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Kagemusha (The Criterion Collection) [Blu-ray]

Tatsuya Nakadai , Tsutomu Yamazaki , Akira Kurosawa    PG (Parental Guidance Suggested)   Blu-ray
4.8 out of 5 stars  See all reviews (28 customer reviews)
List Price: CDN$ 42.99
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Kagemusha (The Criterion Collection) [Blu-ray] + Ran [Blu-ray] + Seven Samurai [Blu-ray]
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The 1970s were difficult years for the great Japanese director Akira Kurosawa. Following the box-office failure of his 1970 film Dodes'ka-den and an unsuccessful suicide attempt, Kurosawa was unable to find financial backing in Japan, and he made his acclaimed 1975 film Dersu Uzala in Siberia with Russian financing. With only partial Japanese backing for his epic project Kagemusha, the 70-year-old master then found American support from George Lucas and Francis Ford Coppola, who served as coexecutive producers (through 20th Century Fox) for this magnificent 1980 production--to that date the most expensive film in Japanese history. Set in the late 16th century, Kagemusha centers on the Takeda clan, one of three warlord clans battling for control of Japan at the end of the feudal period. When Lord Shingen (Tatsuya Nakadai), head of the Takeda clan, is mortally wounded in battle and near death, he orders that his death be kept secret and that his "kagemusha"--or "shadow warrior"--take his place for a period of three years to prevent clan disruption and enemy takeover. The identical double is a petty thief (also played by Nakadai) spared from execution due to his uncanny resemblance to Lord Shingen--but his true identity cannot prevent the tides of fate from rising over the Takeda clan in a climactic scene of battlefield devastation. Through stunning visuals and meticulous attention to every physical and stylistic detail, Kurosawa made a film that restored his status as Japan's greatest filmmaker, and the success of Kagemusha enabled the director to make his 1985 masterpiece, Ran. --Jeff Shannon

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4.8 out of 5 stars
4.8 out of 5 stars
Most helpful customer reviews
3 of 4 people found the following review helpful
3.0 out of 5 stars The shadow warrior June 28 2001
By Noctem
Format:VHS Tape
Kagemusha is another entry in Kurosawa's decades-long string of Samurai movies and is replet with rank-n-file anti-war themes: empires are fleeting, stubborn pride proves costly, and human life is cheap. Although not without its problems in pacing and stiffness, it is better than some of his more famous films, though no where near as good as Ran. The plot: The warlord Shingen is mortally wounded whilst besieging a fortress. His dying wish is that his dynasty continue. This is accomplished by using an impersonator, Kagemusha (Tatsuya Nakadai), who is a thief with humble ancestry. Kagemusha serves as Shingen's stand-in for three years, improving morale and even helping to win battles. The most impressive feature in Kagemush is the photography along with the splendid costumes. Indeed, outstanding cinematography and convincing sets are a familiar hallmark for Kurosawa. While one can hardly fault the films character development, for a war film, the pace is slow -- very slooow. Kagemusha was an expensive film by Japanese standards, and Kurosawa had alienated himself from Japanese studios with his cutting comments about their uncompromising attitude towards fimmaking. So unfortunatley (and ironically), he turned to the crass commerical master himself, George Lucas (as well as Francis Ford Coppola). Both are credited as executive producers for the "international" version of Kagemusha. Kagemusha was nominated for two Academy Awards, Best Foreign Language Film and Best Art Direction.
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5.0 out of 5 stars KAGAMUSHA as ART March 23 2010
Format:DVD
This double-dvd shows you the genious and passion of Akira Kirasawa on Disc 2. I suggest viewing the second disc before watching the movie. It will enhance your appreciation for the movie as 'art'. Kirasawa the 'painter'and artist (visionary)can be seen on Disc 2. Then while watching the movie you will see his paintings come to life. One learns a little something of the creative proccess of creating a great movie by so doing . JR
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5.0 out of 5 stars Fine precursor to the classic "Ran" March 20 2004
Format:VHS Tape
Just before "Ran," Kurosawa got American funding for this movie about a "shadow warrior" who was assigned to impersonate Takeda Shingen should he die. This was to keep the Takeda clan's border secure and prevent enemies (of which Takeda had many) from invading. It is a wonderful film, and has two very strong points: the visuals, and the characters.
The strong visuals should be obvious - an Akira Kurosawa film with no strong visuals is like a Monet painting with poor use of color. The battle scenes are stunning and seem to come out of a nightmare, with rifleman shooting down on soldiers with a bright light flashing behind them. The colored armor of Takeda's men were also nicely picked and, as Kurosawa would later do with "Ran", give their presense a hauntingly beautiful yet horrifying tone. The final scene at the Battle of Nagashino (which was wrongfully nitpicked in Stephen Turnbull's Osprey book of the battle) chooses to show us only the aftermath of the battle, with shots of cavalry charging to the gunners and then cutting to the horrified expressions of those who watch the unfolding massacre of Japan's greatest army. The shot of the fields of dead is some thing that could only have come out of the nightmare of war.
I think the strongest part of the film, though, were the characters. The film has a slew of fascinating characters, from Takeda's generals (each with their own personality) right down to the rifleman who shot Takeda. Even the spies from Oda and Tokugawa interact and talk like real people, and I can't think of any one in this film I easily forget. I especially liked Oda Nobunaga, and I think this film has the best portrayal I've ever seen of him. He can be seen walking out with his army and stopping briefly to listen to a Christian priest give a prayer.
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5.0 out of 5 stars Wonderful Nov. 30 2002
By A Customer
Format:VHS Tape
Regardless of its length and broad assumption that viewers will have some understanding of sixteenth century Japanese feudal systems, this remains Kurosawa's best film - better, even, than 'Ran'. This is a director whose entire catalogue often pivots on imagery and metaphor, but what sets this film apart is the sheer mastery of its cinematography and incomparable attention to detail; some might say lavish attention. The scenes with warriors passing across an orange sun as light filters through to the foreground, the scenes of warrior horsemen riding along a beach as dark clouds loom thunderously in the distance combine to evoke as few other films have done some real sense of the elegance and savagery that was the hallmark of feudal Japan.
In the case of 'Kagemusha' it will probably help if you are something of a film buff, but even those who aren't will probably be impressed with it on some level.
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5.0 out of 5 stars Takeda Shingen (Born 1521 - Died 1573) Nov. 7 2002
Format:VHS Tape
This movie is based on three people 1. Takeda Shingen (Born 1521 - Died 1573),2.Oda Nobunaga (Born 1531 - Died 1582),and 3.Tokugawa Ieyasu (Born 1542 - Died 1616). The movie is set in 16th century Japan (Sengoku Era),Oda Nobunaga rules 'Kyoto' (Yamashiro Province) the throne of Japan,'Kyoto' orders Takeda Shingen to march to Kyoto to liberate the throne from the tyrant Oda Nobunaga. Oda Nobunaga who with 3,000 men defeated Imagawa Yoshimoto's 40,000 men in the battle of Okehazama in 1560 is seen as invincible and ronin warriors start to flock to his banner. In 1573,Oda Nobunaga's army grows from 3,000 to 50,000 men with Takeda Shingen's army at 30,000 men,Takeda Shingen's army beats off Oda Nobunaga's army effortlessly with ease on the road to Kyoto.Oda Nobunaga becomes panick stricken and tries to call a peace with the throne in Kyoto,while Oda Nobunaga helplessly watches his armies destroyed one after another. Tokugawa Ieyasu (an allie of Oda Nobunaga) entrenches himself at Hamamatsu Castle,and launches a calvery of 12,000 against Takeda Shingen's 30,000 men at 'Mikatagahara'(December 22,1573). Tokugawa Ieyasu loses 3,000 men,Takeda Shingen loses 300 men that day. Tokugawa Ieyasu's army runs back like whipped dogs back to the safety of Hamamatsu,watching helplessly as Takeda Shingen's army passes on by to the road to Kyoto. By a quirk of fate Takeda Shingen is shot by a sniper and dies later of lead poison,the Takeda clan keeps his death a secret for three years,meanwhile,Oda Nobunaga wonders why Takeda Shingen has laggard his attack not knowing Takeda Shingen died three years ago.
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Most recent customer reviews
5.0 out of 5 stars Wish I had waited....
for the DVD. Great movie but poor VHS quality. Very grainy. Hope the DVD cleans it up.
Published on Sept. 21 2002 by P. Williams
5.0 out of 5 stars A supreme tale of the warrior mentality
When Kurosawa made this film he was 70 years old and it stands without question as one of his best films. Read more
Published on July 9 2002 by LGwriter
4.0 out of 5 stars samurai epic
Kurosawa's best, shame about the vid quality/length. check out Ran and Throne of Blood, also pretty good. Read more
Published on April 18 2002 by joe gideon
5.0 out of 5 stars Great and impressive, like a Mountain, but still moving
Kurosawa at his best. When i stumbled over this movie, many years ago, I wasn't aware, that Kurosawa was so deep and important. Read more
Published on March 12 2002 by "simonmoon"
4.0 out of 5 stars Not as good as Ran, but what is?
If Akira Kurosawa had not made Ran, Kagemusha would probably have been considered his last great film. Read more
Published on March 11 2002
4.0 out of 5 stars Slow paced, but worth a look
Kagemusha is a drama, not an action movie. There are no great duels, and the battle scenes, while effective window dressing for the story, are not themselves the focus. Read more
Published on Aug. 19 2001 by Ecnal Yeldnil
4.0 out of 5 stars Kurosawa, the last emperor
Produced in 1980 with the finacial suport of George Lucas and Francis Ford Copolla, Akira Kurosawa's Kagemusha is in all aspects an epic. Read more
Published on June 28 2001 by "torelly"
5.0 out of 5 stars One of Art's Great Movies!
William Goldman, and American screenwriter, admonished aspiring screenwriters to begin scenes as close to end as possible. Read more
Published on April 14 2001 by John Noodles
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