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Julius Caesar [Mass Market Paperback]

William Shakespeare
4.4 out of 5 stars  See all reviews (34 customer reviews)

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Product Description

From Amazon

One of Shakespeare's most political plays, Julius Caesar continued Shakespeare's interest in Roman history, first developed in Titus Andronicus. Drawing on Plutarch, the great historian of Rome, Shakespeare dramatises one of the most crucial moments in Roman history--the assassination of Julius Caesar. Loved by the Roman crowd but increasingly feared by the Senators, Caesar increasingly shows signs of his desire to abolish the Republic and crown himself emperor. A conspiracy is hatched, led by Cassius and Brutus, who murder Caesar on the steps of the Capitol. Mourning over his dead friend's body, Mark Antony gives one of the famous rhetorical speeches in literature, asking "Friends, Romans, Countrymen" to lament Caesar's death, privately vowing to "let slip the dogs of war" against those who have shed Caesar's blood. Antony joins forces with Caesar's son Octavius to defeat Cassius and Brutus in battle, and establish an uneasy alliance whose collapse is dramatised in Shakespeare's later play Antony and Cleopatra. Written at the end of Queen Elizabeth's reign, Julius Caesar has been seen by many as a radically pro-Republican play which sailed close to the political wind of the time. --Jerry Brotton --This text refers to an out of print or unavailable edition of this title.

From School Library Journal

Grade 5-8-One of the marks of Shakespeare's greatness is the continued interest in adapting his enduring works. This recording of Julius Caesar is one in a series drawn from Leon Garfield's Shakespeare Stories. Liberally sprinkled with lines from the original play, the recording presents a condensation of all five acts in a little more than an hour. Beginning with a brief biography of the Bard, the recording then offers a thorough but not lengthy overview of the play. All this sets the stage for Simon Russell Beale's well paced narration. This Royal Shakespeare Company veteran moves so skillfully between story text and dialogue that at times it seems as though there are several actors reading. Classic lines such as "Et tu. Brute" and "Friends, Romans, Countrymen " are rendered with fresh vigor. At the conclusion of the play, an article on "Shakespeare Today" offers suggestions to help youngsters have fun with Shakespeare. Short selections of period music make a nice transition between sections of the recording. Though aimed at a middle school audience, both teens and adults will find this presentation a good way to learn about one of the earliest plays performed at the Globe Theatre.
Barbara Wysocki, Cora J. Belden Library, Rocky Hill, CT
Copyright 1999 Reed Business Information, Inc.

Review

`Professor Humphreys is an excellent Shakespeare critic: he responds sensitively to the play's language and style, and his judgements on the action's finer points are subtle and discriminating...this edition is an impressibley mature piece of work.' Emrys Jones, Literary Review --This text refers to the Paperback edition.

Review

"Daniell's edition is a hefty piece of serious scholarship that makes a genuine contribution."--Eric Rasmussen, University of Nevada at Reno, "Shakespeare Survey" "This is a stimulating new look at a play which is too often exhibited in a critical museum."--Paul Dean, "Review of English Studies" --This text refers to an out of print or unavailable edition of this title.

Book Description

Professor Spevack's critical discussion shows how private desires and public affairs are inextricable in Julius Caesar and how Shakespeare frames the world of this play - person, action, place, time - within the operations of larger forces, mysterious, ironical, and undeniable. --This text refers to an out of print or unavailable edition of this title.

From the Publisher

halftones --This text refers to the Paperback edition.

From the Back Cover

Dramatizing the political battles in Rome during the height of the Pax Romanum, Shakespeare pits Caesar against an untold number of conspirators and lets the daggers fly. Antony comes in at the end to clean up the mess and carry on the rule of the Caesars.

The CliffsComplete Julius Caesar is a revised and expanded study edition. It contains Shakespeare's original play, a glossary, and expert commentary in a unique, 2-column format. To enhance your learning, notes and definitions appear directly opposite the line in which they occur, and a review section follows the play. This edition also introduces you to the life, works, and times of William Shakespeare. --This text refers to the Paperback edition.

About the Author

The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.

Barbara A. Mowat is Director of Academic Programs at the Folger Shakespeare Library, Editor of Shakespeare Quarterly, Chair of the Folger Institute, and author of The Dramaturgy of Shakespeare's Romances and of essays on Shakespeare's plays and on the editing of the plays.

Paul Werstine is Professor of English at King's College and the Graduate School of the University of Western Ontario, Canada. He is the author of many papers and articles on the printing and editing of Shakespeare's plays and was Associate Editor of the annual Medieval and Renaissance Drama in England from 1980 to 1989.

From AudioFile

This excellent introduction to Shakespeare opens with music of Shakespeare's time, some biographical information and a plot summary, both read in a crisp, straightforward manner by Clare Higgins. The play interpretation shuttles smoothly between narration in modern speech and character speech, which is quoted directly from the original. This combination clarifies for the young listener the actions as they take place, while introducing the flavor and power of Shakespeare's language. Simon Russell Beale's reading is flawless, moving easily between various voices in sixteenth-century English and modern English. Garfield has selected the most famous lines of the play to be quoted in the original, so listeners "lend your ears" to a thoroughly enjoyable production. J.J.F. (c) AudioFile, Portland, Maine
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