Oprah Book Club® Selection, September 1997
: In a small Cajun community in 1940s Louisiana, a young black man is about to go to the electric chair for murder. A white shopkeeper had died during a robbery gone bad; though the young man on trial had not been armed and had not pulled the trigger, in that time and place, there could be no doubt of the verdict or the penalty.
"I was not there, yet I was there. No, I did not go to the trial, I did not hear the verdict, because I knew all the time what it would be..." So begins Grant Wiggins, the narrator of Ernest J. Gaines's powerful exploration of race, injustice, and resistance, A Lesson Before Dying. If young Jefferson, the accused, is confined by the law to an iron-barred cell, Grant Wiggins is no less a prisoner of social convention. University educated, Grant has returned to the tiny plantation town of his youth, where the only job available to him is teaching in the small plantation church school. More than 75 years after the close of the Civil War, antebellum attitudes still prevail: African Americans go to the kitchen door when visiting whites and the two races are rigidly separated by custom and by law. Grant, trapped in a career he doesn't enjoy, eaten up by resentment at his station in life, and angered by the injustice he sees all around him, dreams of taking his girlfriend Vivian and leaving Louisiana forever. But when Jefferson is convicted and sentenced to die, his grandmother, Miss Emma, begs Grant for one last favor: to teach her grandson to die like a man.
As Grant struggles to impart a sense of pride to Jefferson before he must face his death, he learns an important lesson as well: heroism is not always expressed through action--sometimes the simple act of resisting the inevitable is enough. Populated by strong, unforgettable characters, Ernest J. Gaines's A Lesson Before Dying offers a lesson for a lifetime.
--This text refers to the
From Publishers Weekly
Gaines's first novel in a decade may be his crowning achievement. In this restrained but eloquent narrative, the author of The Autobiography of Miss Jane Pittman again addresses some of the major issues of race and identity in our time. The story of two African American men struggling to attain manhood in a prejudiced society, the tale is set in Bayonne, La. (the fictional community Gaines has used previously) in the late 1940s. It concerns Jefferson, a mentally slow, barely literate young man, who, though an innocent bystander to a shootout between a white store owner and two black robbers, is convicted of murder, and the sophisticated, educated man who comes to his aid. When Jefferson's own attorney claims that executing him would be tantamount to killing a hog, his incensed godmother, Miss Emma, turns to teacher Grant Wiggins, pleading with him to gain access to the jailed youth and help him to face his death by electrocution with dignity. As complex a character as Faulkner's Quentin Compson, Grant feels mingled love, loyalty and hatred for the poor plantation community where he was born and raised. He longs to leave the South and is reluctant to assume the level of leadership and involvement that helping Jefferson would require. Eventually, however, the two men, vastly different in potential yet equally degraded by racism, achieve a relationship that transforms them both. Suspense rises as it becomes clear that the integrity of the entire local black community depends on Jefferson's courage. Though the conclusion is inevitable, Gaines invests the story with emotional power and universal resonance. BOMC and QPB alternates.
Copyright 1993 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.