Winner of The 2012 Believer Book Award
Finalist for the 2011 Los Angeles Times Book Prize (Art Seidenbaum Award for First Fiction)
Finalist for The New York Public Library's 2012 Young Lions Fiction Award
Wall Street Journal’s Top 10 Fiction of 2011
The New Yorker’s Best of the Year in Culture 2011
Newsweek/Daily Beast’s Best of 2011
The Boston Globe’s Best of 2011
The Guardian’s Best Books of 2011
Shelf Unbound’s Top Ten of 2011
New Stateman’s Best Books of 2011
“[A] subtle, sinuous, and very funny first novel. . . . [Leaving the Atocha Station] has a beguiling mixture of lightness and weight. There are wonderful sentences and jokes on almost every page. Lerner is attempting to capture something that most conventional novels, with their cumbersome caravans of plot and scene and “conflict,” fail to do: the drift of thought, the unmomentous passage of undramatic life. . . .”—James Wood, The New Yorker
"Ben Lerner's remarkable first novel . . . is a bildungsroman and meditation and slacker tale fused by a precise, reflective and darkly comic voice. It is also a revealing study of what it's like to be a young American abroad . . . Lerner is concerned with ineffability, but Adam Gordon (and the author) fight back with more than words . . . The ultimate product of Gordon's success is the novel itself." -Gary Sernovitz, The New York Times Book Review
“One of the funniest (and truest) novels I know of by a writer of his generation. . . . [A] dazzlingly good novel.”—Lorin Stein, The New York Review of Books
“Flip, hip, smart, and very funny . . . [R]eading it was unlike any other novel-reading experience I’ve had for a long time.” —Maureen Corrigan, NPR’s “Fresh Air with Terry Gross”
“[Leaving the Atocha Station is] hilarious and cracklingly intelligent, fully alive and original in every sentence, and abuzz with the feel of our late-late-modern moment. . . . —Jonathan Franzen in The Guardian’s Books of the Year 2011
"[A] remarkable first novel . . . intensely and unusually brilliant."—The Guardian
"Utterly charming. Lerner’s self-hating, lying, overmedicated, brilliant fool of a hero is a memorable character, and his voice speaks with a music distinctly and hilariously all his own.” —Paul Auster
“Leaving the Atocha Station is a marvelous novel, not least because of the magical way that it reverses the postmodernist spell, transmuting a fraudulent figure into a fully dimensional and compelling character.”—The Wall Street Journal
“Lerner’s prose, at once precise and swerving, propels the book in lieu of a plot and creates an experience of something [main character Adam] Gordon criticizes more heavily plotted books of failing to capture: “the texture of time as it passed, life’s white machine.”—The Daily Beast
“[A] noteworthy debut . . . . Lerner has fun with the interplay between the unreliable spoken word and subtleties in speech and body language, capturing the struggle of a young artist unsure of the meaning or value of his art. . . . Lerner succeeds in drawing out the problems inherent in art, expectation, and communication.”—Publishers Weekly
“Ben Lerner’s first novel, coming on the heels of three outstanding poetry collections, is a darkly hilarious examination of just how self-conscious, miserable, and absurd one man can be. . . . Lerner’s writing [is] beautiful, funny, and revelatory.”—Deb Olin Unferth, Bookforum
“. . . Leaving the Atocha Station is as much an apologia for poetry as it is a novel. Lerner’s ability to accomplish both projects at once is a marvel. His sense of narrative forward motion and his penchant for rumination are kept in constant competition with one another, so that neither is allowed to keep the upper hand for long. Leaving the Atocha Station is a novel for poets, liars, and equivocators—that is, for aspects of us all. It is also a poem, dedicated to the gulf between self and self–ego and alter ego, “true me” and “false me,” present self and outgrown past.”—Open Letters Monthly
“If Bolaño was yesterday’s drug of choice—deluding us with youth, intoxicating us with a sense of literature’s wilder, life-altering capacities—Lerner could be, should be, tomorrow’s homegrown equivalent. . . . Leaving the Atocha Station is avant slackerism as its best. It’s heartening to know that someone of my generation is writing with such heart, such head, and so personally.”—Joshua Cohen, The Faster Times
“The first novel from Ben Lerner, a finalist for the National Book Award in poetry, explores with humor and depth what everyone assumes is OK to overlook. . . . Ben Lerner’s phrases meander, unconcerned tourists, taking exotic day trips to surprising clauses before returning to their familiar hostels of subject and predicate. . . . [A]n honest, exciting account of what it’s like to be a fairly regular guy in fairly regular circumstances . . . [and] somehow it’s more incredible, and more modern a dilemma, than the explosives.”—Minneapolis Star Tribune
“I admire Ben’s poetry, but I love to death his new book, Leaving the Atocha Station. Ben Lerner’s novel . . . ‘chronicles the endemic disease of our time: the difficulty of feeling. . .’ [A] significant book.”—David Shields, Los Angeles Review of Books
“In his adroitly interiorized first novel . . . Lerner makes this tale of a nervous young artist abroad profoundly evocative by using his protagonist’s difficulties with Spanish, fear of creativity, and mental instability to cleverly, seductively, and hilariously investigate the nature of language and storytelling, veracity and fraud. As Adam’s private fears are dwarfed by terrorist train attacks, Lerner casts light on how we must constantly rework the narrative of our lives to survive and flourish.”—Donna Seaman, Booklist
"Leaving the Atocha Station is, among other things, a character-driven ‘page-turner’ and a concisely definitive study of the “actual” versus the ‘virtual’ as applied to relationships, language, poetry, experience. It’s funny and affecting and as meticulous and “knowing” in its execution of itself, I feel, as Ben’s poetry collections are.”—Tao Lin, The Believer
“Lerner, himself an Ivy League poet and National Book Award finalist who once spent time in Madrid on a prestigious fellowship, wrestles well with absence as an event. . . . The combination of tension and languor, grounded by sensual details, recalls Javier Marías.”—Time Out New York
“[Leaving the Atocha Station is remarkable for its ability to be simultaneously warm, ruminative, heart-breaking, and funny.”—Shelf Unbound
“[Leaving the Atocha Station] is compelling; it’s jarring and painful as it is darkly funny. Lerner writes with the neurotic detachment characteristic of many of his contemporaries. . . . [T]he result is funny, insightful, honest, and very entertaining.”—Explosion-Proof
“Perhaps it’s because there’s so much skepticism surrounding the novel-by-poet that, when it’s successful, it’s such a cause for celebration. Some prime examples of monumental novels by poets and about poets (but not just for poets) are Boris Pasternak’s Doctor Zhivago, Roberto Bolaño’s The Savage Detectives, and Rainer Maria Rilke’s The Notebooks of Malte Laurids Brigge. Now, let us celebrate another of their rank: Ben Lerner’s Leaving the Atocha Station.”—The Jewish Daily Forward
"An extraordinary novel about the intersections of art and reality in contemporary life." —John Ashbery
“Acclaimed poet Ben Lerner’s first novel is a fascinating and often brilliant investigation of the distance (or the communication) between experience and art. . . . Rendering its subject from just about every angle, Leaving the Atocha Station becomes something close to highly self-aware, to something poetic.” —Zyzzyva
“Last night I started Ben Lerner’s novel “Leaving the Atocha Station.’’ By page three it was clear I was either staying up all night or putting the novel away until the weekend. I’m still angry with myself for having slept.” —Stacy Schiff
“... Leaving the Atocha Station is an addictively readable postmodern exploration of meaning and communication, and the failure of both." —Art Info
