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Kundun Original Soundtrack Classical, Soundtrack


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Product Details

  • Composer: Philip Glass
  • Audio CD (Dec 2 1997)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Format: Classical, Soundtrack
  • Label: Nonesuch
  • Run Time: 134 minutes
  • ASIN: B000005J4V
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon Bestsellers Rank: #52,058 in Music (See Top 100 in Music)

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6. Reting's Eyes
7. Potala
8. Lord Chamberlain
9. Norbu Plays
10. Norbulingka
11. Chinese Invade
12. Fish
13. Distraught
14. Thirteenth Dali Lama
15. Move To Dungkar
16. Projector
17. Lhasa At Night
18. Escape To India

Product Description

Product Description

KUNDUN is as rich in music as it is in dramatic imagery, and in fact, significant portions of the film were edited by Scorsese expressly to match the score. The film's soundtrack - excerpted from a lavish 100 minutes of material, including Tibetan singers and musicians - is by Philip Glass who, in addition to being one of the world's best-known composers and a Buddhist himself, is celebrated for his numerous collaborations with noteworthy filmmakers.

Amazon.ca

For the second of 1997's dueling Buddhist epics (the other being Seven Days in Tibet, scored by John Williams), director Martin Scorsese made a wise--if commercially challenging--choice in tapping noted minimalist composer Philip Glass to score Kundun. Glass (who's previously scored the avant garde documentary Koyaanisqatsi trilogy, Mishima, and the strange Candyman horror series), is the perfect choice here; his own Buddhist beliefs play a key role in meshing image and music. Glass's familiar compositional techniques are wedded on Kundun to a sensitive use of ethnic instruments and the voices of the Gyuto Monks, adding an aura of spiritual power missing from most Hollywood fare. --Jerry McCulley

Customer Reviews

4.4 out of 5 stars
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Most helpful customer reviews

1 of 1 people found the following review helpful By A Customer on April 28 1999
Format: Audio CD
This is vintage Glass. If you like "Koyaanisqatsi", you should like "Kundun". Like all of Glass's work, this one takes some time to get into, but once you've heard it, it becomes compelling, hypnotic, even addictive.
One of the reviewers below complains that this music isn't Tibetan enough. This is like complaining that Beethoven doesn't use Flemish folk songs enough. If you want traditional Tibetan music, buy some. If you want Philip Glass, buy "Kundun".
It's true that the music is vaguely reminiscent of "Koyaanisqatsi". This is not necessarily a bad thing, "Koyaanisqatsi" being one of Glass's greatest works.
Some of the music is also reminiscent of Bernard Herrman's score for "Journey to the Center of the Earth". Since Glass is a Minimalist instead of a Romantic like Herrman, however, don't expect to hear the great bursts of emotion you find in "Journey to the Center of the Earth". On the other hand, Herrman followed the action of the movie so closely that his score sounds like a series of unconnected pieces. "Kundun" is far more unified, and you feel like you've heard a symphony when it's over.
One of the reviewers complains that the orchestra doesn't seem to contain many Tibetan instruments. I wonder how many Westerners can recognize Tibetan instruments when they hear them. If you look at traditional non-Western instruments all over the world, you find the same general themes over and over again: flutes (like the Andean pan-pipes), horns (like the Tibetan horns heard in this music), drums, and stringed instruments (like the Chinese biba or the Japanese koto). It takes a sensitive ear to hear the difference between one of these instruments and the Western equivalent.
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By gtra1n on May 22 2000
Format: Audio CD
You may like Glass, you may like his previous film music, but you may not like this. Just sharing the category I'm in!
Glass has done a lot of great work, and also a good deal of mediocre work, and this score is definitely in the latter. While it works well with the movie, listening to it on it's own is a disappointment. The difference between this and the great "Koyanisqaatsi" is important. The music for that movie was written with a core focus that permeates each piece, and althought the individuals sections are much longer than in "Kundun," interest never wanes. On this soundtrack, however, the trademark repetition never really catches hold, since there always seems to be a crucial musical element missing, as if there was nothing but accompaniment. While the tracks are briefer, they say very little, and there's no build up of musical drama. Of course, it's a soundtrack, and a good accompaniment to the other element of the movie, but as a stand alone recording it doesn't work.
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By A Customer on April 20 2000
Format: Audio CD
I used to HATE Philip Glass. I thought, how can such a no-talent hack get work-- all he does is make the same music and recycle it! Then I saw Koyanasqatsi and Powaqqatsi. Powaqqatsi really impressed me, particularly because of the music. I saw the CD sitting in a record store one day, and bought it (the clerk even forgot to charge me for it!)
Not less than a week ago I wrote a five-star review of the excellent Powaqqatsi soundtrack, relaying how great I thought the music was while knock, knocking Philip Glass for his repetition. After that I began browsing through the other Glass listings, listening to the samples. Later, I saw the Kundun DVD at my video store, and decided to watch it again. The next day, I searched out the soundtrack. I have to take back the statement I made about never having to hear another Glass score. Granted, all of his music seems to be variations of a similar theme, but he can take that in many directions. Kundun has an entirely different feel than Powaqqatsi. It is meditative, while Powaqqatsi is like a celebration of life. I own two Glass albums now, and now it seems likely that I'll own three (the Glass/Shankar collaboration looks appealing). I wouldn't have been able to fathom that a year ago.
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By A Customer on April 15 1999
Format: Audio CD
As most of the reviews state this is a good album
I'm just not convinced that it is a great album, or that it is better than Koyannisqaatsi. In many ways some of the good bits of the album seem like retakes of the earlier work. As a previous reviewer states it doesn't seem like Glass has advanced his art very much with this music.
There is surprisingly little Tibetan influence - occasional chanting monks, some horns and cymbals, but its either not there or its melded with the minimalism so effectively it might as well not be there.
Yet despite these reservations, if you like Glass you almost certainly will like this album - though the endings of some tracks seem a bit - "er, I'd better stop somewhere" - other parts of the album are well crafted, and it obviously affects some people deeply.
If you've never heard him before try Koyannisqaatsi first. If your interested in Tibetan Music, then find some 'real' Tibetan music.
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Format: Audio CD
First of all I have been a fan of Philip Glass since the early 80s when I saw Koyanisqaatsi. I have had the good fortune to hear the Glass ensemble live a few times, saw The Photographer, the New York City Ballet doing Glassworks, etc. plus Koyanisqaatsi and Powaqaatsi are two of my favorite films. So from the reviews of Kundun here on Amazon I was really looking forward to the album.
I haven't seen the film, so my remarks are based on the music itself. Glass seems stuck in a rut with this one. From Koyannisqaatsi to Akhnaten to Powaqaatsi, there was a real development of new sounds and melodies and style. This one sounds like a rehash of much earlier work, such as Mishima, with the addition of that presumably Tibetan instrument that sounds like a loosely strung harp being assaulted with a piece of scrap metal. Also the use of mainly western instruments seemed out of place to me, though again I haven't seen the film.
Oh well. I highly recommend Akhnaten, it will probably be very difficult to find but in my opinion it ranks right up with Koyanisqaatsi as the most powerful and beautiful of Glass's compositions.
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