Life [Kindle Edition]

If there's a person out there whose life needed to be chronicled, it's Keith Richards. And you know what's really amazing? He actually remembers it, despite all those drugs. So as you could probably guess, his "Life" is an amazing read -- Richards glides through his own eventful past with grace, charm and a slightly sarcastic sense of humor.

Richards was the "choirboy to school rebel" raised in Dartford, where he began to blossom at the birth of rock'n'roll. And after some false starts in other areas, his love of music began to gel into something when he met Mick Jagger (they bonded over their shared love of American blues music), and ended up forming a band called the Rolling Stones.

You know how it goes: they became the creative heart of the Rolling Stones, who started off as a penniless little blues band and turned into the wildest rock stars of the sixties and seventies. Richards' life became wrapped up in stardom, his sensual avant-garde lover Anita Pallenberg, and a heroin addiction -- until he inevitably yanked himself back up, found new love, and survived despite the odds.

I've always had a soft spot for Keith Richards -- he's had a crazy, colorful, dramatic life full of scandal and raw talent, but by all acounts, he's a nice guy. And "Life" doesn't disprove that -- Richards is less interested in telling all than in exploring the interesting parts of his life.

His style is laid-back and contemplative, as if you were just sitting in his living room listening to the old rocker reminiscing about his life. He talks a LOT about music (creating it, listening to it, playing it), encountering fascinating people, and carefully painting portraits of the many places he's travelled to.

Richards himself seems like an unpretentious, blunt guy with a positive outlook, who freely admits his mistakes because they're in the past. He also has nice things to say about almost everybody, although some things (Brian Jones beating Anita) make him pretty mad. But he doesn't shy away from bleaker times, such as when he recounts how his son Marlon had to help him during his druggiest days.

And he has a sarcastically witty streak -- he says that he was "kind of proud" to be the #1 on death lists for ten years running. "I was really disappointed when I went down the charts. Finally dropping down to number nine. Oh my God, it's over."

If you weren't a fan of "Keef" before this, his unpretentious and fascinating "Life" might just win you over. It's a rich rollercoaster of pain, music and love.

"Life" is about the music, the friends and family and the drugs and not the fame. His story begins in childhood growing up just outside of London in the working class town of Dartford, Kent. There he made mischief exploring the local environs and putting cardboard in the spokes of his bicycle as many of us did back in the days of freewheeling childhood. Eventually he was introduced to the guitar by his grandfather and developed a love for the blues, which he shared with Mick, a guy he knew from the neighbourhood. Dedication to his craft obviously played a decisive role in the emergence of the Rolling Stones as one of the greatest rock and roll bands of all time however Mr. Richards gives Fortune an equal claim to his success. For example, Brian Jones was first considered leader of the band yet Andrew Oldman, their producer sent Keith and Mick into a kitchen to write the first Rolling Stones and the rest is history. His loyalty to friends might help explain the longevity of the Rolling Stones band. Instead of being incensed by Mick Jagger's attempt at a solo career, Keith was hurt. He believed that Jagger had fallen in love with his own image and thus had lost touch with the music. Keith too wrote and performed as a solo artist however he always left an opening in his heart for Mick to return. Keith remained with his first wife until her love was completely overtaken by drugs and he's been with his second wife for 30 years. He's had the same manager for decades and he's provided support and companionship to his father ever since they reunited in 1982. Bobby Keys has been a buddy of his from the beginning. Ironically, drugs might have played a role in Mr. Richards success. He never seemed to care about fame and glory very possibly because he was too busy looking for his next fix, dodging the police, playing concerts, and writing songs for their next album. He didn't have the time or energy to listen to all the people who might have thought he was an entity greater than the rest of mankind. Fortunately, Keith says that he could afford only the best quality drugs that were not laced with poison and so did not cause him permanent damage. Mr. Richards tells a story of hard work and luck and someone who truly loves his craft.

So, who is Keith Richards? A young man asked me this question when I was holding this book a week or so ago. I answered by reference to the Rolling Stones: he'd heard of them. Made me remember, though, just how long the Stones have been part of my musical life. It's been over 40 years. The Rolling Stones were formed in 1962 - almost 50 years ago. Amazing.

When I decided to read this book, I was interested in reading what Keith Richards would have to say about the public aspects of his life as both a talented musician and a drug addict. I was also interested in his view of the successes and excesses of the Rolling Stones. But mostly, I wanted to see something of the man behind the legend.

It's an interesting read: the first part is personal history; the second part is public legend; and the final part is where a more mellow (it's a relative term) Keith Richards exists. Keith Richards has survived the excesses of his past, and his memoir is peopled with many who did not. Some of the legends (curing his heroin addiction through a blood transfusion in Switzerland, and snorting his father's ashes) are explained and can be dismissed. Others - the detailed substance abuse - serve to underline how fortunate Richards was to survive.

Three aspects of the book stand out for me: the historical account of a rock and roll world of excess (in which women were `chicks' or `bitches'); the details of the music Richards made, and those musical heroes who inspired him; and his relationship with Mick Jagger. The historical account is in many ways not new: others have written about the Stones and memoirs of excess are neither new nor uncommon. It's Keith Richards's writing about his musical influences and the process of writing songs and making music, though, which makes this memoir most interesting.

`Life' is worth reading. Not just for fans of the Rolling Stones and those who wondered how Keith Richards has managed to survive, but also for those who are interested in the history of rock and roll music and culture.

Jennifer Cameron-Smith