- Paperback: 480 pages
- Publisher: Houghton Mifflin Harcourt (Nov 1 2000)
- Language: English
- ISBN-10: 015601159X
- ISBN-13: 978-0156011594
- Product Dimensions: 20.3 x 13.6 x 3.1 cm
- Shipping Weight: 431 g
- Average Customer Review: 4.8 out of 5 stars See all reviews (15 customer reviews)
- Amazon Bestsellers Rank: #342,473 in Books (See Top 100 in Books)
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Product Details |
Product Description
From Amazon
Describing Umberto Eco as a writer is like describing the platypus as an animal. What do readers expect when they see the author's name on a book jacket? It's a tricky question to answer, given his range and versatility: he has produced studies of semiotics, children's books, medieval history, essays on contemporary culture, and, of course, novels--most notably The Name of the Rose and The Island of the Day Before. So first, a word of warning. Anyone familiar with Eco the novelist or essayist might well be dismayed by Kant and the Platypus, for this new book returns to his preoccupations of the 1960s and 1970s--to semiotics and cognitive semantics. As such, it can be a daunting volume (the initial chapter, for example, riffs on the numerous philosophical concepts of being). And second, a word of encouragement: this is a wonderful engagement with the issues of language itself. Even as he beckons the reader into one linguistic thicket after another, Eco always keeps a commonsensical perspective, using stories to explicate the knottiest concepts.
Why did Marco Polo describe the rhinoceros as a type of unicorn? Why couldn't 18th-century observers figure out how to classify the duck-billed platypus? Given a dictionary or encyclopedia definition of a mouse, how easy would it be to identify one if we had never seen one before? These are some of the examples that Eco uses to explore the ways in which we see and describe the world--the ways, that is, in which cultures develop taxonomies. If you want to know "why we can tell an elephant from an armadillo," or why mirrors do not in fact reverse images, this book will tell you. In fact, it will also tell you why you know what I am talking about when I say "this book." Got it? No? Then get it. --Burhan Tufail --This text refers to the Hardcover edition.
From Publishers Weekly
Consider the platypus. With its famous molelike body carrying a beaver's tail and a duck's beak, the beast confounded the first Western scientists who studied it in 1798. Was it a mammal or a reptile? Did it lay eggs? Was it just a taxonomic hoax? The platypus eventually found its rightful place in the animal kingdom, but as Eco (Travels in Hyperreality, etc.) shows in these challenging essays, the questions it raised about language and perception still animate some sharply contested semiotic debates. Writing with his customary keenness of intellect, Eco ranges widely over metaphysical terrain, drawing on Aristotle, Heidegger and C.S. Peirce to inform his discussions. Revising aspects of Kant's philosophy in terms of cognitive studies, Eco ponders how we identify the things around us and argues that meaning in the world is ultimately contractual and negotiable. When Aztecs first saw horses ridden by Spanish conquistadors, for example, they used their previous knowledge to surmise that the invaders were riding deer. In another example, Eco investigates how we can recognize a Bach suite for solo cello, even when played by different soloists or transcribed for the recorder. Throughout, Eco gamely reconsiders his 1976 work, A Theory of Semiotics, over which many a gauntlet was testily thrown, and revisits other key moments in the history of semiotic research. This collection will certainly appeal to specialists. But Eco's ability to balance technical subject matter with broadly intelligible anecdotes and illustrations should make it valuable and pleasurable for anyone seeking a gallant introduction to the philosophy of language. (Nov.) FYI: Also in November Harvest will release Eco's Serendipities in paperback ($12, ISBN 0-15-600751-7)
Copyright 1999 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Copyright 1999 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Inside This Book
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First Sentence
The history of research into the philosophy of language is full of men (who are rational and mortal animals), bachelors (who are unmarried adult males), and tigers (though it is not clear whether we should define them as feline mammals or big cats with a yellow coat and black stripes). Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
The history of research into the philosophy of language is full of men (who are rational and mortal animals), bachelors (who are unmarried adult males), and tigers (though it is not clear whether we should define them as feline mammals or big cats with a yellow coat and black stripes). Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Most helpful customer reviews
5.0 out of 5 stars
Novelists do it better,
This review is from: Kant and the Platypus: Essays on Language & Cognition (Paperback)
a thoroughly stunning and satisfying exploration of the human mind and how it works. Very impressive intellectual musings that prove substantial and amusing!
5.0 out of 5 stars
Philosophy alive,
This review is from: Kant and the Platypus: Essays on Language & Cognition (Paperback)
I read the review of Simon Blackburn trashing the book: Eco made a few mistakes concerning the two dogmas of empiricism (he confused Davidson's work with Quine's first dogma). So I am sure many readers hesitated after a review by such a rigorous big gun thinker as Blackburn.When I started reading the book I was taken aback by the combination of depth and the vividness of the style. Eco is sprightly and alive, something that cannot be said of many philosophers dealing with the subject of categories. The notion of categories is not trivial: you need a simple conditional prior to identify an object; it is a simple mathematical fact. You need to know what a table is to see it in the background separated from its surroundings. You need to know what a face is so when it rotates you know it is still the same face. Computers have had a hard time with such pattern recognition. A PRIOR category is a necessity. This was Kant's intuition (the so-called "rationalism"). This is also the field of semiotics as initially conceived. Eco took it to greater levels with his notion of what I would call in scientific language a compression, a "simplifation". This leads to the major problem we face today: what if the act of compressing is arbitrary? Not just very deep but it is a breath of fresh air to see such a philosophical discussion nondull, nondry, alive!
5.0 out of 5 stars
Akin to a TV show; a layman's view of semiotics,
By Neil P. (College Park, MD) - See all my reviews
This review is from: Kant and the Platypus: Essays on Language and Cognition (Hardcover)
This is a layman's introduction to semiotics. These essays make me feel as if I were watching a TV show (probably the Roseanne show) on semiotics. Where is the intellectual substance I ask? When have semioticians given up the pursuit of semiotic research merely to be branded as "semioticians for the masses"?
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