From Publishers Weekly
Laurie Greenspan thinks her hip friend Carla has "the coolest parents in the world," especially compared with Laurie's Russian emigree mother ("You only had to screw up once around Lena Greenspan to figure out which side of the Volga you'd landed on"). Her father, once a rising academic, is utterly ineffectual, a "shell of a man" since a traffic accident 10 years ago, and her geeky older brother, Murray, gets all the praise and attention. Rebelling, 15-year-old Laurie tries to act like the ever-wilder Carla, who hooks up with a group of drug-dealing bikers. First-novelist Fitch's dialogue can be pungent ("'You think I give a flying fuck if [my parents] CARE?' Carla shrieked....'Go take your sympathy and cram it up your ass'"). In contrast to, for example, Shelley Stoehr's graphic Weird on the Outside (reviewed Dec. 12, 1994), Fitch's use of explicit language and her close-up treatment of seamy scenarios serves a clear purpose: it demonstrates her understanding of teenage temptations. In this way Laurie's final rejection of the fast life seems part of the drama, not a cautionary message. True to its title, this accomplished work packs quite a kick. Ages 14-up.
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Grade 7-10?Gritty and explicit, this novel of peer pressure explores the lure and false glamour of L.A. street life. Laurie, 15, spends her summer vacation caring for her brain-damaged father, while her strict Russian-emigre mother works grueling hours to support the family. A bright but sheltered teen, Laurie wishes that her life could be more like that of her hip friend Carla, whose psychologist parents give her lots of spending money and freedom, with no questions asked. Sneaking out in the afternoons, Laurie joins Carla and the two shoplift or hitchhike to the beach. Caught riding home with some boys, Laurie is grounded for the summer, but her mother helps her to get a job. She sneaks out to a party with Carla and her biker rock musician boyfriend. There, nearly raped while stoned out of her mind, she wakes up. When Carla ODs, it is Laurie and her mother who come to her aid because the girl's parents want to "let her make her own mistakes and experience the consequences of her choices." Teens will emphathize with Laurie's desire to be free from familial rules and responsibilities, and the realism of some scenes will horrify yet fascinate them. Fitch's writing doesn't match the humor or lyricism of L.A. street novels such as Ron Koertge's The Harmony Arms (Little, 1992) and Francesca Lia Block's Weetzie Bat (HarperCollins, 1989), but it does capture the dark underside of growing up. It shows two kids teetering on the brink of disaster, at risk because their parents are too busy or too self-involved to supervise their activities.?Alice Casey Smith, Monmouth County Library Headquarters, Manalapan, NJ
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.