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KnitKnit: Profiles + Projects from Knitting's New Wave
 
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KnitKnit: Profiles + Projects from Knitting's New Wave (Hardcover)

by Sabrina Gschwandtner (Author), Kiriko Shirobayashi (Photographer)
5.0 out of 5 stars  See all reviews (1 customer review)
List Price: CDN$ 35.95
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KnitKnit: Profiles + Projects from Knitting's New Wave + Contemporary Knitting: For Textile Artists
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Product Details


Product Description

Product Description

Provides an intimate look at how 27 of today’s most innovative, inspiring, and groundbreaking knitters live and work

Captures the zeitgeist of the craft renaissance
KnitKnit, the highly collectible ’zine, has been featured in The New Yorker and on Style.com

All over North America and Europe, a brand-new generation has taken up knitting—and is transforming the venerable needlecraft by blurring the boundary between craft and art. In Copenhagen, Denmark, Isabel Berglund hand-knit an entire room. In New England, Dave Cole constructed an enormous “knitting machine” (he used excavators and utility poles) that knit an 800-stitch, 35-by-20-foot American flag. But the projects aren’t all of a monumental scale. In Los Angeles, Bridget Marrin knits little dollhouses—complete with lawns, shrubbery, and smoke-filled chimneys, all made of yarn. Using surgical wire, Indiana-based knitter Althea Merback hand-knits sweaters smaller than a dime.

Five years ago, Sabrina Gschwandtner founded a ’zine to tackle the blurry edge between craft and fine art. Now, her book KnitKnit brings together profiles of 27 of the most talented artist-crafters knitting today. But KnitKnit does more than just document their ingenious creations. Each of the profiled knitters has contributed a project—a sweatshirt kimono, a mohair and metal belt, a pair of high-heeled boots, a geodesic-patterned cap, even a teddy bear knit from fiberglass insulation—meant to inspire you to find and follow your own creative path.


About the Author

SABRINA GSCHWANDTNER holds a BA in art/semiotics from Brown University and an MFA from Bard College. Her artwork has been exhibited internationally at such venues as the Museum of Arts and Design, New York, and the Fleming Museum, Vermont. She is the founder of KnitKnit, a biannual artists’ publication dedicated to the intersection of traditional handcraft and contemporary art. Gschwandtner lives in New York City. You can visit her website at www.knitknit.net.

KIRIKO SHIROBAYASHI is an award-winning New York–based photographer whose work has been exhibited at the Houston Center for Photography and the National Museum of Belarus, among other venues. Her work was featured in Stewart, Tabori and Chang’s Knitting for Peace and appears regularly in magazines in the U.S. and abroad.

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4 of 6 people found the following review helpful:
5.0 out of 5 stars It really is a "brave" new wave!, Sep 19 2007
By Beryl Tsang - See all my reviews
(REAL NAME)   
Full disclosure here, I'm a KnitKnit contributor but even if I wasn't I'd have to have this book because it subversively and not so subversively crosses the boundaries of activism, art, craft, design, fashion, technlogy and tradition including sections on graffiti knitting, micro revolt (yes, we can rage against the machine one stitch at time!) even Ozark Handspun.

My personal favourite was Isabel Berglund's knitted room which I could get lost in for hours. I am seriously considering knitting her white Jump In the Wall Jumper for my living room but the thought of it makes my family queasy (They equate knitted white walls with psychiatric institutions and the jumper with a straight jacket--but then I digress.)

The projects that author Sabrina Gschwandtner and photographer Kiriko Shirobayashi travelled the world to profile range from the utilitarian and useful--Teva Durham's beautiful Knitted Wool Cover for an Egg Chair to the industrial and impressive--who knew that you could build giant knitting needles on John Deere Cherry-pickers?

The book's insightful text and stunning photographs are in the words of one of my fellow fibre floozies the "Penultimate in 'fibre porn!'"* This is especially true of Mandy McIntosh's spread titled "Some Fish I Ate in Portugal." (The pictures made me want to make the dress just so I can fondle it!)

I must admit however, that there are projects in this book that even I (a dedicated fibrenista) can't even hope to tackle. I don't think I have the skill, patience or manual dexterity to make Althea Merback's Mini Sweater Earrings or the space not to mention the safety equipment to attempt Dave Cole's 16 foot knitted Fibre Glass Teddy Bear.

*"Fibre porn" or the visual representation of fibre is creative and positive and should never be confused with sexual porn or the visual misrepresentation of human sexuality which is destructive and exploitive.
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