Live at Massey Hall (Lp) 180g [Live]

This is Neil on stage with just a guitar, a piano and a mike, playing in front of a very appreciative and proud Canadian audience. Though relatively young in age to us at 26 years, Neil sounds mature and seasoned here, and is comfortably "in control" of this crowd. He talks in a down-home manner to the crowd between almost every song, occasionally to introduce a song that they (and sometimes we) have never heard before. The acoustics and mic'ing are fantastic, and Neil is in great voice throughout. He plays about two-thirds of the songs on guitar, and the rest on piano - I've never been more keenly aware of his unique skill at strumming/picking/soloing (sometimes sounds like two!). This is just a fabulous cd that makes you feel like you're right on stage with a gifted yet humble artist who is just coming into his own, playing his "best of" tunes of the time.

Just before I veered way left (or right?) into progressive rock, jazz fusion and classical music, it was folk rock that rang my bell. Listening to these short, sincere, unadorned souvenirs of beauty reminds me of why singer/songwriters like NY were so important to us around 1971...and why their music still rings true today. Recommended.

I value interesting music that is played and recorded well. This cd's rating was based on:
Music quality = 8.5/10; Performance = 9/10; Production = 9/10; CD length = 10/10.
Overall score weighted on my proprietary scale = 8.8 ("4-1/2 stars")

been good times for neil young fans of late. his 2006 studio album, living with war, was excellent. then came the outstanding "live at the fillmore east," now we have "massey hall 1971" hot on its heels. whereas the fillmore album was an electric jamfest of energetic rock and roll, massey hall is an all acoustic show, featuring neil young performing solo on acoustic guitar and piano. the sound quality is absolutely amazing. listening to it on the stereo this evening, i could close my eyes and feel that mr young was playing right there in the living room. the whole thing has a warm and intimate tone, and crystal clear sonics. the performance itself is stunning. mr young's phrasing and delivery is at a high peak of expression, sensitive to nuance and micro-tonal shiftings, making his unique voice all the more haunting. "journey through the past," "helpless," "cowgirl in the sand," "the needle and the damage done," "ohio," and "down by the river" are beautifully rendered, in particular. but the whole set is great, and everybody will have their own favorites here. mr young's acoustic guitar sounds spectacular, as well. anyway, i've got a life to live, so i'll stop gushing, and get back to it. just wanted to have my say. thanks.

Well, as Matthew said below, I guess we now understand why Neil chose to omit the acoustic set from the first installment in his "archives" series; this entirely solo acoustic performance rivals the best live work Neil has ever released. Somehow, it outdoes the intensity of Neil's incomparable "Unplugged" set from 1993, and conjures memories of the night I saw Neil on his solo acoustic tour in 2000 to support the "Silver & Gold" album, which remains the most memorable concert I have ever attended.

Casual Neil Young fans tend to prefer specific dimensions of the wide range of sounds Young has explored throughout his career, but "Live at Massey Hall" is that kind of unifying performance that appeals across the entire spectrum of Young's audience. Crisp, marvelously intimate and characteristically intense, this set captures Neil just before he leapt into superstardom with the phenomenally successful Harvest, and it is just so fascinating to hear Neil perform songs like "Heart of Gold" when they were brand new and no one in the crowd had heard them before.

Several of these tracks would not be released until the following year, and there is a kind of curious and reverent timidity in Neil's performance of songs on this set that later became his staples--"Old Man" and "Needle and the Damage Done" in particular. He had just written them and still seems to explore them with almost the same degree of uncertainty that the audience surely experienced as he introduced them to this then-new material.

Neil's fingers hadn't quite developed the kind of effortless familairity with these melodies that they now possess nearly forty years later, and it's this kind of spontanaeity that distinguishes "Live at Massey Hall" as the most fascinating live album Neil has released in many years--and that includes the Fillmore East set.

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