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Light In The Attic
 
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Light In The Attic [Hardcover]

Shel Silverstein
4.9 out of 5 stars  See all reviews (28 customer reviews)
List Price: CDN$ 21.99
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Light In The Attic + Where The Sidewalk Ends: Poems and Drawings + Falling Up
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Book Description

Last night while I lay thinking here
Some Whatifs crawled inside my ear
And pranced and partied all night long
And sang their same old Whatif song:

Whatif I flunk that test?
Whatif green hair grows on my chest?
Whatif nobody likes me?
Whatif a bolt of lightning strikes me?...

Here in the attic of Shel Silverstein you will find Backward Bill, Sour Face Ann, the Meehoo with an Exactlywatt, and the Polar Bear in the Frigidaire. You will talk with Broiled Face, and find out what happens when Somebody steals your knees, you get caught by the Quick-Digesting Gink, a Mountain snores, and They Put a Brassiere on the Camel.

From the creator of the beloved poetry collections Where the Sidewalk Ends and Falling Up, here is another wondrous book of poems and drawings.

About the Author

"And now, children, your Uncle Shelby is going to tell you a story about a very strange lion -- in fact, the strangest lion I have ever met." So begins one of Shel Silverstein's very first children's books, Lafcadio, the Lion Who Shot Back. It's funny and sad and has made readers laugh and think ever since it was published in 1963.

It was followed the next year by two other books. The first, The Giving Tree, is a moving story about the love of a tree for a boy. In an interview published in the Chicago Tribune in 1964, Shel talked about the difficult time he had trying to get the book published. "Everybody loved it, they were touched by it, they would read it and cry and say it was beautiful. But . . . one publisher said it was too short . . . ." Some thought it was too sad. Others felt that the book fell between adult and children's literature and wouldn't be popular. It took Shel four years before Ursula Nordstrom, the legendary editor at Harper Children's books, decided to publish it. She even let him keep the sad ending, Shel remembered, "because life, you know, has pretty sad endings. You don't have to laugh it up even if most of my stuff is humorous." Ultimately both adults and children embraced The Giving Tree.

Shel returned to humor that same year with A Giraffe and a Half.

If you had a giraffe . . .
and he stretched another half . . .
you would have a giraffe and a half . . .

is how it starts and the laughter builds to the most riotous ending possible.

Shel's first collection of poems and drawings, Where the Sidewalk Ends, appeared in 1974. It opens with this invitation:

If you are a dreamer, come in.
If you are a dreamer, a wisher, a liar,
A hope-er, a pray-er, a magic bean buyer . . .
If you're a pretender, come sit by my fire,
For we have some flax golden tales to spin.
Come in!
Come in!

Shel invited children to dream and dare to try the impossible, from making a hippopotamus sandwich to drawing the longest nose in the world, to writing about eighteen flavors of ice cream and Sarah Cynthia Sylvia Stout who wouldn't take the garbage out.

With his second collection of poems and drawings, A Light in the Attic, in 1981, Shel asked his readers to turn the light on in their attics, to put something silly in the world, and not to be discouraged by the Whatifs.

WHATIF
Last night, while I lay thinking here,
Some whatifs crawled inside my ear
And pranced and partied all night long
And sang their same old Whatif song:
Whatif I'm dumb in school?
Whatif they've closed thw swimming pool?
Whatif I get beat up?
Whatif there's poison in my cup? . . .

Instead he urges readers to catch the moon or invite a dinosaur to dinner -- to have fun! School Library Journal not surprisingly called A Light in the Attic "exuberant, raucous, rollicking, tender, and whimsical." Children everywhere have agreed and Shel's books are now published in 30 different languages.

Yet Shel did not set out to write and draw for children. As he told Publishers Weekly in 1975, "When I was a kid . . . I would much rather have been a good baseball player or a hit with the girls. But I couldn't play ball, I couldn't dance. . . . So I started to draw and write. I was lucky that I didn't have anyone to copy, be impressed by. I had developed my own style."

He grew up in Chicago and created his first cartoons for the adult readers of Pacific Stars and Stripes, when he was a G.I. in Japan and Korea in the 1950s. He also learned to play the guitar and to write songs, including "A Boy Named Sue" for Johnny Cash and "The Cover of the Rolling Stone" sung by Dr. Hook. He performed his own songs on a number of albums and wrote others for friends, including his last in 1998, "Old Dogs," a two-volume set with country stars Waylon Jennings, Mel Tillis, Bobby Bare, and Jerry Reed. In 1984, Silverstein won a Grammy Award for Best Children's Album for Where the Sidewalk Ends -- "recited, sung and shouted" by the author. He was also an accomplished playwright, including the 1981 hit, "The Lady or the Tiger Show." He and David Mamet each wrote a play for Lincoln Center's production of "Oh, Hell," and they later co-wrote the 1988 film, "Things Change," which Mr. Mamet also directed. A frequent showcase for Shel's plays, the Ensemble Studio Theatre of New York produced Shel's "The Trio" in their 1998 Marathon of one-act plays.

Yet Shel Silverstein will perhaps always be best-loved for his extraordinary books. His latest collection, and his last book to be published before he sadly passed away in 1999 ... was Falling Up (1996). Like his other books, it is filled with unforgettable characters such as Screaming Millie who "screamed so loud it made her eyebrows steam." Then there are Danny O'Dare the dancing bear, the Human Balloon and Headphone Harold, and a host of others.

Shel was always a believer in letting his work do the talking for him. So come, wander through the Nose Garden, ride the little Hoarse, and let the magic of Shel Silverstein open your eyes, tickle your mind, and show you a new world.

NEW WORLD
Upside-down trees swingin' free,
Busses float and buildings dangle:
Now and then it's nice to see
The world -- from a different angle.


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Customer Reviews

28 Reviews
5 star:
 (26)
4 star:
 (1)
3 star:
 (1)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.9 out of 5 stars (28 customer reviews)
 
 
 
 
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Most helpful customer reviews

5.0 out of 5 stars Great for kids, April 25 2006
By A Customer
This review is from: Light In The Attic (Hardcover)
....and adults too! Lots of laughs and silliness.
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5.0 out of 5 stars A MUST HAVE, July 14 2004
By A Customer
This review is from: Light In The Attic (Hardcover)
I am not a big poem fan but I love this book! Drawings are great and so fun!
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5.0 out of 5 stars A review by a children's author, Jun 2 2004
By A Customer
This review is from: Light In The Attic (Hardcover)
I read Shel Silverstein when I was young and I loved his poetry. I used to read it to the kids I babysat (and I never sat on a baby) and I now read it to my own children. What can be said that hasn't been said already?

This: Shel Silverstein wrote more than just silly. Some of his greatest poems bring tears to my eyes and make me think about things like justice, death, love, and even my Creator. Pretty deep stuff. I personally believe it's that inane sense of humor he had combined with an almost philosophical take on life that mades Shel a great children's poet.

Some of my favorite poems by Shel are in this collection, The Light in the Attic.

The Little Boy and the Old Man should make any person who reads it think about aging and reaching out to our loved ones who are er, how shall I say it, a little past their prime and also to those who haven't quite reached their prime yet. And How Many, How Much is a wonderful reminder that friendship starts in your own heart.

And I wonder, was one of my favorite movies (Bruce Almighty) inspired by one of my favorite Shel Silverstein poems (God's Wheel)? Did the writer read that poem and think "What a great premise for a movie!" Could be. Whatever the case I know his work was one of my inspirations in becoming a children's writer. And now I'm writing a book of poetry for children and as I craft it I returned to all these funny, touching, ironic, wistful, poems and realized, "Uh oh, I set the bar too low. I need to kick it up a notch." I so I strive to do just that.

My nightmare is being compared by a cranky reviewer to Shel Silverstein, "This writer is an imposter to the throne of the great Shel." Let me state here and now that I don't want the throne. I would just like to sit under a oak tree in the courtyard outside the palace if that's okay. And while I'm there I'll just take a big whiff of the rosebush that stayed so very small (read the book and you shall see what I mean).

Finally, let me add this, I believe these poems expanded my creativity in my younger years and I believe they expand it to this very day. Buy a Light in the Attic for your children and read the poems together. You will expand their vocabulary, help them develop a sense of comedic timing, cultivate an interest in poetry, and give them their first lessons in philosophy, all the while having a fantastic time together. Now that's what I call maximum return on a minimal investment(...)

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