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Life Stories: Profiles from The New Yorker [Paperback]

David Remnick
4.9 out of 5 stars  See all reviews (10 customer reviews)
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Book Description

May 15 2001 Modern Library Paperbacks
One of art's purest challenges is to translate a human being into words. The New Yorker has met this challenge more successfully and more originally than any other modern American journal. It has indelibly shaped the genre known as the Profile. Starting with light-fantastic evocations of glamorous and idiosyncratic figures of the twenties and thirties, such as Henry Luce and Isadora Duncan, and continuing to the present, with complex pictures of such contemporaries as Mikhail Baryshnikov and Richard Pryor, this collection of New Yorker Profiles presents readers with a portrait gallery of some of the most prominent figures of the twentieth century. These Profiles are literary-journalistic investigations into character and accomplishment, motive and madness, beauty and ugliness, and are unrivalled in their range, their variety of style, and their embrace of humanity.

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Way back in 1926 the founding editor of The New Yorker suggested that the title Profiles be registered with the copyright bureau. Harold Ross had ample reason, for though he didn't invent the word itself, he certainly invested it with new significance. Over the years, New Yorker Profiles came to represent a new kind of biography: concise, well-researched, and impeccably written sketches of personalities who were often famous--but just as often not. Take for example "Mr. Hunter's Grave," Joseph Mitchell's 1956 Profile of George H. Hunter, the 87-year-old chairman of the board of trustees of the African Methodist church on Staten Island. This delightful piece leads off a select group of Profiles culled from The New Yorker's first 75 years and collected in Life Stories, edited by David Remnick. More a study of a place and a way of life than of a particular man, Mitchell's Profile stretched the parameters of the form.

The very next piece, Mark Singer's "Secrets of the Magus," is a prime example of what The New Yorker does best. In Ricky Jay, "perhaps the most gifted sleight-of-hand artist alive," Singer has hit on a quirky, eccentric, and fascinating subject--one that offers plenty of scope for writer and reader alike to dip into an arcane and little-known world of magicians, mountebanks, card handlers, and confidence men. Alva Johnston achieves similar success in "The Education of a Prince," his 1932 Profile of con man Harry F. Gerguson, who spent years masquerading as the lost Prince Michael Alexandrovitch Dmitry Obolensky Romanoff:

The Prince had a glittering career in New York, Boston, Newport, on Long Island, in high-caste settlements along the Hudson, and among the aristocracies of a dozen American cities. Twice he swept over Hollywood in a confetti shower of bad checks. He was repeatedly exposed, but exposure does not embarrass him greatly. He is widely admired today, not for his title but for his own sake. He has convinced a fairly large public that a good imposter is preferable to the average prince.
Of course The New Yorker covered plenty of household names, as well, and Life Stories contains sketches of such celebrities as Mikhail Baryshnikov, Johnny Carson, Richard Pryor and Marlon Brando. The arts are well represented by pieces on Ernest Hemingway, Anatole Broyard, and David Salle, and even the contributors are stellar, including such well-known scribes as Henry Louis Gates Jr., Truman Capote, and John McPhee.

But where is that famous Profile of the sea by Rachel Carson, you ask? Pauline Kael's piece on Cary Grant or Janet Malcolm's controversial study of psychoanalyst Aaron Green? In his introduction Remnick acknowledges the many great Profiles that did not make it into this volume, explaining that he decided to publish pieces only in full. "I wanted the reader to get the real thing--no excerpts, no snippets," he writes. "As a result the reader will have to go elsewhere for a range of long or multipart Profiles." What's here is choice, though, and die-hard New Yorker aficionados who turn to the Profiles even before perusing the cartoons won't be disappointed by what they find. All in all, Life Stories makes a fine 75th anniversary bouquet for the magazine's many devoted readers. --Alix Wilber --This text refers to the Hardcover edition.

From Publishers Weekly

To long-time readers of the New Yorker, one of the reasons to welcome this excellent collection of 43 stories written over the past seven decades will be the recollection of their first encounters with some of the writers who were fresh new voices when their stories set in Manhattan first appeared. Such then-newcomers as Lorrie Moore, Jeffrey Eugenides, Deborah Eisenberg, Anne Beattie and Laurie Colwin portray New York in their distinctive voices. The literary Old Guard is here in solid phalanx too: stories by John Updike, Bernard Malamud, John O'Hara, Elizabeth Hardwick, John Cheever, Peter Taylor and William Maxwell define aspects of their decades with timeless clarity. Holden Morrisey Caulfield makes his debut in J. P. Salinger's "A Slight Rebellion Off Madison"(1946); Philip Roth's millionaire author Zuckerman is accosted on Second Avenue in "Smart Money"(1981); one of Isaac Bashevis Singer's innumerable group of displaced Jews and ardent lovers holds forth in "The Cafeteria" (1968) on the Lower East Side. At opposite ends of the emotional spectrum, two entries, Woody Allen's "The Whore of Mensa," (1974) and "Mid-Air" (1984), by Frank Conroy, have become classics. Published this year, Jonathan Franzen's "The Failure" defines the '90s in the city, yet Maeve Brennan's 1966 "I See You, Bianca," a quiet narrative about loss highlighted by "the struggle for space in Manhattan," could have been written today. If Dorothy Parker's wit now seems shrill ("Arrangement in Black and White," 1927 ), and Irwin Shaw's "Sailor Off the Bremen," from the same year, seems mannered, Jean Stafford's "Children Are Bored on Sunday"(1948), still resonates with a peculiarly New York atmosphere. Of course, there are tales from such New Yorker stalwarts as John McNulty, S. J. Perelman, E. B. White and James Thurber. Manhattan as geographical area and emotional landscape takes visible shape as haven and hell, locus of opportunity and of dead end lives.
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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5.0 out of 5 stars Delightful and Revealing Profiles Aug 2 2002
Format:Audio Cassette
Hemingway, Baryishnikov, and Henry Luce are the subjects of some of my favorite celebrity profiles in this wonderful book. But topping my list is "Man Goes to See a Doctor", the awesome Adam Gopnik's sweet and funny rendering of his shrink. Here's a snippet: "Your problems remind me of" - and here he named one of the heroes of the New York School. "Fortunately, you suffer from neither impotence nor alcoholism. This is in your favor." Highly recommended!
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5.0 out of 5 stars "Life Stories" Hit the Mark July 22 2002
Format:Audio Cassette
This is a compilation of some of the best Profiles to appear in the New Yorker over the last 80 years. Sometimes you will be familiar with the person being profiled, sometimes not, but in all cases you will find the stories entertaining and the writing, superb.

My favorite Profile happens to be of one of the non-famous persons, George H. Hunter ("Mr. Hunter's Grave," by Joseph Mitchell). It is a story not so much about a person but of a long-forgotten community, and a way of life. Despite being the longest entry in the audio collection, I rewound the tape three or four times to listen to it again and again - it was that good.

Some of the celebrity stories are just as compelling, although, being celebrities, many aspects of their lives are already well known. But this sometimes opened a window into foreshadowing that could not have been appreciated by the reader (or even the writer) at the time the piece was done. One example of this concerns Ernest Hemingway ("How Do You Like It Now, Gentlemen?", by Lillian Ross). Hidden somewhere in the middle of the Profile, Ross mentions the fact that Hemingway's father had committed suicide. This had no major relation to the story in general, and was probably forgotten by most readers at the time, but we have the perspective of history. And it becomes more than just a tidbit when we realize that Hemingway, too, committed suicide 10 years later, in 1961.

Another eyebrow-raising instance came when hearing about Marlon Brando ("The Duke In His Domain," by Truman Capote). Capote was on location with Brando in Japan as Brando was taking part in the filming of "Sayonara." Brando at one point confesses to Capote that he had to lose weight for the part, and that he wasn't there yet. He still had 10-15 pounds to go. Despite this, the dinners delivered to Brando's hotel room are not those of one looking to cut down; to the contrary, Brando could only gain weight eating the food being sent up to him! Hearing Brando fuss about what he should and should not eat and Capote take note of the rich foods on the tray, it almost seems fake, as if Capote knew how Brando was going to end up. But, of course, he didn't. The story was written in 1957!

But what makes this collection great, though, is the quality of the writing itself. It matters not the subject: actor, comedian, dancer, writer, boxer, even a dog! The common thread running through all the Profiles is the way in which each story is told. Always lucid, always interesting, the stories are less stories and more like works of art.

If you enjoy exceptional writing, this collection is for you. Highly recommended. Five stars.

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5.0 out of 5 stars "The Noooo Yawkuh" George W. Bush, campaign 2000 April 16 2002
By L. Dann
Format:Hardcover
The well-known New Yorker writer, Nicholas Lehman's profile of George W. Bush on the campaign trail would be an atmospheric, perhaps poignant look at the country previous to the Supreme Court decision and 9/11, except for one thing. On the campaign bus, Bush came up to Lehman and said, "So who you writin' this piece for Nicky?" - (NICKY?) Lehman answered, with the name that Bush already knew. And Bush replies, "The Noooo Yawkuh, don't see why any of those readers would be interested in me." That, no matter what your political viewpoint or opinion about the magazine and its readers may be, is an indicator of the power of the magazine via its writing. The authors of the selected pieces are sometimes the primary reason to read the article. Perhaps the most famous example is Capote writing on Brando making Mitchener's Sayonara, an impossible thing to imagine today. The grandiosity of Brando doing something that he would no doubt later be ashamed of is not lost over time. Capote always boasted of his ability to keep himself out of an interview, something that I found amazingly untrue and part of his attraction. In this case, he managed to find the comedy in the Japanese girls calling, "Marron" while remaining deferential to the star. Capote innocently notes every plate of high calorie food consumed like Henry VIII and the serious tone Brando took about his own artistic endeavors. The result was that upon reading the article, Brando vowed to kill the author. Every reader will find their particular famous people who are no longer interesting, and that itself is instructive. For me, those were Johnny Carson, an early Roseanne, Baryshnikov and perhaps sadly, Al Gore. Others, eternally fresh are Isadora Duncan, Richard Pryor and Ernest Hemingway drinking champagne with Dietrich, who was passing around pictures of her grandchild. Papa mentioned that he'd like to see a Dietrich grandson in the ring.
The best, I think most New Yorker fans will agree are the otherwise unknowns, sometimes to everyone, and sometimes just to you. These are those pieces that seem to bring on Buddha-like powers of concentration where time stops and you can't account for the hours, the stuff's been so good. The pieces that will be the most deeply memorable for me are, "Mr. Hunter's
Grave," a 1956 favorite of David Remnick, the editor who placed it first. It's about a lost, secret community of black Oystermen and a mystery solved in graveyard fashion. There are the `Chudnovsky Brothers' and their entire apartment and life spent studying Pi, A piece of Henry Luce that was a savage, sarcastic and hilariously wicked perspective that quite naturally infuriated the tyrant. Nancy Franklin's profile on the infamous Katherine White was an unexpected source of female pride, without the attachment of doctrinaire feminism.
This is a sure thing for future journalists with an interest in the ubiquitous personality piece. Plenty here for those that may aspire beyond People Magazine but still can't quench the thirst for celebrity. For readers just seeking a good read however, it is a promise that life abounds with intriguing characters, subject of course to the eye and the voice of the finest
No matter the proportion of those who deplored reading a campaign piece about the future president, he managed to spark our interest once he shared his opinion about us.
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Most recent customer reviews
5.0 out of 5 stars For All You People Watchers
You have heard of the obnoxious person who, upon meeting a biographer who has given up the last 25 years of his life to write the definitive biography of say Queen Elizabeth II,... Read more
Published on April 5 2002 by sweetmolly
5.0 out of 5 stars Profiles from (and of) The New Yorker
It is expected that the profiles contained herein are what they are: insightful, well-written vignettes of interesting, often celebrated, lives. Read more
Published on Jan 22 2002 by Mike Stone
5.0 out of 5 stars As good as it gets
One cannot choose what is the greatest profile - the Hemingway piece from 1950 or the greatest piece ever on Richard Pryor. Read more
Published on Sep 8 2001 by D. Donohue
4.0 out of 5 stars uneven greatness
this collection is worth the price of admission to two profiles--johnny carson and marlon brando. thoughtfully assembled, this "greatest hits" made me not feel so bad... Read more
Published on May 30 2000 by bill katovsky
5.0 out of 5 stars The New yorker Strikes Again
If you have read Joseph Mitchell's New Yorker Profile "Joe Gould's Secret" (now in book and movie form)you know how interesting life can be. Read more
Published on April 8 2000 by David R. Braden
5.0 out of 5 stars The New Yorker Strikes Again
Anyone who has ever read Joseph Mitchell's fascinating profile "Joe Gould's Secret" (now a book and a movie) knows what the New Yorker does with "Profiles". Read more
Published on April 8 2000 by David R. Braden
5.0 out of 5 stars An outstanding collection of profiles.
It's easy, I suppose, to knock 'The New Yorker' as effete and self-satisfied. Certainly its left-wing bias looks a bit strange surrounded by all those ads for expensive imported... Read more
Published on Mar 24 2000 by E. Hawkins
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