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L'Immortelle [Blu-ray] [Import]


List Price: CDN$ 33.44
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Frequently Bought Together

L'Immortelle [Blu-ray] [Import] + Trans-Europ-Express [Blu-ray] (Version française) + Eden and After [Blu-ray] [Import]
Price For All Three: CDN$ 99.90


Product Details

  • Format: NTSC, Import
  • Language: French
  • Subtitles: English
  • Region: Region A/1
  • Aspect Ratio: 1.66:1
  • Number of discs: 1
  • MPAA Rating: UNRATED
  • Studio: Redemption
  • Release Date: April 29 2014
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • ASIN: B00I8Z4VIQ

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By DVD/OCD TOP 500 REVIEWER on Aug. 25 2014
"L'Immortelle" is one of several recent releases of films written and directed by French writer and film-maker Alain Robb-Grillet. In North America it appears that the Redemption DVD authoring group have secured the rights to distribute his works - while in England the British Film Institute (BFI) has the honor. Redemption has issued 5 films/disks 'individually' while the BFI has presented them in a nice 6 film retrospective box-set ( a format that is ultimately less expensive per film. The BFI set is , however, in the Euro Region 2 PAL format and requires a 'region-free' DVD player to view

The majority of Robb-Grillete's works have been generally un-available for 'home viewing' for decades. - this current collection presents some of his earliest works from the 1960-70's period when he was first trying his hand as a Director, after achieving his initial recognition for scripting the French art-house classic: "Last Year At Marienbad". "L'Immortelle" was, in fact, his first solo directorial outing and it continues to feature many of the surreal and enigmatic elements that were explored in '...Marienbad".

After viewing a body of Robb-Grillete's works, and reading some analysis of his films by cinema scholars, a pattern begins to emerge that helps the viewer to appreciate where he was coming from and what he was trying to achieve. Such background info is really helpful, because without it his films may initially seem very disjointed and abstract - even by art-house standards. Robb-Grillete enjoyed 'playing with' the peculiarities inherent in format of cinema and using , and abusing them, to his own ends to create a film experience that challenges the viewer's normal expectations for how a film should evolve.
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: 3 reviews
3 of 3 people found the following review helpful
Master of Enigmatic Exotica Aug. 25 2014
By Ramm - Published on Amazon.com
"L'Immortelle" is one of several recent releases of films written and directed by French writer and film-maker Alain Robb-Grillet. In North America it appears that the Redemption DVD authoring group have secured the rights to distribute his works - while in England the British Film Institute (BFI) has the honor. Redemption has issued 5 films/disks 'individually' while the BFI has presented them in a nice 6 film retrospective box-set ( a format that is ultimately less expensive per film). The BFI set is , however, in the Euro Region 2 PAL format and requires a 'region-free' DVD player to view. Regardless of 'region code/format' these are films well worth checking out!

The majority of Robb-Grillete's works have been generally un-available for 'home viewing' for decades. - this current collection presents some of his earliest works from the 1960-70's period when he was first trying his hand as a Director, after achieving his initial recognition for scripting the French art-house classic: "Last Year At Marienbad". "L'Immortelle" was, in fact, his first solo directorial outing and it continues to feature many of the surreal and enigmatic elements that were explored in '...Marienbad".

After viewing a body of Robb-Grillete's works, and reading some analysis of his films by cinema scholars, a pattern begins to emerge that helps the viewer to appreciate where he was coming from and what he was trying to achieve. Such background info is really helpful because, without it, his films may initially seem very disjointed and abstract - even by art-house standards. Robb-Grillete enjoyed 'playing with' the peculiarities inherent in the format of cinema and using , and 'abusing' them, to his own ends to create a film experience that challenges the viewer's normal expectations for how a film should evolve. He pretty much ignores the concept of a linear plot progression in most of his scenarios and his plots and characters constantly fold back in upon themselves providing multiple viewpoints and time frames that ultimately provide a very surreal experience. One should not expect everything to wrap up tidily at the end of the show but one may expect the film to 'stick with them' for a while after viewing due to the provocative nature of the images and concepts presented - almost like a 'waking-dream'.

Alain Robb-Grillete, & his 'partner' Catherine (who makes regular appearances in his films) were both noted for their "outre' " sexual preferences that leaned in the BDSM direction, and many of his films featured elements that portrayed this personal penchant for S/M symbolism and lifestyle. Not surprisingly - this flirtation with 'forbidden' sexual practices often drew the ire of film censors and some of his film's were 'banned' in certain countries for many years - contributing to his obscurity and the (previous) difficulty in accessing his works. Ironically (and despite all the '50 Shades of Gray' allusions on the box cover) "L'Immortelle" actually contains virtually no images or references to these themes of sexual dominance & submission!... nor any 'nudity' within its' contents - whereas later films ( such as 'Trans Europe Express', 'Successive Slidings of Pleasure", and "Gradiva' for example) provide a hefty dose of the aforementioned.

That info notwithstanding - "L'Immortelle" is one of the 'spaciest' most intriguing movies I have seen in a long while and qualifies as a genuine surreal experience. It is practically useless to try to describe its' 'plot' because it doesn't really have one, yet the film mesmerizes the viewer with a hypnotic quality that is quite unique. Beautifully filmed in B&W in exotic locales in Instanbul, Turkey - the 'place' becomes an integral part of Robbe-Grillete's 'vision' and alludes to fantasies of mysterious Eastern harems & slave girls as personified by the belly-dancer on the box cover who is featured in a brief dance segment - the characters, and audience, are caught up in Robb-Grillete's dream-like spell. "L'Immortelle" is a great intro to this creative film-maker's work and a pretty psychedelic viewing experience. Highly recommended! French language w/ English subs.
3 of 3 people found the following review helpful
Mystery wrapped in riddle July 9 2014
By Russell E. Scott - Published on Amazon.com
Verified Purchase
His first shot at directing has similar tones as Last Year At Marienbad as beautiful, beguiling, and bewitching. Is she there and then she isn't as a tale of travels and escapades in ancient Istanbul. Does she? Or doesn't she? One of the 1st true mysteries as riddle wrapped as an enigma. Good stuff from 1963 if you have the heart and head to follow, you too can wind up confused and totally taken by this rapturous beauty. Started before he assisted Alain Resnais and finished sometime after completion of that project so this was three years in the making makes for near perfection as I see it. Go figure if you can.
1 of 21 people found the following review helpful
Wrong description of film. April 2 2014
By Charles E. Harmon - Published on Amazon.com
Verified Purchase
The Amazon editorial review describes a film, but not this one. This is a strange movie and pretty boring mostly.
Don't buy it until you check it out online elsewhere.


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