From Library Journal
The belated onset of modernism might be the leitmotif of this compendium of brief histories of painting and sculpture in 20th-century Latin America, edited by the chair of New York University's fine arts department. While students of varied "isms" of our century will not be surprised by the imagery and attitudes of Latin American artists, they will be struck by the originality and regional shadings that reverberate throughout this volume. The work embraces every Hispanic tradition from that of North American Chicanos to work from the Argentine tip of South America, and each national tradition is independently surveyed, from usually desiccated academic beginnings to the postmodern present. As the quality of the national traditions varies, so do the individual considerations. Several of the essays are little more than recitations of basic art historical data, while others attempt a more subtle exploration of style, content, and context. Although it is lavishly illustrated, many of the cited artists' works are not reproduced. Nevertheless, the trove of some 300 fine color reproductions and compilation of otherwise hard-to-find information make this essential for collections concerned with the culture of Latin America.?Robert Cahn, Fashion Inst. of Technology, New York
Copyright 1997 Reed Business Information, Inc.
Book Description
The first to present a genuinely Latin American viewpoint, this book is also the first comprehensive survey of an important and increasingly popular field, and because each of the contributors is an expert on his or her own national art. These 17 scholars, critics, and curators provide an exciting and challenging new assessment of 20th-century Latin American art. 310 illustrations, 300 in color.