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King Suckerman Mass Market Paperback – Jul 6 1998


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Product Details

  • Mass Market Paperback: 336 pages
  • Publisher: Dell; Reprint edition (July 6 1998)
  • Language: English
  • ISBN-10: 0440225957
  • ISBN-13: 978-0440225959
  • Product Dimensions: 10.7 x 3.3 x 17.3 cm
  • Shipping Weight: 454 g
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (24 customer reviews)
  • Amazon Bestsellers Rank: #437,895 in Books (See Top 100 in Books)

Product Description

From Amazon

D'origine grecque, Dimitri Karras est revendeur "d'herbe" dans un quartier pauvre de Washington. Accompagné de son ami, le Noir Marcus Clay, il passe se ravitailler chez un petit caïd italien, Eddie Marchetti. Celui-ci est en pleine transaction avec un quatuor de tueurs venus de Caroline pour acheter de la cocaïne. L'entretien tourne mal. Quelques coups sont échangés avec les sudistes et en représailles, Clay empoche le paquet de dollars qu'ils avaient versés à l'Italien. Les deux parties vont désormais s'affronter et tous les coups seront permis.

Sur cette trame de vengeance et de guerre mortelle (qui s'achève le 4 juillet, alors que la population fête joyeusement le bicentenaire de l'indépendance), Pelecanos reconstitue de façon efficace l'atmosphère d'un quartier de Washington avec moult détails sur la vie quotidienne des Noirs. Si les petits matchs de basket, la fumette et la soul music occupent une place importante dans leur existence, le cinéma est aussi très présent, plus particulièrement ce qu'on a appelé la "blaxploitation", cette série de films violents avec des "héros" noirs, qui débuta en 1971 avec Sweet Sweetback Baadass Song, écrit, réalisé et produit par Melvin Van Peebles. Premier volet d'une chronique sur la ville de Washington durant les années soixante-dix, King Suckerman est une reconstitution historique chaleureuse, écrite de façon béhavioriste, et qui permet de découvrir un milieu jusqu'alors bien négligé par le roman noir. On retrouve le héros du roman dans Un nommé Peter Karras, prix Cognac 2001 du roman noir étranger. --Claude Mesplède --This text refers to an out of print or unavailable edition of this title.

From Library Journal

Cheech and Chong meet Pulp Fiction in a retro novel of Seventies drug culture. Small-time pot dealer Dimitri Karras and record-store owner Marcus Clay stumble into the wrong warehouse looking for weed and pocket some hot cash in the bargain. They are pursued by a gang of trigger-crazed lowlifes more concerned with savoring the taste of Kools and death than recovering their money. Dimitri slowly begins to realize that he's wasted many years dealing to kids and getting high. He proves his desire for redemption to Marcus by participating in a rooftop showdown with the Wilton Cooper gang. Few other characters here show potential for growth or transformation, but Pelecanos (The Big Blowdown, LJ 4/15/96) has an ear for the jivey talk of the era. This noir thriller may find a limited audience with baby boomers or fans of the author's well-received Nick Stefanos series.?Susan A. Zappia, Maricopa Cty. Lib. Dist., Phoenix
Copyright 1997 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Customer Reviews

3.7 out of 5 stars

Most helpful customer reviews

Format: Mass Market Paperback
King Suckerman is one funny book! The prose is so high energy it shines, but a quick glance of the first page of customer reviews makes me nervous about writing a positive review of this book (most of you guys are dissing Pelecanos's effort, it looks like). I think King Suckerman was intended as an action-comedy, sort of a Sergio Leone-meets-Shaft novel where the message is that friendship and loyalty rises above. Pelecanos riffs freely on subjects from reefer, to DC basketball, to violence, to the real question at each of our hearts: was Jimi Hendrix a rock musician, or a soul musician?
All of this lightly covers some heavier issues underneath the surface of King Suckerman; chiefly race, drugs, and violence in our nation's capitol. Marcus Clay is a black DC record store owner (Real Right Records) and Demitri Karras is a young white man with no clear direction in his life. The two play ball together on DC's famed city courts, and when a simple drug deal draws Clay into pulling a gun on a local dealer, Karras and Clay become the subject of the dealer's (and some out of town boys') revenge.
The novel follows a pretty tight storyline from there with the redneck goons tracking down Karras and Clay, ultimately leading to the novel's The Good, The Bad, and The Ugly style climax on a DC bicentenial July 4th with fireworks exploding in the background!
As with other Pelecanos novels (Right as Rain, Shame the Devil, Soul Circus, The Sweet Forever), King Suckerman is a deeply moral novel where redemption and loyalty rises above ignorance and hatred. There is an interesting passage in Suckerman where Karras finds out that a young kid he's sold some dope to has died in an automobile accident, and for a time he seems torn, trying to choose between right and wrong, friendship and honor.
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Format: Hardcover
'King Suckerman' is by some accounts among George Pelecanos's weaker efforts, and by other accounts his most enjoyable read. Like all his works this book takes place in Washington (, D.C.) and its characters are racially diverse, and into sex, drugs and rock & roll. And unlike many of his books the story starts off with a bang, most literally (ie, a rather graphically described killing). But then the book fails to take advantage of its early promise.
In 'King Suckerman' the author spends a lot of time, arguably too much time, on waltzing through 1970s memory lane. Blaxploitation flicks and the music of the times dominate the book. Yes, there are some nasty dudes in this book, lots of drug dealing, but before long we realize the author isn't going to deliver anything special. George Pelacanos has done much better ('Shame the Devil', 'Right as Rain').
Bottom line: the author seems to be into more of a nostalgia trip rather than writing a crime novel. But for those craving a taste of pre-disco 1970s ambiance this book is "really baaad".
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Format: Mass Market Paperback
this is my first pelecanos novel and i am ordering more immediately after i post this review. the strengths of the book are really why you'd read it: slick dialogue, strong sense of place, graphic descriptions of violence, and a well-developed cast of charming characters (both heroes and anti-heroes). those of you familiar with the DC/MD area will enjoy pelecanos' treatment of location, especially if you weren't there in the 70s but wish you were.
why three stars? mostly because pelecanos relies on cheap morality toward the end. the moral revelations, or maybe evolutions, seem like jokes. they're just so obvious and unimaginative. i don't want to post a spoiler, but the body count at the end is painfully predictable.
on the plus side, pelecanos has a great gift for dialogue and characterization. while it's often more entertaining to watch bad guys develop, the ambiguity of the characters early on keeps you interested in the entire cast. everything is tight until the last fifth or so. at that point the good guys arc and it seems canned and facile.
as you can see, the crude moralizing bothered me, but that doesn't mean that i wouldn't recommend the book. i thoroughly enjoyed it overall and look forward to more of pelecanos' work.
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Format: Mass Market Paperback
Probably a more appropriate title for the book would have been "Sex, Drugs and Rock 'n' Roll". All the action takes place amidst a heaping helping of all three "pleasures". King Suckerman is set in the late 70s and really focuses closely on the drug scene in and around Washington DC. To describe it, I would say it's Cheech and Chong meets Reservoir Dogs.
Cheech and Chong because everyone seems to be stoned, getting stoned or looking to get stoned. As a result, I just couldn't take the characters all that seriously, even those with murderous intent. Reservoir Dogs because, at times, the violence was very graphic, the bad guys took no prisoners and the undercurrent of menace was constant.
It's an unusual book in that there really is no obvious lead character. Dimitri Karras is the nearest thing to the lead. He is a deadbeat who gets by dealing pot and playing pickup basketball games.
The pace is frenetic, there's definitely never a dull moment, mayhem abounds and there's a nice little cameo by Nick Stefanos for all the insiders who have read "Nick's Trip". I enjoyed it, it was very entertaining.
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