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Let The Great World Spin [Paperback]

Colum McCann
3.5 out of 5 stars  See all reviews (8 customer reviews)
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Book Description

Jan 18 2010

One August morning in 1974, a tightrope walker makes his way between the World Trade Center towers, stunning thousands of watchers below. Using the true story of Philippe Petit as a pull-through metaphor, McCann crafts a portrait of a city and a people. Corrigan, a radical, young Irish monk, struggles with his demons as he lives among the prostitutes in the burning Bronx. A group of mothers gathers in a Park Avenue apartment to mourn their sons who have died in Vietnam, only to discover how much divides them even in their grief. Farther uptown, Tillie, a 38-year-old grandmother, turns tricks alongside her teenaged daughter, determined not only to take care of her “babies” but also to prove her own worth.

Elegantly weaving together these, and other, seemingly disparate lives, McCann’s powerful allegory of 9/11 comes alive in the unforgettable voices of the city’s people, drawn together by hope, beauty and the tightrope walker’s “artistic crime of the century.” Let the Great World Spin is McCann’s most ambitious work to date and has been hailed as an American masterpiece.


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Amazon Best of the Month, June 2009: Colum McCann has worked some exquisite magic with Let the Great World Spin, conjuring a novel of electromagnetic force that defies gravity. It's August of 1974, a summer "hot and serious and full of death and betrayal," and Watergate and the Vietnam War make the world feel precarious. A stunned hush pauses the cacophonous universe of New York City as a man on a cable walks (repeatedly) between World Trade Center towers. This extraordinary, real-life feat by French funambulist Philippe Petit becomes the touchstone for stories that briefly submerge you in ten varied and intense lives--a street priest, heroin-addicted hookers, mothers mourning sons lost in war, young artists, a Park Avenue judge. All their lives are ordinary and unforgettable, overlapping at the edges, occasionally converging. And when they coalesce in the final pages, the moment hums with such grace that its memory might tighten your throat weeks later. You might find yourself paused, considering the universe of lives one city contains in any slice of time, each of us our singular world, sometimes passing close enough to touch or collide, to make a new generation or kill it, sending out ripples, leaving residue, an imprint, marking each other, our city, the very air, compassionately, callously, unable to see all the damage we do or heal. And most of us stumbling, just trying not to trip, or step in something awful.

But then someone does something extraordinary, like dancing on a cable strung 110 stories in the air, or imagining a magnificent novel that lifts us up for a sky-scraping, dizzy glimpse of something greater: the sordid grandeur of this whirling world, "bigger than its buildings, bigger than its inhabitants."--Mari Malcolm

--This text refers to the Hardcover edition.

Review

?An act of pure bravado, dizzying proof that to keep your balance you need to know how to fall.?
-- Oprah.com (25 Books You Can't Put Down) ()

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Customer Reviews

Most helpful customer reviews
5 of 6 people found the following review helpful
3.0 out of 5 stars I Must be Missing Something May 4 2010
By Jeffrey Swystun TOP 50 REVIEWER
Format:Paperback
I was looking forward to this book because I love all things New York and am fascinated particularly by the 1970's in NYC. I waited for the paperback to come out but read This Side of Brightness in the meantime to get tuned up on McCann's style. And I guess that is where my discomfort lies - he and I don't have chemistry because of his writing style. I wanted so much to love this book but found it had pacing and character problems. Using Petit's cable walk is both genius and kind of trite ('oh our precarious world'). This is at best a short story as it did not engage me over its length as a novel.
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4.0 out of 5 stars As I define it, anyway... April 24 2013
By Schmadrian TOP 500 REVIEWER
Format:Paperback
I recently read Molly Ringwald's book 'When It Happens To You; A Novel in Stories'. (And reviewed it here on Amazon.) So a comparison between that work and this one was screaming out to be had.

I have (an admittedly arbitrary) way of looking at different craftspeople.

There are vocalists...and then there are singers.

There are guitar players...and then there are guitarists.

There are people who write...and then there are writers.

Molly Ringwald is a person who writes. Colum McCann is a writer.

Both of them have taken short stories about an assembly of characters and woven them together. 'Overlap' is the theme of the day.

I believe Mr. McCann succeeds in telling a good story more than Ms Ringwald. (Although I don't believe the device served even his tale well. Oh, and I could have done without almost all the material about the two Irish brothers in NYC.)

He certainly has more chops; I think there were a tiny handful of sections in hers where I sat back in admiration, whereas his contained all kinds of gems. (A couple of them were stellar, reminiscent of Frank DeLillo's beaut, the opening forty-or-so pages of 'Underworld'.) I felt I was in the company of someone with substantial talent, and was entertained by his skill and passion...if not necessarily by the overall story arc.

I'd love to have heard him do a reading when the novel was first released.
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7 of 7 people found the following review helpful
5.0 out of 5 stars Let The Great World Spin Is A Classic For The Ages! April 10 2010
By Christine Bode TOP 1000 REVIEWER
Format:Paperback
Redemption, joy, wonder; that which is meaningful to the human heart. These are just some of the themes of the most brilliant book I've read in years: Let The Great World Spin by Colum McCann. This is a story that will stay with you for a very long time. As McCann writes in the Author's Note at the back of the book:

"Literature can remind us that not all life is already written down: there are still so many stories to be told."

Let The Great World Spin intertwines the stories of several remarkable and yet ordinary people's lives, how they intersect with each other over the passage of time, and how life can be changed in a matter of seconds by people who don't even know us. In it he is able to punctuate the fact that no matter how bad our heart is broken the world doesn't stop for our grief so it is essential to realize that love, joy and the journey is all there is. "Our background and circumstances may have influenced who we are but we are responsible for who we become."

We see the world through the eyes of Corrigan, an Irish priest who lives in the bowels of the burning Bronx surrounded by hookers and have-nots as he struggles with whether or not he will fail God if he breaks his vows and gives in to his love for a Guatemalan woman named Adelita. We meet Corrigan's brother Ciaran and later, his wife Lara, as well as the hookers that Corrigan tries to help in modest ways. There is Tillie Henderson, a 38-year-old hooker whose daughter Jazzlyn walks the streets in her footsteps, and Jazzlyn's two young daughters who may or may not have a future.

On the other side of the city, a group of mothers who are mourning the loss of their sons to the Vietnam War gather in a Park Avenue apartment to share their stories. We are particularly captivated by Claire and Gloria who are as unlikely to be friends as two people can be and yet they find peace with each other. Gloria was my favourite character because her strength and integrity is inspirational, but it is hard not to love something about every one of them.

"A big smile went between us. Something that we knew about each other, that we'd be friends now, there wasn't much could take it from us, we were on that road. I could lower her down into my life and she could probably survive it. And she could lower me into hers and I could rummage around. I reached across and held her hand. I had no fear now. I could taste a tincture of iron in my throat, like I had bitten my tongue and it had bled, but it was pleasing. The lights skittered by. I was reminded how, as a child, I used to drop flowers into large bottles of ink. The flowers would float on the surface for a moment and then the stem would get swamped, and then the petals, and they would bloom with dark."

The characters have a depth, honesty and beauty that come alive with such truth that it seems inconceivable that McCann created them from his imagination. All but one character, the tightrope walker, who was based on the true story of Philippe Petit, are works of fiction, but in some ways they are more real than many people I have known.

While it has been described as the "first great 9/11 novel", the New York City of 1974 that McCann describes with his magical, eloquent prose is as alive in every sense on the page as the pulse within my wrist. He also takes the readers with him back to Dublin, Ireland where we not only discover Corrigan's history, but McCann's as well.

Winner of the National Book Award as well as a plethora of stupendously positive and prestigious reviews, Let The Great World Spin should become a classic for the ages and have as much longevity and relevance as The Catcher In The Rye. I often buy novels by Irish authors and leave them on my shelves unread for years while I'm distracted by other books. I purchased two other works by McCann ages ago: Everything In This Country Must (which was also an Oscar nominated Dramatic Short by McCann) and This Side of Brightness, but haven't read them. Now that I've fallen in love with this author they have moved into a new position near the top of my must read list.

If you read one book this year, let it be this one.
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