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Kagemusha [Blu-ray]
 
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Kagemusha [Blu-ray]

Tatsuya Nakadai , Tsutomu Yamazaki , Akira Kurosawa    PG (Parental Guidance Suggested)   Blu-ray
4.8 out of 5 stars  See all reviews (28 customer reviews)
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The 1970s were difficult years for the great Japanese director Akira Kurosawa. Following the box-office failure of his 1970 film Dodes'ka-den and an unsuccessful suicide attempt, Kurosawa was unable to find financial backing in Japan, and he made his acclaimed 1975 film Dersu Uzala in Siberia with Russian financing. With only partial Japanese backing for his epic project Kagemusha, the 70-year-old master then found American support from George Lucas and Francis Ford Coppola, who served as coexecutive producers (through 20th Century Fox) for this magnificent 1980 production--to that date the most expensive film in Japanese history. Set in the late 16th century, Kagemusha centers on the Takeda clan, one of three warlord clans battling for control of Japan at the end of the feudal period. When Lord Shingen (Tatsuya Nakadai), head of the Takeda clan, is mortally wounded in battle and near death, he orders that his death be kept secret and that his "kagemusha"--or "shadow warrior"--take his place for a period of three years to prevent clan disruption and enemy takeover. The identical double is a petty thief (also played by Nakadai) spared from execution due to his uncanny resemblance to Lord Shingen--but his true identity cannot prevent the tides of fate from rising over the Takeda clan in a climactic scene of battlefield devastation. Through stunning visuals and meticulous attention to every physical and stylistic detail, Kurosawa made a film that restored his status as Japan's greatest filmmaker, and the success of Kagemusha enabled the director to make his 1985 masterpiece, Ran. --Jeff Shannon

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Customer Reviews

28 Reviews
5 star:
 (23)
4 star:
 (4)
3 star:
 (1)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.8 out of 5 stars (28 customer reviews)
 
 
 
 
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5.0 out of 5 stars KAGAMUSHA as ART, Mar 23 2010
By 
jamesbonds (Toronto,Ontario, Canada) - See all my reviews
This double-dvd shows you the genious and passion of Akira Kirasawa on Disc 2. I suggest viewing the second disc before watching the movie. It will enhance your appreciation for the movie as 'art'. Kirasawa the 'painter'and artist (visionary)can be seen on Disc 2. Then while watching the movie you will see his paintings come to life. One learns a little something of the creative proccess of creating a great movie by so doing . JR
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5.0 out of 5 stars Fine precursor to the classic "Ran", Mar 21 2004
By 
This review is from: Kagemusha (VHS Tape)
Just before "Ran," Kurosawa got American funding for this movie about a "shadow warrior" who was assigned to impersonate Takeda Shingen should he die. This was to keep the Takeda clan's border secure and prevent enemies (of which Takeda had many) from invading. It is a wonderful film, and has two very strong points: the visuals, and the characters.

The strong visuals should be obvious - an Akira Kurosawa film with no strong visuals is like a Monet painting with poor use of color. The battle scenes are stunning and seem to come out of a nightmare, with rifleman shooting down on soldiers with a bright light flashing behind them. The colored armor of Takeda's men were also nicely picked and, as Kurosawa would later do with "Ran", give their presense a hauntingly beautiful yet horrifying tone. The final scene at the Battle of Nagashino (which was wrongfully nitpicked in Stephen Turnbull's Osprey book of the battle) chooses to show us only the aftermath of the battle, with shots of cavalry charging to the gunners and then cutting to the horrified expressions of those who watch the unfolding massacre of Japan's greatest army. The shot of the fields of dead is some thing that could only have come out of the nightmare of war.

I think the strongest part of the film, though, were the characters. The film has a slew of fascinating characters, from Takeda's generals (each with their own personality) right down to the rifleman who shot Takeda. Even the spies from Oda and Tokugawa interact and talk like real people, and I can't think of any one in this film I easily forget. I especially liked Oda Nobunaga, and I think this film has the best portrayal I've ever seen of him. He can be seen walking out with his army and stopping briefly to listen to a Christian priest give a prayer. There is another part where he rides around on an Arab horse, followed by a scene where he offers Tokugawa Ieyasu a glass of Western wine (poor Tokugawa chokes on it!).

The best character is, of course, the shadow warrior himself. The actor did a wonderful job of playing Takeda and the imposter, and even though being a common thief that nearly quits his job in the beginning, you find yourself growing to like him. The scene where he confesses to the concubines he is an imposter, knowing they'll take it as a joke, and then winks at a general was hilarious! Also, notice in the scene where a retainer describes to Takeda's nephew what the meaning of the clan flag is...the imposter is listening just as intently as the boy is! He also comes out strong in the second-to-last battle sequence, where he watches as men fight and die for a man they strongly admire. The final Kurosawa metaphor at the end (which I won't describe because its a serious spoiler) also gives the whole point of the story. The man tried to undertake a role that was perhaps too big for him, a role only one man could really play.

Overall, I was very impressed with this movie, and I would definately recommend it as viewing for those fans of the master of film himself. I hope soon a DVD will be released of it and I will be able to add it to my growing Akira Kurosawa DVD set. In the meantime, I happily own a video copy for viewing.

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5.0 out of 5 stars Wonderful, Nov 30 2002
By A Customer
This review is from: Kagemusha (VHS Tape)
Regardless of its length and broad assumption that viewers will have some understanding of sixteenth century Japanese feudal systems, this remains Kurosawa's best film - better, even, than 'Ran'. This is a director whose entire catalogue often pivots on imagery and metaphor, but what sets this film apart is the sheer mastery of its cinematography and incomparable attention to detail; some might say lavish attention. The scenes with warriors passing across an orange sun as light filters through to the foreground, the scenes of warrior horsemen riding along a beach as dark clouds loom thunderously in the distance combine to evoke as few other films have done some real sense of the elegance and savagery that was the hallmark of feudal Japan.
In the case of 'Kagemusha' it will probably help if you are something of a film buff, but even those who aren't will probably be impressed with it on some level.
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