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La Strada (Criterion Collection) (2 Discs)


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La Strada (Criterion Collection) (2 Discs) + Criterion Collection: La Dolce Vita + 8.5
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Product Details

  • Actors: Anthony Quinn, Giulietta Masina, Richard Basehart, Aldo Silvani, Marcella Rovere
  • Directors: Federico Fellini
  • Writers: Federico Fellini, Ennio Flaiano, Tullio Pinelli
  • Producers: Carlo Ponti, Dino De Laurentiis
  • Format: Black & White, DVD-Video, Subtitled, NTSC
  • Language: English, Italian
  • Subtitles: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 2
  • MPAA Rating: UNRATED
  • Studio: Criterion
  • Release Date: Nov. 25 2003
  • Run Time: 108 minutes
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (50 customer reviews)
  • ASIN: B00005JKGQ
  • Amazon Bestsellers Rank: #43,370 in DVD (See Top 100 in DVD)

Product Description

Amazon.ca

Considered by many to be Federico Fellini's most beautiful and powerful film, La Strada was the first film to reveal the range of Guilietta Masina, whose poignant performance as the childlike Gelsomina recalls Chaplin's Little Tramp. The bubbly, waiflike Gelsomina is a simpleton sold to the gruff, bullying circus strongman Zampanò (Anthony Quinn) as a servant and assistant. Treated no better than an animal, Gelsomina nonetheless falls in love with the brute Zampanò. When they join a small circus they meet Il Matto (Richard Basehart), a clown who enchants Gelsomina and relentlessly taunts Zampanò, whose inability to control his hatred of Il Matto (literally, "the Fool") leads to their expulsion from the circus and eventually to the film's fateful conclusion. Masina is heartbreaking as the wide-eyed innocent, whose generous spirit and love of life leads her to try to "save" Quinn's unfeeling, brutal Zampanò. Though the film resonates with mythic and biblical dimensions, Fellini never loses sight of his characters, lovingly painted in all their frailties and failings. Fellini's lyrical style reaches back to the simple beauty of his neorealist films and looks ahead to the impressionistic fantasies of later films, but at this unique period in Fellini's career, they combine to create a poetic, tragic masterpiece. --Sean Axmaker

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Customer Reviews

4.4 out of 5 stars

Most helpful customer reviews

3 of 3 people found the following review helpful By Antonio Giusto on Aug. 27 2004
Format: DVD
The story to La Strada is very simple. Despite some flaws it is a very powerful film that unlike some other Fellini films can be understood and adored by many. Is it as good as his others? I'm not sure. I do like it better than the ones I have seen (8 1/2, I Vitelloni, Roma, and Satyricon.) I'll leave that question un-answered till I get a chance to see Il Bidone, La Dolce Vita and a few others.
One thing for sure is this has some of the greatest music I've ever heard in a film. Nino Rota really outdid himself with the soundtrack to this film. It's full of passion and perfectly suits the film. If it wasn't for Rota's music Fellini's films would have never had impact that they did. In the same sense that Sergio Leone's films would be garbage without the music of Ennio Morricone. Actually wait, a better example would be Francis Ford Copalla without Nino Rota. I don't think the Godfather would have had as big of an impact without Rota's music. The Score to The Godfather is pretty much the best thing about the films. I don't think he did the soundtrack to part three. Not sure if he was alive then. Another reason why that film blows.
Some brilliant scenes in this film. Especially the one where Giulietta Massina (Gelsomina) is sitting quietly by a dirt road as 3 members of a marching band walk by playing their instruments urging her to follow them. This film is filled with beautiful moments like that.
If you're a first time Fellini viewer I would definetly reccomend La Strada.
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3 of 3 people found the following review helpful By Jure Kravanja on May 1 2004
Format: DVD
This is one of those films which can, albeit its slow-pacing, deliver an unforgettable and complex experience.
The plot is no brainer; Gelsomina (played by Fellini's wife Giulietta Masina) is sold by her poor mother to a brute fairground wrestler, Zampanò (Quinn) in order to be his show assistant. Just a few moments later, one can see Zampanò nature; he tortures Gelsomina, both verbally and physically. But the latter receives these harsh treatment very meekly - at times, she seems to represent a martyr figure, in some respect resembling Christ. On their way they meet the Fool (Basehart), who doesn't get along with Zampanò, which leads to great tragedy. In the end, seeing what his actions have spawned, Zampanò finally attains his humanity - but it is probably too late for second chances ...
Some argue that this is Fellini's ''easiest'' film and a kind of homage to Charlie Chaplin with the persona of Gelsomina. I still say that this is a film not to be missed - it contains so many truths of life that it is essential to be seen by every human being.
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2 of 2 people found the following review helpful By Keen Onlooker on July 11 2004
Format: DVD
In response to Stephen Lopez:I,too,contacted
Criterion regarding the English track.I received
the same reply.However,I can't accept their
answer because some years back,Criterion released
La Strada on laserdisc (a now-defunct video medium
used mainly by videophiles before the advent of DVDs)
which I've owned since its release.
The English soundtrack on this LD is flawless...not
a single "dropoff" from start to finish.
So...my hunch is that somebody at Criterion fouled
up somehow and the result is several minutes of
missing audio.
I'm still happy,however,that I purchased the DVD
because the video quality is outstanding!
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1 of 1 people found the following review helpful By Stephen P. Lopez on Nov. 30 2003
Format: DVD
I agree with almost all of my fellow reviewers, that this is probably one of the greatest films ever made. Since DVD's came about, I've been writing letters to Criterion (the company which restored it), asking that "La Strada" be released (especially by them). First of all, the picture quality is 10 out of 10, it's wonderful. The original "Italian" audio track is a joy to my ear, from beginning to end. BUT....the "English" audio track seems to be flawed (at least with this, the first release). In the beginning of the film, when Gelsomina is introduced to Zampano, about 3:30 min into the film, until 4:04 min into the film, there is a complete loss of sound. And once again from 4:20 min into the film, until 4:35 min into the film, there is another complete loss of sound. From then on, the audio is flawless. I contacted Criterion about this problem, and I was advised that it was probably a bad copy, and to contact AMAZON for a replacement. I did this, and AMAZON sent out a new copy within 2 days. Unfortunately, the replacement disk was flawed in EXACTLY the same places on the "English" track. Please check YOUR copy, and if it IS flawed, please contact Criterion about it. I tried BOTH of my copies on THREE DIFFERENT DVD players, and it was SAME problem on each machine, and at the same times that I mentioned. What are the odds of that? I'm a HUGE fan of Criterion and their work, and I think it's just a bug that needs to be worked out. Other than that, their restoration is a jewel in my collection.
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By Neil on Feb. 23 2004
Format: DVD
Fellini is over rated (!). There, I mentioned it. His 'indominable imagination', while influential as far as filmmakers such as Terry Gilliam are concerned (see Criterion's 81/2), is simply not enough to sustain narrative or deep thematic concerns. He does not hang enough ideas on these elaborate constructions, seems more or less disinterested in developing the figures he creates beyond extrapolating on their grotesque/freakish/cute/unusual qualities. He really does not like women very much (but then I suppose not many male filmmakers do). The conceptualisation of his female characters always falls within the(yawn) well defined limits of the old madonna... thing. Women are capricious, sexual, wanton, barely glimpsed, desired (etc.) or hag-like, stupid, ugly (etc.)in Fellini's films. In this film the Chaplinesque main character, a woman, is made out to be rather a dullard, her cloying cuteness and mugging at the camera notwithstanding.
But that's going off at a tangent; the films are pretty to watch and this one has a particularly interesting context (Fellini wanting to break through the confines of the familiar neo-realist tradition of that period in Italian cinema etc.), but the razzle dazzle and surface beauty of the film while captivating at first soon becomes, quite frankly, boring.
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