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Legend Of Sigurd And Gudrun [Paperback]

J.R.R. Tolkien
4.5 out of 5 stars  See all reviews (4 customer reviews)
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Book Description

April 19 2010
The world first publication of a previously unknown work by J.R.R. Tolkien, which tells the epic story of the Norse hero, Sigurd, the dragon-slayer, the revenge of his wife, Gudrun, and the Fall of the Nibelungs. "Many years ago, J.R.R. Tolkien composed his own version, now published for the first time, of the great legend of Northern antiquity, in two closely related poems to which he gave the titles The New Lay of the Volsungs and The New Lay of Gudrun. "In the Lay of the Volsungs is told the ancestry of the great hero Sigurd, the slayer of Fafnir most celebrated of dragons, whose treasure he took for his own; of his awakening of the Valkyrie Brynhild who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In that court there sprang great love but also great hate, brought about by the power of the enchantress, mother of the Niflungs, skilled in the arts of magic, of shape-changing and potions of forgetfulness. "In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrun his sister, mounts to its end in the murder of Sigurd at the hands of his blood-brothers, the suicide of Brynhild, and the despair of Gudrun. In the Lay of Gudrun her fate after the death of Sigurd is told, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers the Niflung lords, and her hideous revenge. "Deriving his version primarily from his close study of the ancient poetry of Norway and Iceland known as the Poetic Edda (and where no old poetry exists, from the later prose work the Volsunga Saga), J.R.R. Tolkien employed a verse-form of short stanzas whose lines embody in English the exacting alliterative rhythms and the concentrated energy of the poems of the Edda." -- Christopher Tolkien

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Review

"Will appeal strongly to readers already haunted by the deeper, more sombre musics of Middle-earth" The Times "This is the most unexpected of Tolkien's many posthumous publications; his son's 'Commentary' is a model of informed accessibility; the poems stand comparison with their Eddic models, and there is little poetry in the world like those" Times Literary Supplement "The compact verse form is ideally suited to describing impact! elsewhere it achieves a stark beauty" Telegraph

About the Author

J.R.R. Tolkien was born on 3rd January 1892. After serving in the First World War, he became best known for The Hobbit and The Lord of the Rings, selling 150 million copies in more than 40 languages worldwide. Awarded the CBE and an honorary Doctorate of Letters from Oxford University, he died in 1973 at the age of 81. Christopher Tolkien is the third son of J.R.R. Tolkien. Appointed by J.R.R. Tolkien to be his literary executor, he has devoted himself to the publication of his father's unpublished writings, notably The Silmarillion and The History of Middle-earth. He lives in France with his wife Baillie.

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1 of 1 people found the following review helpful
4.0 out of 5 stars Tolkien's genius proven yet again Feb 24 2011
By D Glover TOP 500 REVIEWER
Format:Paperback|Amazon Verified Purchase
There is a fair bit of dry commentary in this volume. Some of it is interesting and all of it is genuinely informative, though no doubt it will be much more appreciated by someone who is at least somewhat familiar with the progression of Norse Mythology scholarship. However, the reason for purchasing this volume is first of all to read some excellent stories. The tales of Ancient Norse heroes and villains, gods and monsters, treasures and battles, is not only engaging on its own merits but it is fascinating to pick up themes and events that have been borrowed by more modern myth-makers such as C.S. Lewis and Tolkien himself. These are just really good stories. But the other reason to read this book is to witness Tolkien's genius and skill in crafting these poems (the stories are told in poetic form). Tolkien has recreated these stories in poem form in English in a meter that matches the pattern of the old Norse. It goes without saying that this must have been some feat. The version is high English, and can take a bit of getting used to. It's a bit like listening to Yoda tell you a story..."Tragic, it is. Backwards, it seems." Well, its not really like that but I think you get the idea. Anyway, these are great epics or sagas (can't recall from the book what Tolkien's version ought to be called) and the format not only suits these tales but serves to showcase Tolkien's genius yet again. If at first you find them difficult to get into, persevere and the stories will reward you. And don't be intimidated by all the notes on Tolkien and his lectures and commentary compiled and edited by his son, Christopher. I read them and they are interesting in their way even for a layman, but you certainly don't need to read them. You can skip straight to the good stuff. If I could I'd give this 3.5 stars (4 for the poems and 3 for the notes).
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6 of 6 people found the following review helpful
4.0 out of 5 stars there is crying of ravens, cold howls the wolf Jun 6 2009
By E. A Solinas HALL OF FAME TOP 10 REVIEWER
Format:Hardcover
When J.R.R. Tolkien wasn't teaching philology at Oxford or penning classic fantasy novels, he did some retellings of old poetry. VERY old poetry.

"The Legend of Sigurd and Gudrun" is one such work: a verse working of the Norse legend of the hero Sigurd and his adventures, as well as the two doomed women who loved him. The wording is a bit awkward in places, and a good chunk of the book's content is commentary by his son Christopher Tolkien -- but the deep-rooted mythic story and Tolkien's vivid prose are gorgeous.

After exploring the gods and their glittering Valholl, Tolkien introduces the bitter dwarf Andvari and his magic ring, the greedy dragon Fafnir, and the tragic tale of Sigmund, Sigurd's daddy. Sigurd was tricked into slaying Fafnir for his treacherous foster father, and gained a hoard of cursed gold and a roasted dragon heart. Then he learns of the beautiful Valkyrie Brynhild, who is doomed to "wed the World's chosen" only, and sleeps in a fortress of flames.

Though he wakes Brynhild, Sigurd claims that he isn't going to marry her until he has a kingdom of his own -- and he gets one too. But in the process, he falls in love with the beautiful Gudrun and marries her. When his brother-in-law Gunnar wants the finest woman in the world, Sigurd tricks Brynhild into marrying Gunnar instead. This betrayal -- and a cursed ring given to both Gudrun and Brynhild -- leads to lies, hatred, death, and a devastating tragedy that destroys more than one person's life.

"The Lay of Gudrun" is a sort of sequel to the Sigurd legend: after Sigurd dies, Gudrun goes a little nuts in her woodland house and ends up being wed against her own wishes (courtesy of her witchy mom) to the king of the Huns, Atli. Of course, everything goes wrong for the poor woman -- and her brothers Gunnar and Hogni rush to attack Atli.

"The Legend of Sigurd and Gudrun" is not for those who only like to read Tolkien's Middle-Earth stories. Sure, there's a cursed ring and a mention of "Mirkwood," but the rest of it is pure Norse saga infused with gods, sorrow, magic and ancient battles. But it's a fascinating story, and you can hear the ring of the elves and the Rohirrhim in some of the stately passages ("Hail O sunlight/and sun's rising").

It's also very complex story, with lots of gory battles, doomed love affairs, and everybody involved ending up miserable and/or dead -- in particular, the bleak yet exquisite finale of "The Lay of Gudrun" is astonishing. And Tolkien does make you feel for the two lead characters of Sigurd and poor, tragic Gudrun (whose only crime was to love her husband), even if Sigurd is kind of a jerk. Brynhild just comes across as a snotty ice queen.

And Tolkien's wordcraft is pretty smooth, easily read if you're used to epic poetry. There are a few awkward moments ("Last night I lay/where loath me was/with less liking/I may lay me yet"), but most of it is easy to decipher and to follow. And the words are usually quite vivid, beautifully written ("gleaming robed/as flower unfolded/fair at morning") and evocative ("his beard was grey/as bark of ash"), with many moments that are simply beautiful.

For the record: "The Legend of Sigurd and Gudrun" has a LOT of Christopher Tolkien's forewords, commentary and Tolkien's own information on Norse mythology (for the record, "midgardsormr" means the serpent around the world). There's fifty pages to wade through before the poem even starts. Those with little experience in Norse myth might find it handy, but anyone who already knows the story will find it rather dry.

The legendary JRR Tolkien's working of "The Legend of Sigurd and Gudrun" is a vivid retelling of this saga, and his unmistakable touch is left on the words. If you can handle epic poetry, this one is definitely worth a read.
Was this review helpful to you?
5.0 out of 5 stars There is crying of ravens, cold howls the wolf May 1 2011
By E. A Solinas HALL OF FAME TOP 10 REVIEWER
Format:Paperback
When J.R.R. Tolkien wasn't teaching philology at Oxford or penning classic fantasy novels, he did some retellings of old poetry. VERY old poetry.

"The Legend of Sigurd and Gudrun" is one such work: a verse working of the Norse legend of the hero Sigurd and his adventures, as well as the two doomed women who loved him. The wording is a bit awkward in places, and a good chunk of the book's content is commentary by his son Christopher Tolkien -- but the deep-rooted mythic story and Tolkien's vivid prose are gorgeous.

After exploring the gods and their glittering Valholl, Tolkien introduces the bitter dwarf Andvari and his magic ring, the greedy dragon Fafnir, and the tragic tale of Sigmund, Sigurd's daddy. Sigurd was tricked into slaying Fafnir for his treacherous foster father, and gained a hoard of cursed gold and a roasted dragon heart. Then he learns of the beautiful Valkyrie Brynhild, who is doomed to "wed the World's chosen" only, and sleeps in a fortress of flames.

Though he wakes Brynhild, Sigurd claims that he isn't going to marry her until he has a kingdom of his own -- and he gets one too. But in the process, he falls in love with the beautiful Gudrun and marries her. When his brother-in-law Gunnar wants the finest woman in the world, Sigurd tricks Brynhild into marrying Gunnar instead. This betrayal -- and a cursed ring given to both Gudrun and Brynhild -- leads to lies, hatred, death, and a devastating tragedy that destroys more than one person's life.

"The Lay of Gudrun" is a sort of sequel to the Sigurd legend: after Sigurd dies, Gudrun goes a little nuts in her woodland house and ends up being wed against her own wishes (courtesy of her witchy mom) to the king of the Huns, Atli. Of course, everything goes wrong for the poor woman -- and her brothers Gunnar and Hogni rush to attack Atli.

"The Legend of Sigurd and Gudrun" is not for those who only like to read Tolkien's Middle-Earth stories. Sure, there's a cursed ring and a mention of "Mirkwood," but the rest of it is pure Norse saga infused with gods, sorrow, magic and ancient battles. But it's a fascinating story, and you can hear the ring of the elves and the Rohirrhim in some of the stately passages ("Hail O sunlight/and sun's rising").

It's also very complex story, with lots of gory battles, doomed love affairs, and everybody involved ending up miserable and/or dead -- in particular, the bleak yet exquisite finale of "The Lay of Gudrun" is astonishing. And Tolkien does make you feel for the two lead characters of Sigurd and poor, tragic Gudrun (whose only crime was to love her husband), even if Sigurd is kind of a jerk. Brynhild just comes across as a snotty ice queen.

And Tolkien's wordcraft is pretty smooth, easily read if you're used to epic poetry. There are a few awkward moments ("Last night I lay/where loath me was/with less liking/I may lay me yet"), but most of it is easy to decipher and to follow. And the words are usually quite vivid, beautifully written ("gleaming robed/as flower unfolded/fair at morning") and evocative ("his beard was grey/as bark of ash"), with many moments that are simply beautiful.

For the record: "The Legend of Sigurd and Gudrun" has a LOT of Christopher Tolkien's forewords, commentary and Tolkien's own information on Norse mythology (for the record, "midgardsormr" means the serpent around the world). There's fifty pages to wade through before the poem even starts. Those with little experience in Norse myth might find it handy, but anyone who already knows the story will find it rather dry.

The legendary JRR Tolkien's working of "The Legend of Sigurd and Gudrun" is a vivid retelling of this saga, and his unmistakable touch is left on the words. If you can handle epic poetry, this one is definitely worth a read.
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