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Life Itself: A Memoir [Hardcover]

Roger Ebert
4.5 out of 5 stars  See all reviews (2 customer reviews)
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Book Description

Sep 13 2011
Roger Ebert is the best-known film critic of our time. He has been reviewing films for the Chicago Sun-Times since 1967, and was the first film critic ever to win a Pulitzer Prize. He has appeared on television for four decades, including twenty-three years as cohost of Siskel & Ebert at the Movies.

In 2006, complications from thyroid cancer treatment resulted in the loss of his ability to eat, drink, or speak. But with the loss of his voice, Ebert has only become a more prolific and influential writer. And now, for the first time, he tells the full, dramatic story of his life and career.

Roger Ebert's journalism carried him on a path far from his nearly idyllic childhood in Urbana, Illinois. It is a journey that began as a reporter for his local daily, and took him to Chicago, where he was unexpectedly given the job of film critic for the Sun-Times, launching a lifetime's adventures.

In this candid, personal history, Ebert chronicles it all: his loves, losses, and obsessions; his struggle and recovery from alcoholism; his marriage; his politics; and his spiritual beliefs. He writes about his years at the Sun-Times, his colorful newspaper friends, and his life-changing collaboration with Gene Siskel. He remembers his friendships with Studs Terkel, Mike Royko, Oprah Winfrey, and Russ Meyer (for whom he wrote Beyond the Valley of the Dolls and an ill-fated Sex Pistols movie). He shares his insights into movie stars and directors like John Wayne, Werner Herzog, and Martin Scorsese.

This is a story that only Roger Ebert could tell. Filled with the same deep insight, dry wit, and sharp observations that his readers have long cherished, this is more than a memoir-it is a singular, warm-hearted, inspiring look at life itself.

"I believe that if, at the end, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn't always know this, and am happy I lived long enough to find it out."
-from LIFE ITSELF

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Review

"Ebert is exceptionally good company. Like Christopher Hitchens and Kirk Douglas, he works prodigiously and narrates his Job-like woes with a surprisingly chipper voice....and a captivating, moveable feast it is." (Maureen Dowd, New York Times Book Review )

"As Ebert notes in his new autobiography, "Life Itself," his silence has made his inner voice more vivid, and-as he himself says in his introduction-the book is proof of it. In particular, he summons his youth (he was born in 1942) and those who were close to him then-family, friends, neighbors, teachers-with a wealth of detail that is at once a tribute to the vigorous fullness with which he has lived and to his power of perception, recollection, and description. ...The treasure of the book is Ebert's portraiture-whether of family, friends, colleagues, or celebrities. He speaks lovingly of actors ("I am beneath everything else a fan. I was fixed in this mode as a young boy and am awed by people who take the risks of performance"); in particular, his sketches of Robert Mitchum, Lee Marvin, and John Wayne pulsate with life (they're juicily quotable, but I won't bother quoting; just do read them), and he conjures a remarkable character, Billy "Silver Dollar" Baxter, a former wheeler-dealer at the Cannes Film Festival who, Ebert writes, now "lives not far from Broadway, which is to Billy as the stream is to the trout...." The dialogue Ebert reproduces is a comic masterwork; I feel as if I'm seeing a version of the American tycoon from Jacques Tati's "Playtime," only smarter, raunchier, and more inventive: Irving! Take care of Francis Ford Chrysler over there! And set 'em up for Prince Albert in a can! Whatever he's having. Doo-blays!" (Richard Brody, The New Yorker )

"Candid, funny and kaleidoscopic...This is the best thing Mr. Ebert has ever written...The book sparkles with his new, improvisatory, written version of dinner-party conversation...Its globe-trotting, indefatigable author comes across as the life of a lifelong party." (Janet Maslin, The New York Times )

"Ebert is best known, of course, as the nation's most prominent film critic; but in recent years he's turned to exploring more personal concerns on his widely read blog, leading to this poignant memoir. Five years ago, surgeries following thyroid cancer left him unable to speak, eat, or drink, but as he recounts, he "began to replace what I lost with what I remembered." This enhanced recall allows him to relate with exhaustive detail his halcyon if unremarkable childhood in a small town in the Midwest and his life changing college days. When the narrative turns to journalism and, inevitably, movies, as Ebert falls into his reviewing gig at the Chicago Sun-Times in 1967, the focus becomes sharper, and even the tangential chapters-devoted to topics ranging from his encounters with film legends to his stormy relationship with TV partner Gene Siskel-are cogently engaging. But it's the most personal segments, dealing with his struggle with alcoholism, his supportive wife, Chaz, and his recent illness, that give the book its considerable emotional heft. Ebert illuminates and assesses his life with the same insight and clarity that marks his acclaimed movie reviews." (Booklist (starred review) )

"It's hardly surprising that Ebert, the Pulitzer Prize-winning film critic for the Chicago Sun-Times since 1967, begins this candid examination of an extraordinary life with an allusion to Ingmar Bergman's Persona, about an actress who loses her voice in mid-performance. Though three thyroid cancer surgeries resulting in the removal of his lower jaw have left Ebert unable to speak, eat, or drink, these are not famous last words. Forgoing a traditional linear format, each chapter--particularly "My Old Man" and "Big John Wayne"--could function as a stand-alone essay. Born in Urbana, Ill., in 1942, Ebert spent a carefree childhood, often with his nose in a book. Drawn to newspapers beginning in high school, he became the sports reporter for his school paper before rising to the rank of co-editor. The position of film critic fell into his lap at the Sun-Times--a paper he joined after leaving a graduate English program--and Ebert hasn't looked back. And while films have governed his life for close to 50 years, he wisely doesn't choose the greatest hits version of his reviewing career, focusing instead on the life he's lived in between screenings: his battle with alcoholism; tight-knit friendships forged in the newsroom (and bar); and his marriage to Chaz, whom he calls "the great fact of my life." Hollywood gets its due, but it's an ensemble player, sharing the screen with reminiscences both witty and passionate from one of our most important cultural voices." (Publisher's Weekly (starred review) )

"Thoughtful, entertaining, and emotional...Ebert comes across as smart, bighearted, and eccentric...and writes with unflinching candor about difficult subjects." (Entertainment Weekly (A-) )

"Tales from childhood, interviews with film stars and directors, funny and touching stories about colleagues, and evocative essays about trips unspool before the reader in a series of loosely organized, often beautifully written essays crafted by a witty, clear-eyed yet romantic raconteur....Ebert's work as a film critic sent him traveling, and his wonderfully personal essays on places around the world where he seeks solitude are highlights of the book, rich in reflections, imagery and sensory detail." (Washington Post )

"A gentle look back, "Life Itself: A Memoir" is as moving as it is amusing, fresh evidence that Roger Ebert is a writer who happens to love movies, not a movie lover who happens to write." (Associated Press )

"Ebert's new memoir, "Life Itself," is an episodic, impressionistic and skillfully written exploration of his life, from his 1950s childhood in Urbana, Ill., to his recent battles against thyroid cancer, which have left him unable to speak, or to eat or drink through his mouth. What shines throughout the book is Ebert's humility, his down-to-earth and powerful sense of decency." (Minneapolis Star Tribune )

"So he lost his speech but not his voice; it rings out with greater clarity and authority than ever." (Time Magazine )

"A beautiful memoir of staccato sentences and chapters... a well-honed voice, familiar sounding, even though silent." (Los Angeles Review of Books )

"His story is inspirational, and his memoirs, Life Itself, are a pleasure to read....Spellbinding."
(The Boston Review )

About the Author

Roger Ebert won the Pulitzer Prize for criticism in 1975, and his reviews were syndicated in newspapers around the world. He was cohost of Siskel & Ebert and Ebert & Roeper for thirty-three years, and was a managing editor and reviewer for Ebert Presents At the Movies. He was the author of seventeen books, including Scorsese by Ebert and Awake in the Dark. Roger Ebert was also an honorary member of the Directors Guild of America. He received the Carl Sandburg Literary Award of the Chicago Public Library and won the Webby Awards Person of the Year in 2010. His website, rogerebert.com, receives 110 million visits a year. He lived with his wife, Chaz Hammelsmith Ebert, in Chicago. Roger Ebert passed away in 2013.

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Customer Reviews

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Most helpful customer reviews
Format:Hardcover|Amazon Verified Purchase
This is a fascinating read for anyone who grew up watching Siskel & Ebert on TV, like I did. The memoir contains the obligatory chapters about Gene Siskel, how the show came to be, Roger Ebert's experiences with David Letterman and Oprah Winfrey, and the illness that eventually took his life. I'll admit I skipped to those chapters first, but the book also delves into a lot of things I never knew about Roger Ebert, like his battles with alcoholism, his Catholic upbringing, and his strained relationship with his mother.

One particularly interesting insight is that Ebert was a newspaper man first and foremost and that film criticism and TV stardom were things that fell into his lap. He and Siskel both treated film criticism like beat reporters, but instead of covering local politics it was the latest movies he had been assigned to report on. The fact that he was a writer first, a critic second, and a TV celebrity third helps to explain why he was so prolific over the years, even during his long illness, and why this book is so easy and enjoyable to read.

Yes, there are times when the book feels a bit unfocused, and that might not have been the case if it had been written twenty years ago while Ebert was in his prime, but even though he'd lost a few steps by the time he sat down to write his life story, Roger Ebert was still a better writer than most people half his age in perfect health, and this is the best memoir Roger Ebert will ever write, which makes it a must read for his fans. And the fact that Roger Ebert wrote this book at this stage in his life meant that he knew he didn't have a lot of years left, and he addresses his feelings abut mortality in some of the book's most moving passages.
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0 of 1 people found the following review helpful
5.0 out of 5 stars Great Read Feb 19 2013
Format:Hardcover|Amazon Verified Purchase
I really enjoyed this book. Roger Ebert had a fantastic life. His intelligence, insight and honest made this book a pleasure to read.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 4.3 out of 5 stars  89 reviews
97 of 105 people found the following review helpful
5.0 out of 5 stars At The Movies Sep 13 2011
By Robert Taylor Brewer - Published on Amazon.com
Format:Hardcover
This memoir opens as though someone had created a set, arranged the lights, positioned actors, and yelled "Action!" Ebert is three years old, sensing the motions of parents, aunts, uncles and extended family, reacting to various stimuli, seemingly aware, even at this age, the cameras are rolling.

The book has a lot in common with the Gunther Grass novel The Tin Drum, as Ebert recalls his early years, then in vivid detail, matinee afternoons with his parents watching the Marx Brothers hit, A Day At The Races, Gentlemen Prefer Blondes, and one of the first 3D films, Bwana Devil. Early screen heroes were Whip Wilson and Lash LaRue, characters who carried guns but didn't need them because they also carried whips and could slash a pistol from your grip before you could aim it. He remembers the ubiquitous aroma of popcorn, the high movie house ceilings, and girls with rolls of Necco wafers.

Then came college, 1963, the year Dick Butkus and Jim Grabowski led the University of Illinois to the Rose Bowl. "I became friendly with a voluptuous woman under a grey woolen blanket. In the middle of the night, rocking through the midlands, we made free with each other." He had fun, but also vigorous preparation, working for the Daily Illini newspaper with its Associated Press affiliation, spending hours setting hot lead Linotype, and reading the voluminous novels of Thomas Wolfe.

One of Ebert's transcendent skills has always been the interview, and the book is full of them - John Wayne, Lee Marvin, Woody Allen and the enigmatic Igmar Bergman are represented, but the best one takes place with Robert Mitchum. You can hear Mitchum speaking the interview lines, and for a brief time, you are in one of his movies. "I knew him," Mitchum says of Humphrey Bogart. "He and I were good friends. He once said to me: `the thing that makes you and I different from those other guys is, we're funny.'"

Over a lifetime of watching movies, Ebert has reached some conclusions about them. "Movies aren't about what happens to the characters. They're about the example [the characters] set. Casablanca is about people who do the right thing. The Third Man is about people who do the right thing and can't speak to each other as a result. You may need awhile to think about this, but the deep secret of The Silence Of The Lambs is that Hannibal Lecter is a Good Person."

He has mixed feelings about the contemporary movie scene as this passage on page 160 reveals: "When you go to the movies every day, sometimes it seems as if the movies are more mediocre than ever, more craven, more cowardly, more determined to pander to our lowest tastes instead of educating them." He adores black and white films, and offers movie goers this test: "take a picture of your grandparents, probably taken in black and white, and put it next to a picture of your parents probably taken in color. The picture of your grandparents will probably seem timeless, the one of your parents will probably seem goofy."

He ends the book as a man larger than the motion picture industry he critiqued, emerging as someone very much at home with his contribution to film and even more so, to his family. Easily the best book I've read this year.

Cut. Print it.
43 of 45 people found the following review helpful
3.0 out of 5 stars WHY WE TELL STORIES Nov 23 2011
By Nancy J - Published on Amazon.com
Format:Hardcover
We tell stories for different reasons. If you're about to read Ebert's LIFE ITSELF, it might be helpful to consider why he writes these memoirs as he does.

He's not really telling his stories to inform us or to broaden our knowledge about large and small eating places that he has loved around the world, or the great pals he has accumulated in a very full life. He's not primarily interested in entertaining us or holding our attention, though I think he expects that will happen--and it probably will.

I believe Ebert is telling these stories the way people do in the later years of our lives--as a precious kind of taking stock for ourselves, a summing up (the title of Somerset Maugham's memoirs), a saying of the rosary of our days. Every bead is cherished. The litany of names of pals and what they drank and where they sat and who they out-smarted and how much they loved us and we them--this review and re-telling is as much a part of the so-called third stage of life as learning to talk is of the first stage.

If you know this in advance, then you can sit back and let Roger tell you all the details, and smile and nod in appreciation of the man telling the stories. I skipped a number of chapters--each too long for too little of what I was interested in. Other chapters I read slowly, gleaning every grain I could.

I don't think I could have NOT read this book. Roger Ebert's is the major voice on a subject I've been passionate about for more than seventy years. I advise potential readers of the book to sit back, enjoy, be patient, skip when you feel like it, and realize how lucky we are to have the book and the man.
47 of 50 people found the following review helpful
5.0 out of 5 stars Couldn't Put This Book Down Sep 15 2011
By Crabigail Cassidy - Published on Amazon.com
Format:Hardcover
I loved this book for a lot of reasons, but bought it for one reason. I LOVE MOVIES! I've spent decades going to the movies and loving even some really bad ones. I was certain Roger Ebert would have plenty to say regarding film, its directors, its writers and its stars.
In this book, Ebert delivers. It is loaded with anecdotes about the people he's come in contact with as a film critic, but it also has a huge amount of heart and is surprisingly revealing in regard to the private person who is also known as Roger Ebert. If Ebert is unsparing in his film criticisms, he is also unsparing when he covers his own life. From growing up in Urbana, IL and attending the home town University of Illinois, he covers his short career covering sports, a fortuitous shot at the Chicago Sun-Times film critic job which established his reputation as a sharp reviewer, a brush with alcoholism, a sometimes adversarial relationship with fellow critic Gene Siskel, a later in life marriage with his soulmate Chaz, and a decimating encounter with cancer which even after several surgeries has robbed him of his ability to speak and eat. For someone who was not only a fluid writer/speaker this was one heck of a challenge.
While getting personal, I found he really seemed to leave nothing out. Be it his complex relationships with women (he had three very serious ones with divorced ladies who coincidentally had children) or his even more complex relationship with his widowed mother Annabel, he apparently left nothing out. From my pov, anyone who writes about themselves are wise to be as honest as possible.
Ebert speaks in detail of the small and big things that have influenced his life and career, meaningful and/or memorable
encounters with the famous, and he remembers with clarity small sensory things that most us take for granted. He is incredibly positive and optimistic given all he has gone through over the past few years. I don't like using the word 'inspirational', but his take on life certainly has made a positive impression on me.
One really mundane thing discussed is his love of Steak and Shake. While the burger emporium has expanded over the country in the past few years, this was a phenomena that was once only available in central Illinois. Ebert loves the place. All the S&S talk made me really hungry.
I've had my share of Ebert spottings through the years as we both live in the same area. He's the local celebrity and he is very recognizable. I've gone to lectures he's given on film. I've read his other books. However, this is the book that will stand out among the others because it is comprehensive, very personal, and enormously interesting because of its wide range of topics and candor. If you have a preconceived notion of who Roger Ebert is, reading this book may very well change your mind.
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