From Publishers Weekly
The 17 tales in Highsmith's new collection are a far cry from Strangers on a Train and her other unforgettable thrillers. These stories, although written with exemplary style, make the flesh crawl but not pleasurably, as reliable suspense fare does. Each focuses on a female doing in a male or, more often, herself. "The Breeder" Elaine persists in giving birth until her husband Douglas goes irrevocably mad, trying to support 17 children. "The Victim" is Cathy, fond of claiming she's been raped repeatedly in her nubile adolescence. During her career as an airline hostess, Cathy's sexuality pays better in rich gifts than in sympathetic attention. But greed and vanity spell the lush girl's doom. From the book's overall tone, readers could infer that its origin was bitter contempt for humans of either gender. The entries fail as real satire, which is always amusing, regardless of its stings.
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These little tales are tremendous fun, glorious hand grenades lobbed at the reader by a gleeful, cackling Patricia Highsmith -- Dan Rhodes For eliciting the menace that lurks in familiar surroundings, there's no one like Patricia Highsmith Time These are extraordinary stories ... etched in acid and unforgettable ... Highsmith is a mistress of a fine and dangerous art. Let the reader beware Financial Times It's not just the men who come off badly in this short, sharp shock of a collection... Each story is more appalling than the next, deadpan in tone and dripping with black humour. The Independent