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Gill's language is richly sensual, raked through with strangely vivid images ("a snotty evening rain," "the buds of our earphones"). Although her metaphors occasionally twine out of control ("The sky is a big grey pancake with pink light sizzling at its distant images") and her characters are somewhat limited, Ladykiller is an intriguing first offering in much the same vein as the fiction of Lisa Moore and Elise Levine. --Lisa Alward
"...topics and descriptive tactics are well wed to Gill's characters' sensibilities and make for some cleverly arresting observation and imagery. Her sense of satire is no less honed."
(Quill & Quire)"There is something both dark and tender in "Ladykiller". Charlotte Gill is a wise purveyor of the heart's loyal yet capricious nature. A stylish and sassy debut."
(Michael Winter)"...an excellent collection...This is an intelligent, contemporary book...Every story in "Ladykiller" sings in its own way. Nothing should have been done better in "Ladykiller". Charlotte Gill's voice is on every page, her sure eye for contemporary detail, her originality and unsentimental wit, her ability to deliver us to endings with a sense of having read tellingly about our own world. About ourselves, even. That is Charlotte Gill's authority. And that's also why, when finishing "Ladykiller", I wished I had something else written by Gill to open immediately. I wanted back in."
(Globe and Mail)
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