Life or Something Like it (Widescreen)

Most people who enjoy romantic comedies will probably admit that, though we love them, many of these movies have plot holes here and there, or at least admit that the likelihood of such things happening to real people is questionable. So, with that already in mind, a viewer often falls in love with one of these movies because: a.) they love the actors, actresses, or director involved, and/or b.) the certainty that everything will probably turn out okay in the end (even if sometimes the movie's resolution is not what you'd expect). If you fall into one/both of those categories, you should see LIFE OR SOMETHING LIKE IT.

One of the reasons I think this movie is great is because Angelina Jolie and Edward Burns (as well as Tony Shalhoub, as the street prophet) are such great actors, and their banter and chemistry are highly watchable. The supporting actors & actresses also add to each scene they're in, especially the guy playing the sound technician who works with Jolie's and Burns's characters when they are out on assignment.

I'm not someone who can tell when a movie is badly directed or superbly directed; I just know when I leave a movie happy for having seen it, or when I've felt the loopholes left in the finished product are way, way too big to ignore. So, having warned you of my novice critical skill, I think the director did a great job. (In his commentary on the DVD, he explains that this is one of the movies whose production was a bit rushed because of the expected actor's strike that the industry feared at the time. So, I think he may wish he could have tweaked things here and there, if he'd had more time.)

Nonetheless, you should see this movie because it will still grab your heart and make you think about what is important in your own life, while still giving you that romantic comedy "buzz" that will put a smile on your face and joy in your heart.

Of course Lanie is skeptical. But when the first two predictions come true, she starts to become concerned and when Jack offers another prediction that comes about, she really starts to freak. Somewhere in her background Lanie must have studied classical mythology, because she does not really try to thwart her fate, although it takes her a while to accept it. This is for the good, because if she decided that she would stay home in bed all day on Thursday she would end up in a car accident on Wednesday night and linger until the next day. Trying thwart a prophecy only makes things worse; just ask Jocasta and pay attention to how the prophecy in Sophocles' tragedy changes).

The first problem with this 2002 film is that it is a romantic comedy that takes itself too seriously one moment and not seriously enough the next. Feel good movies tend to have scenes where people burst into song, and we have that here. I like the song, but for that character to lead that group in that song at that particular moment is really not a good move (except that the people who wrote the script liked it, so it does work out for the best). People who are actually in the business of television news must be laughing themselves silly at all the stupid bits about their profession in this business; my favorite, but not in a good way, was this idea of showing an interview at 7 in the morning on the east coast live on the west coast.

Ultimately this film gets reduced to a simple platitude and it is at that point that "Life or Something Like It" really betrays its promise. What would have made this film really work is not that it works on a universal level to which we can all relate, but if it drives the point home in terms of Lanie's character in some memorable way. There are a few conventional and unimaginative efforts, but nothing that crystallizes into a transcendent scene that elevates this film to a truly meaningful level. Even if you do not see the ending coming, I doubt that you are going to be surprised that this film wants to have its cake and eat it too.

Jolie's character has trouble shedding her on-camera persona enough to provide true depth to an examination of her life that gets beyond her brave smile, which is different from her on-camera smile. Her romance with Burns is by the numbers and I found myself wishing the film had tried to do more with her relationship with boyfriend Cal Cooper (Christian Kane, an actor who is going to break through in films the way he did on television's "Angel" some day soon), who plays for the Seattle Mariners, because I actually liked his idea of how to try and help her and I thought there was the possibility there for something different. There will be those that really like this film, but even that minority should have no problem in articulating ways in which it could have been so much better.