The colorful and stylized kimono--the national garment of Japan--expresses not only Japanese aesthetic sensibilities but the soul of Japan as well. In this beautifully written and lavishly illustrated book, Liza Dalby, author of the highly acclaimed Geisha and Tale of Murasaki, traces the history of kimono--its uses, aesthetics, and social meanings--to explore Japanese culture. Drawing on a variety of period texts including 17thcentury kimono pattern books, Dalby vividly recreates kimono and those who wore them through the centuries. She discusses the development of the kimono robe from its Chinese origins two thousand years ago to its assimilation as the national dress of Japan. An engaging mix of fashion history and social anthropology, this lively and scholarly book demonstrates in a new way how clothing can illuminate our understanding of culture.
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From Publishers Weekly
Another Eastern fashion innovation is spotlighted by anthropologist Liza Dalby (Geisha) in Kimono: Fashioning Culture. When Dalby spent a year as a geisha in Kyoto in the 1970s, she found that the most difficult part of her work was wearing the kimono. Her experience inspired this exhaustive chronicle of the history and social meanings of the robe. Dalby is particularly concerned with how the confining robe in which women can't, among other things, cross their legs clashed with creeping Westernization in the last century, giving rise to such controversies as the 1920s skirmish over what kind of underwear should properly be worn with the kimono.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Dalby, author of Geisha (Univ. of California Pr., 1983), has written a lively, informative study of the kimono, tracing its evolution throughout Japanese history to its current status as the national dress of Japan. Her book's coverage includes all types of "native" dress, past and present; her unique position as a Western "insider" allows her to demystify the complex social mores connected with wearing the kimono. The work is also notable for reprinting and translating sections from 17th-century pattern books and for its discussion of the Heian (794-1185) color palette. Jill Liddell's The Story of the Kimono (Dutton, 1989) and Alan Kennedy's Japanese Costume: History and Tradition (A. Biro, 1990) cover different aspects of kimono history and textile design. The three books nicely complement one another, providing almost complete coverage of the subject. At once scholarly and enjoyable reading, Kimono is recommended for academic and public libraries with collections on Asian culture.
- Katharine L. Kan, Aiea P.L., Hawaii
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
- Katharine L. Kan, Aiea P.L., Hawaii
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Customer Reviews
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5 of 5 people found the following review helpful
Format:Paperback
A comprehensive history of kimono past and present, this book is so full of information that it's hard to summarize. The author covers not only "familiar" - i.e., formal - kimono, but also work clothes, folk clothing, and the modest beauty of stripes and ikat. Illustrations throughout the book are well annotated and informative.
My two favorite chapters are those on kimono in the Heian (9th-11th centuries) and Genroku (1688-1704) periods, with their wealth of history and beauty. The chapter on the Heian era covers, among other things, seasonal color combinations, with color depictions of how the layers would look. The Genroku chapter covers kosode, with commented (black and white) illustrations from pattern books of the time.
For those interested in wearing modern kimono, the chapter "The Structure of Kimono" includes information on several different aspects of what a kimono, obi and their accessories can mean according to how they're worn. For instance, how the V-shape formed by the collar differs according to age, or what an obijime placed slightly lower than usual can signify. It also includes charts on kimono formality (a wonderful resource) and descriptions - as always, accompanied by illustrations - of the different kimono and obi types.
1 of 1 people found the following review helpful
By K. Maxwell
Format:Paperback
The kimono is the national dress of Japan and is instantly recognisable as Japanese wherever you see it. However, the kimono that we see today is essentially the end of a long evolution of dress over a thousand years and what is worn now is essentially a fossilised costume.
This book gives you an illuminating look at the history of the kimono in Japan - how even the word "kimono" didn't exist before last century, when the Japanese became aware that there were "other" forms of dress. We are also given insights into the dress of the lower class and rural people of Japan. They are often forgotten in kimono discussion, yet they developed a dress style that was both practical and indigenous, though it is dying in the modern age. There is even an extensive section devoted to the aristocratic 10th century kimono styles and colour combinations.
Lastly this book gives you insight into how the modern kimono is worn. There is a wealth of meaning in dress design and how it is worn that mostly passes non-Japanese by and for a kimono to be worn with style requires a lot of social knowledge that not many other books will spell out for you like this.
This book is highly recommended if you have an interest in Japanese costume, history or fabrics. It gives a fascinating account of how dress mirrors history and social changes. However, if you are looking for lots of colour photos of kimono and their designs this book will probably disappoint you as all the illustrations are in black and white.
By shiruko
Format:Paperback
they gave this book with a short letter to me. actually, this book is a used one but quite nice. also they look nice people.
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