At least she is given a backbone. If the handling of the villain is a little dubious, at least the lead, James Mason's role, is well played and easy to associate with if you have that appreciation for the absurd. If you are fine with all that then you should enjoy this movie.

The score is the best element of this movie. I'm not talking of the transient ditties Pat Boone throws off. I mean the scoring by Bernard Herrmann. Many people like the score far better than the movie itself. I agree. Music and film students will find this score a must. Particularly of interest is the instrumentation. There are superb uses of organ including the seriously low registers (a subwoofer is worth using for this film). Another interesting thing is the extremely rare use of the distinctive, long-obsolete medieval instrument called a "serpent." This instrument is used for the unnerving tones portraying the (what else!) giant serpent.

This movie is not as dramatically valid or creatively solid as Walt Disney's 'Twenty-Thousand Leagues under the Sea' (1954). 'Twenty-Thousand Leagues' has also aged better. If you want a classic Jules Verne film, get the excellent DVD of 'Twenty-Thousand Leagues'. Then consider this one. 'Mysterious Island' is another, but I'd suggest it after the aforementioned. Also of possible interest to you is a film also requiring an appreciation of the absurd and a taste or tolerance of the "cheesy" in even larger measures, but possibly also stronger in its strengths than this film, 'In Search of the Castaways' (1962 - not on DVD at this time). 'First Men in the Moon' (1964) is also in a similar spirit to this. I hope you'll now be able to chose whether to buy this DVD and what to get if you enjoy this film.

- C.J.

If you're interested in the soundtrack, it's wonderful. Anyone who is familiar with Herrmann's music, from back when film composers could actually compose symphonic music, will know what they're in for; a wonderful sonic treat.

As a film scorer myself, it's a pleasure to have such a fresh-sounding recording of this classic score, and well worth the small price-tag.

You can also listen to the "Sunrise" music that Herrmann wrote here and understand why Elfman, who wouldn't know an orchestra if it hit him in the head, calls Herrmann his favourite composer.

You'll note a VERY familiar theme in that "Sunrise" cue, without which a certain Dark Knight wouldn't have made Elfman a lot of money. Favourite composer, indeed!

In short, if you're thinking about it, don't hesitate. Buy this priceless stereo recording from a true master.