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Little Dorrit
 
 

Little Dorrit [Paperback]

Charles Dickens
4.2 out of 5 stars  See all reviews (16 customer reviews)
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Product Description

Review

“One of the most significant works of the nineteenth century.”—Lionel Trilling --This text refers to an alternate Paperback edition.

Book Description

Characteristic of Dickens' later writings, "Little Dorrit" is a social condemnation, particularly of the system of prisons set aside for the debtors of England. Through the memorable characters of Amy and her father William Dorrit, as well as the disenchanted Arthur Clennam, recently returned from abroad, Dickens weaves a suspenseful tale that plumbs the depths of confined minds. Despite the changing fortunes of many of the characters, financial scandal is never far behind them, and they must seek freedom in unexpected ways. Dickens fully employs his masterful irony, humor, and mature writing to create a powerful story about both physical and psychological imprisonment, as well as the freedom of a spirit that feels love.

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Thirty years ago, Marseilles' lay burning in the sun, one day. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Customer Reviews

16 Reviews
5 star:
 (7)
4 star:
 (7)
3 star:    (0)
2 star:
 (2)
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Average Customer Review
4.2 out of 5 stars (16 customer reviews)
 
 
 
 
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7 of 7 people found the following review helpful
5.0 out of 5 stars maturing beyond the prison of self, July 22 2002
By 
Penelope Schmitt (Wilmington, NC United States) - See all my reviews
(REAL NAME)   
This is my personal favorite among Dickens novels, fully equal to Bleak House, though not nearly as widely read or admired. Most reviewers miss the fact that debtors prisons had long been closed before Dickens wrote the novel, so 'reform' was in no way its objective. What he really wanted to explore was self-imprisonment. His main character, Arthur Clennam, has been imprisoned by family strictures all his life. Denied love as a child, exiled from his sweetheart as a young man to an outpost of the family business in China, left by his father only with a watch inscribed 'DNF' meaning 'do not forget' (what he doesn't know) Arthur returns to England. We first see him 'imprisoned' in quarantine with others who suffer spiritual incarcerations of their own. The spiritual heart of this novel is the story of how Arthur loses hope that he can 'go home again' and pick up with his old life, how he reconstructs a personal life and satisfying work, and how he endures the collapse of the past and all its guilty debts, ultimately being set free to live life on a new foundation. This novel will hearten those who have arrived in the middle of our lives feeling that like Arthur, we stand among ruins, 'descending a green and growing tree' whose limbs die and wither under us as we come down. But when he is finally stripped of everything, Arthur gains all. While this great bildungsroman of maturity is being carried forward, Dickens offers a wealth of characters, plots, and subplots that will keep Dickens lovers turning pages in well-founded faith that Boz will once again knit all together in a satisfying tapestry of incident and meaning. It could be summed up as "forgive us our debts as we forgive our debtors." All the characters are jailed by something--Little Dorrit herself by her prison home, her father by his dependency and pathetic grasping for reputation. Blandois, the wicked murderer, shows up first in a Marseilles prison and bestrides the plot with his vile presence. Arthur's mother stays voluntarily imprisoned in a decaying house and her wheelchair, and worse, in wrath and jealousy. We also meet a housemaid trapped in uncontrollable rage, the woman who abducts her, walled in pride and hatred, a young woman trapped in adoration of a worthless husband, parents frozen in grief over a lost child, a financier transfixed with the knowledge of his own falsity . . . and more. Secrets, nightmares, murders, lost deeds and treasure, stolen fortunes, all abound in this vivid and satisfying plum pudding of a novel. Modern readers may weary of the satirical chapters on 'the Circumlocution Office'--but they're no worse than the treatment of the Court of Chancery in Bleak House. The best of this novel is that it is not all written just for the satisfactory settlement of some young person, but rather for the arrival at full maturity of a man who is already adult at the novel's opening. Arthur (one remembers that Britain's legendary king bore that name) rescues others from despair, and finally learns to let others so rescue him. This is a redemptive novel, that shows us it is possible to see that we are inside the prison of who we've been taught we are, and believe we can't stop being, and it is possible to break beyond those prison walls and 'go down to a life' of quiet decency and common happiness. A great, grownup read!
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4.0 out of 5 stars the decadence of the elite vs. the values of the poor..., April 18 2012
By 
Ronald W. Maron "pilgrim" (Nova Scotia) - See all my reviews
(TOP 100 REVIEWER)    (REAL NAME)   
This review is from: Little Dorrit (Hardcover)
Having been both a student and admirer of Charles Dickens for a number of decades, I can honestly state that this is not a tier #1 Dickens' novel. That being said, however, any 2nd tier Dickens's novel far outstrips the quality of other novels of this period. While the author's characterizations and universalities of subject matter remain high, this tale does seem to become bogged down during the lengthy descriptions of the middle chapters. This should not discourage an educated reader, however, from venturing into this 900 page civil discourse. The shallowness, selfishness and overall contriteness of the moneyed elite is well defined. The self-imposed uselessness of governmental agencies is quite evident. Whereas, the meaningful values of love, respect and inner joy is broadcast loudly through society's poorer working classes. Dickens portrayal of debtor's prison as a constant backdrop to life in London adds to and highlights the extreme social differences that exist while the author's whimsical, yet cutting, characters reveal personhood for what it is......
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2 of 3 people found the following review helpful
5.0 out of 5 stars "None of your eyes at me! Take that!", Jun 30 2002
By 
Dickens' last novels (with the exception of the unfinished EDWIN DROOD) really form a group all to themselves: exceptionally concerned with the excesses of social institutions and the cruelties of high society, they in some ways read more like Trollope and Thackeray than they do Dickens' own earlier works, although they retain Dickens's fine gift for character and bite. LITTLE DORRIT is proabbly my favorite of the later works: its multiple stories are extremely gripping, and his satire at its sharpest and most necessary. Many people say these later novels are not as funny as his earlier works, but DORRIT is to me an exception: there are few funnier (or more dear) characters in Dickens' repertoire than the breathless, kindhearted Flora Finching, and I find myself almost helpless with laughter whenever Flora's senile and hostile charge, Mr F's Aunt, makes her perfectly doled-out appearances in these pages. (Arguably the funniest scene Dickens ever wrote is the scene with this "most excellent woman" and Arthur Clennam and the crust of bread). This is a great Dickens novel even for people who tend not to like Dickens (and yes, there are some of them, as hard as that may be for the rest of us to believe).
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