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Les Invasions Barbares
 
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Les Invasions Barbares

Rémy Girard , Dorothée Berryman , Denys Arcand    DVD
4.3 out of 5 stars  See all reviews (20 customer reviews)
Price: CDN$ 13.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Product Description

Un incontournable québécois

Dix-sept ans plus tard, Denys Arcand retrouve les personnages du Déclin de l’empire américain dans un film très émouvant symbolisant le passage du flambeau entre les générations, et traitant d’un des plus grand tabous de la société occidentale : la mort. Gagnant d’un oscar, de six Génies, de trois Césars et de six Jutras, Les Invasions barbares a également brillé à Cannes, où le film a reçu le prix du scénario et Marie-Josée Croze, le prix d’interprétation.

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Couronné d’une pluie de récompenses (Genie, Jutra, Oscars, Cannes, Toronto…) Les Invasions barbares redonne vie, dix-sept ans plus tard, aux personnages que le public avait découverts dans Le Déclin de l’empire américain. Les années ont passé et la bande d’intellectuels cyniques se retrouve confrontée aux problèmes des "baby-boomers" : le vieillissement, la maladie et l’affreux sentiment que la vie est derrière eux.

Rémy a maintenant la cinquantaine, il est divorcé et tente de surmonter l’épreuve d’une terrible maladie dans un hôpital montréalais. Son ex-femme, Louise, appelle d’urgence leur fils, Sébastien, qui mène une brillante carrière financière à Londres. Ce dernier tentera de rendre les derniers jours de son père plus doux à grands coups de pots de vin et autres "compensations". Mais surtout, il ramènera auprès du malade ses amis que la vie avait éloignés.

Tout en stigmatisant les problèmes de la société québécoise (le système de santé, la toute-puissance des syndicats), Denys Arcand fait un portrait, parfois sans subtilité, mais très émouvant des relations parents-enfants. En confrontant ses personnages au plus grand tabou de la civilisation occidentale – la mort – il symbolise également le passage du flambeau entre ces générations aux valeurs si différentes. Même si certains regretteront que l’ironie ait laissé place aux larmes et que les présences de Pierre Curzy, Dorothée Berryman, Louise Portal, Dominique Michel ou Yves Jacques soient plus timides, la réunion autour de Rémy Girard de jeune acteurs de la nouvelle garde, comme Stéphane Rousseau, dans un contre-emploi plutôt réussi, ou Marie-Josée Croze, offre tout de même de beaux moments d’intensité. – Helen Faradji.


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Customer Reviews

20 Reviews
5 star:
 (12)
4 star:
 (5)
3 star:
 (1)
2 star:
 (1)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (20 customer reviews)
 
 
 
 
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Most helpful customer reviews

3 of 3 people found the following review helpful
4.0 out of 5 stars "The Barbarian Invasions" is emotional and highly thought-provoking, July 1 2007
By 
Jenny J.J.I. "A New Yorker" (That Lives in Carolinas) - See all my reviews
(TOP 100 REVIEWER)   
The most skilful attribute of "The Barbarian Invasions" is the clever way in which the film intertwines a personal story with our collective history. I don't remember another recent film that has managed to move and making me feel involved as much, and in both respects. The film is incredibly accurate in capturing a "moment", an undercurrent; difficult to articulate and to put in words, of what it is happening in our world today. It does this with remarkable restrain and in small measures in the delivery of details, giving us few but quite powerful facts.

The film centers on Rémy's estranged relationship with his son Sebastian (stand-up comic Stéphane Rousseau) a millionaire London businessman. When Sebastian comes to Montreal with his fiancée (Marina Hands), years of resentment against his father boil to the surface. Rémy apparently was not an exemplary father figure. He cheated on his wife, over indulged himself in hedonistic pleasures, and offered less than the support his children needed. Rémy, a socialist, considers his son a "puritanical capitalist" and one who portends the coming "barbarian" invasions. Sebastian resents Rémy for his womanizing and calls him "contentious". In spite of this resentment, however, he starts throwing money around to try and make his father's final days more comfortable, in a way subtly letting his father know that money can buy anything.

"The Barbarian Invasions" is not a perfect film by any means but is one of the strongest Canadian films. Though some of the dialogue is strained, underneath there is a humanity that allows us to connect with our feelings about our own mortality and our relationships with those we care about. It is often hard to reconcile the robustly alive Rémy with our pictures of a man dying of cancer but Girard is powerfully effective in the role and I went from quiet distaste of his amorality to full acceptance of who he is by the end of the film. Though the conclusion is emotional, it is not trite or overly sentimental but allows us to access the deep place of silence within ourselves and embrace the mystery. There are a lot of interesting, thought provoking lines in the movie and it makes you think, stand, and react to the issues at stake plus ponder on.
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2 of 3 people found the following review helpful
5.0 out of 5 stars Superb film, Aug 26 2004
By A Customer
This review is from: Les Invasions Barbares (DVD)
A scathing commentary on the Canadian health care system, combined with a wonderful family story. Just excellent.
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5.0 out of 5 stars Moving, funny and sharply observed film about life, letting go, and death, May 19 2011
By 
K. Gordon - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)   
An intelligent, witty, barbed, but still emotional film about; death,
family, friends, class, intellectuals, hard headed capitalists vs. soft
headed socialists and more.

A sequel (17 years later!) to Arcand's 'Decline of the American Empire'. the
film finds the same characters gathering together around the impending
death from cancer of their Falstaffian friend Remy. While it's a bit
'prettified' about the pain and indignities of dying from cancer it's
honest and funny and true about the compromises we make in life, the
fact that few of us ever live up to our dreams and ideals, and that even
when we do, we sacrifice something in the process.

A film where the final reconciliations feel earned and complex, not
Hollywood easy. And where irony dances gracefully with sentiment.

It seems like the film might be presented here in the wrong aspect ratio;
1:85, instead of 2:35 (The UK release is in 2:35). However, it still looks
fine, and since I can't say for sure, I'm not going to downgrade an otherwise
terrific film.
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 Go to Amazon.com to see all 69 reviews  4.2 out of 5 stars 
 
 
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