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Lauridsen: Lux Æterna Import


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Lauridsen: Lux Æterna + Nocturnes
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Product Details

  • Audio CD (May 19 1998)
  • Number of Discs: 1
  • Format: Import
  • Label: Rubedo Canis Musica
  • ASIN: B000006OF1
  • Other Editions: MP3 Download
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (59 customer reviews)

1. Introitus - Lux Aeterna
2. In Te, Domine, Speravi - Lux Aeterna
3. O Nata Lux - Lux Aeterna
4. Veni, Sancte Spiritus - Lux Aeterna
5. Agnus Dei - Lus Aeterna - Lux Aeterna
6. En Une Seule Fleur - Les Chansons Des Roses
7. Contre Qui, Rose - Les Chansons Des Roses
8. De Ton Reve Trop Plein - Les Chansons Des Roses
9. La Rose Complete - Les Chansons Des Roses
10. Dirait - On - Les Chansons Des Roses
11. Ave Maria - Ave Maria
12. MID WINTER SONGS: Lament For Pasiphae - M. LAURIDSEN
13. MID WINTER SONGS: Like Snow - M. LAURIDSEN
14. MID WINTER SONGS: She Tells Her Love While Half Asleep - M. LAURIDSEN
15. MID WINTER SONGS: Mid-Winter Waking - M. LAURIDSEN
16. MID WINTER SONGS: Intercession In Late October - M. LAURIDSEN
17. O Magnum Mysterium - O Magnum Mysterium

Product Description

Review

Beautiful...a gorgeous fabric of choral sound that creates a unique sound-world...pushes you to tears. Simply stunning. -- Raleigh, N.C. News & Observer, June, 2000

Lauridsen enjoys respect of music directors throughout America. Beauty, potency...grand/intimate works. Perpetual light shines on all the settings. -- New York Times, January 30, 2000

Masterly works, both esoteric and accessible, simultaneously popular and deep, sung with passionate intensity. Give it to your best friend. -- Los Angeles Times, December 20, 1998

Radiant, heart-felt, absolutely gorgeous music delivered con amore. Powerfully uplifting, intense spiritual beauty. On my Year's Best List. -- American Record Guide, September, 1998

Rich, complex, intensely moving...Rose Songs may be the finest Rilke settings by an American composer. Hypnotically beautiful, ravishing music. -- Insider's Guide to Classical Recordings, Jim Svejda, 1999

Amazon.ca

Modern choral music for amateur singers may be America's biggest musical underground. That's the only explanation of why Grammy-nominated composer Morten Lauridsen can claim that his works are some of the most often-performed new pieces in years, although few among the East Coast intelligentsia have ever heard of him. Like the similarly popular John Rutter, Lauridsen inhabits an extremely conservative style directed simply and single-mindedly at showing off the beauty of choral singing while it illustrates inspiring texts. Unlike many of his fellow neo-Romantic conservatives, Lauridsen displays a brand of conservatism that is completely convincing and sincere. His music also has range, from the spellbindingly rapturous Lux aeterna to his playful settings of Rilke's poems about the beauty and thorniness of roses in Les chansons des roses. There is, moreover, a Coplandesque streak heard in his Mid-Winter Songs, which are settings of poems by Robert Graves. Though the Los Angeles Master Chorale has a suitably red-blooded sound, the music would be better served with more precise diction. --David Patrick Stearns

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Customer Reviews

4.7 out of 5 stars
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Most helpful customer reviews

Format: Audio CD
The Los Angeles Master Chorale has certainly done a fine job. No, more than fine; it is not even them. It is the greatness of Mr. Lauridsen's solid choral writing. As a teenage choral music enthusiast (enthusiast is a bit of an understatement) who expects a lot out of his music, I find most of the choral market today just doesn't appeal to me. It has all been done before. Not this.
The "Lux Aeterna" opens mystically, leading the listener to truly believe in the eternal rest and eternal light sung about. The "Les Chansons des Roses" are so poignant and soft, representing the greatest of a cappella choral music. "Dirait-on" has been named the most beautiful piece of music ever written, and I begin to believe it with this smooth, touching rendition. The balance between choir and piano is just right. The wrenching harmonies in the "Mid-Winter Songs" completely complement Robert Graves' poetry as they unleash terror and anger, then excitement, then sleep, and finally, calm love. Although the original version with piano accompaniment sings, the colorful orchestration brings out new motifs, new themes, evoking winter. The finale of the CD is the absolutely beautiful "O Magnum Mysterium" - perfectly sung, perfectly felt. So reverent a text has never found so reverent a score. I give this album my highest recommendation. Everyone I lend it to has a difficult time returning it (including my choir director). This is my absolute favorite CD.
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By "rowdyjimbo" on May 6 2004
Format: Audio CD
I am a member of the official college choir at my school, and we recently performed almost all the works on this CD at a concert in Memphis except for the Ave Maria. We also performed the Madrigali, and the version of the Mid-Winter Songs we did was accompanied by the piano. Having sung these works all year long, this CD means something personal for me.
It took me awhile to find the beauty of Lux Aeterna, as its rhythmic patterns and harmonies seem to repeat and drone on incessantly, but after awhile I came to appreciate some of the harmonines (especially in the first and last movement)are incredibly rich. I love the canonical chant portions of the aforementioned movements and how all the voices come together in one glorious chord, musically portraying light coming in through all angles. The "Veni, Sanctus Spiritus" is an uplifting, joyous canticle that will lighten your spirits (couldn't resist). The comparisons in the harmonies to Brahms' "Ein Deustche Requiem" throughout the work are noteworthy.
Everybody goes for the "Dirait-on" movement of the Les Chansons des Roses, but for myself, it is the third movement, "De ton reve trop plein" that grabs my attention. The musical variety and text painting, as well as the rhythms and harmonies, send chills down my spine every time. This delightful little work is much more difficult to sing (especially from memory) than it sounds, but when a choir pulls it off just right, like this one does, the sound is just heavenly.
I can't say much about the Ave Maria as I have not performed it except to say that it is a most gorgeous piece; I am listening to it right now.
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Format: Audio CD
Repetitive, yes. Same harmonics throughout, little variation in tempo, milking the music for all it's worth.
And yet my soul just cries and cries and cries every time I hear this CD. Having just lost my lover a year ago after four years, I was sent this CD by a friend, who knows I am a choral-music lover, and, like a gift from heaven, this CD carried me through the anniversary of his death. The Lux Aeterna -- and the Dirait-on -- rank with the most beautiful music I have ever heard. Words are trly insufficient to describe the enveloping, soul-touching elegance, emotion and elation that this music conveys. It just wraps you up and, like on clouds and in the air, you are bathed in ethereal beauty. Listening to this music is like eating the most wonderful meal or having the most wonderful, ecstatic sex -- you know, when you get depressed because you don't want it to end! It is pure soulfood -- I am not religious, but that does not matter -- this is a true example of the how art can touch and move.
Of course, much of this is thanks to the technical prowess of the LAMC: incredible pitch and blend -- they are not quite Eric Ericsson's Swedish Radio Choir -- a few diction problems (consonants, not vowels, which are perfectly formed to ensure the glorious harmonics are clearly heard) -- but again, the words don't really matter. Oh, and how wonderfully Lauridsen writes for the tenors. Glorious.
Get this CD to uplift you, to help you along, to relax you, to reflect, to share. You will not be disappointed.
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By A Customer on Oct. 10 2002
Format: Audio CD
Morten Lauridsen's stunningly ethereal musical ideas are marvelously performed in the Dorothy Chandler Pavillion by the Los Angeles Masterworks Chorale. The recording was perportedly created using 20 bit recording technology to capture the inner details.
This RCM recording is unfocused, however. The soundstage gives no indication of where the singers or the orchestra are located. Additionally, the dynamics of the recording are unreal, getting way too loud to sound like a live LAMC at the DCP in the loudest passages. I chalk this up to RCM using the very inefficient and incoherent ATC SCM50 studio monitors (or perhaps a tin ear?) in the mastering process. Extreme care has to be applied to ensure that all of the depth of the soundstage is preserved for a recording of this nature. Unfortuantely I hear little such care.
It's also interesting to note that RCM touts the use of 20 bit recording, but doesn't provide this disk with HDCD encoding to preserve the 20 bits for those with HDCD decoders. It has been my experience that HDCD encoded disks do a better job of preserving a soundstage, with or without an HDCD decoder. And, the bit reduction activity (from a recorded 20 bits to a playback 16 bits) may help explain the overly dynamic nature of this recording.
John Rutter's Requiem (Reference Recording's HDCD-encoded RR-57) shows us what care in preserving a soundstage can sound like. While Requiem isn't necessarily better music than Lux Aeterna, it does provide an incomparably better listening experience.
Still, if you want fabulous background music and aren't picky about the presentation (indeed I find that I prefer to listen to the disk on my computer speakers, which aren't especially coherent, anyway, and, because of their low efficiency, do a good job of compressing this over-dynamic presentation) Lux Aeterna is a great buy.
Mr. Lauridsen and LAMC my heartfelt thanks. RCM what happened?
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