Kids Return [Import]

Masaru, Ken Kaneko, _Himitsu_, is a brash young man with chin length hair who enjoys bullying other students for pocket money. He also enjoys playing a number of jokes on his teachers. Sick of his delinquent ways his teachers give up actually teaching him anything and patiently wait till the day he will graduate. Things seem to be going pretty well for Masaru until one day an amatuer boxer beats him up avenging one of the schoolers Masaru had robbed earlier. Masaru soon drops out of school and joins a boxing gym

Shinji, Masanobu Ando, _Tribute to a Sad Genius_, _Battle Royale_, almost seems to be the polar opposite of Masaru. Whereas Masaru roughs up a number of individuals to get their money, Shinji just goes along with his friend silently. After Masaru quits school and joins the gym, Shinji quickly follows suit.

However, it is soon evident that Shinji has more athletic ability than his friend, and after Masaru quits after losing a sparring match to Shinji, Shinji's star continues to rise in the amateur boxing world. Masaru, looking for a place to belong, joins the yakuza and tries to find his niche in organized crime.

However, things do not work out quite like he two friends would hope.

Stylistically, this is the best Kitano movie I've seen. Although I'm constantly tempted to call into question his taste in music, the persistant, if somewhat cheesy scores' driving qualities seem to enchant his movies (If only someone would slide him some recordings of Phillip Glass, Steve Reich, or even Marjan Mozetich). The visual elements are also terrific as ususal (and maybe more so). The most siginificant improvement Kids Return makes over every other Kitano movie I've seen is in the narrative/presentation... it's done in a manner that has a sort of blurred focus... never concentrating on its main characters for long before switiching over to another character, which is really what allows it to convey that 'societal meat grinder' mentioned earlier. This vaguely reminded me of Nashville, but unlike Altman's multi-character orgies, Kids Return seems to have a more intimate focus on its characters and their general situation.

At any rate, Kids Return, along with Kikujiro and A Scene at the Sea, is a good introduction to Takeshi Kitano's movies for those non-action fans who were turned off by his more famous ones like Hana-Bi and Brother (as opposed to the action junkies who were appaled that they wern't 99% car chase and raid on enemy headquarters).