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James Ellroy's L.A. Confidential is film-noir crime fiction akin to Chinatown, Hollywood Babylon, Raymond Chandler, Dashiell Hammett, and Jim Thompson. It's about three tortured souls in the 1950s L.A.P.D.: Ed Exley, the clean-cut cop who lives shivering in the shadow of his dad, a legendary cop in the same department; Jack Vincennes, a cop who advises a Police Squad- like TV show and busts movie stars for payoffs from sleazy Hush-Hush magazine; and Bud White, a detective haunted by the sight of his dad murdering his mom.
Ellroy himself was traumatized as a boy by his party-animal mother's murder. (See his memoir My Dark Places for the whole sordid story.) So it is clear that Bud is partly autobiographical. But Exley, whose shiny reputation conceals a dark secret, and Vincennes, who goes showbiz with a vengeance, reflect parts of Ellroy, too.
L.A. Confidential holds enough plots for two or three books: the cops chase stolen gangland heroin through a landscape littered with not-always-innocent corpses while succumbing to sexy sirens who have been surgically resculpted to resemble movie stars; a vile developer--based (unfairly) on Walt Disney-- schemes to make big bucks off Moochie Mouse; and the cops compete with the crooks to see who can be more corrupt and violent. Ellroy's hardboiled prose is so compressed that some of his rat-a-tat paragraphs are hard to follow. You have to read with attention as intense as hisand that is very intense indeed. But he richly rewards the effort. He may not be as deep and literary as Chandler, but he belongs on the same top-level shelf.
Ellroy's ninth novel, set in 1950s Los Angeles, kicks off with a shoot-out between a rogue ex-cop and a band of gangsters fronted by a crooked police lieutenant. Close on the heels of this scene comes a jarring Christmas Day precinct house riot, in which drunk and rampaging cops viciously beat up a group of jailed Mexican hoodlums. But, as readers will quickly learn, these sudden sprees of violence, laced with evidence of police corruption, are only teasers for the grisly events and pathos that follow this intricate police procedural. Picking up where The Black Dahlia and The Big Nowhere left off, the book tracks the intertwining paths of the three flawed and ambitious cops who emerge from the "Bloody Christmas" affair. Dope peddling, prostitution, and other risky business are revealed as the tightly wound plot untangles. Ellroy's disdain for Hollywood tinsel is evident at every turn; even the most noble of the characters here are relentlessly sleazy. But their grueling, sometimes maniacal schemes make a compelling read for the stout of heart.
Copyright 1990 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Since I really enjoyed the movie I thought I should finally read the book and what a treat! Highly recommend for fans of the genre,Published 18 months ago by Glenn Paradis
"L.A Confidential" is the perhaps the most famous novel in Hollywood, L.A noir mystery writer James Ellory's career. Read morePublished on Aug. 11 2003 by Taisei Fuma
I've just finished "The Big Nowhere" (the book before "L.A. Confidential") and it's a marvelous read! But "L.A. Con" is still the GREATER book, in my opinion. Read morePublished on June 7 2003 by anna-joelle
In the MOVIE adaptation, the character of Bud White, the "thug"-cop who is only half-intelligent (in detective work, I mean) and prefers "speaking" with his fists, is given... Read morePublished on April 19 2003 by anna-joelle
James Ellroy is likely America's best active crime fiction writer. In his dark and disturbing vision of Los Angeles in the 40's and 50's the bad guys are pretty bad, but the cops... Read morePublished on Jan. 12 2003 by James R. Mckinley
More than any other writer since Jim Thompson and the early Greats (Chandler, Hammett, Cain), Ellroy is able to create a dark and disturbing world all his own. Read morePublished on Dec 12 2002 by David Group
LA Confidential begins as hardboiled as a book has ever begun. It's Los Angeles in the early 1950s with plenty of organized crime and questionable police tactics. Read morePublished on Nov. 1 2002 by Thomas Stamper