It's easy to see why Jane Fonda won her first Oscar for her turn as a brilliant actress-hooker in this top-notch Alan J Pakula thriller/character study. I recently caught "Klute" again on cable and was immediately taken in as if I'd never the film in the first place, which for me is a sign of a movie's overall impact. Bree, Fonda's character, has tricked with more than a few unusual characters and when one of them stays missing for 6 months, a private detective - the Klute character - is called in to investigate by the poor fellow's family. Whan ensues is a heart-pounding maze of a movie, with twists and turns today's audiences might be expecting, but that are nonetheless delivered in faux-Hitchcockian splendor by the talented Pakula. Donald Sutherland - that most deserving of underrated actors - is perhaps his best ever (other than in "Ordinary People") as Klute. His son, Keiffer, stars on TV's hit series "24" and its clear where he gets the acting gene. The startlingly young and dashing Donald looks less like Keiffer and much more like the brilliant Tobey McGuire (in his pre=Spiderman spate of pics like "Cider House Rules.") He's everyman and no one at once, which and of itself requires tremendous acting chops. Sutherland's got them in spades. Also watch for a pre-"All in the Family" Jean Stapleton as a kooky secretary late in the movie. Some of the 60s and early 70s lingo, mood rings and situations might fall flat for today's viewers (i.e. letting it all hang out, etc.)but overall, this is a terrific picture. Don't expect the "Happy Hooker" but enjoy the ride.