This is the one with Sweet Jane; Rock & Roll; Oh! Sweet Nuthin'; New Age , and more of the last tracks by an iconic rock band.
While John Cale certainly gave the first couple of Velvet Underground albums a signature sound, his departure enabled Lou Reed to do exactly what he does best: write kick-ass, stripped-down rock songs. On Loaded
his talent comes to full fruition. Who can imagine a world without "Sweet Jane" and "Rock & Roll," arguably two of the greatest rock tunes ever penned? The brilliance of those songs is so bright, it's easy to overlook a couple of other Reed masterpieces: the tender, epic discourse of "New Age" (which highlights his assured sense of poetic wordplay: "And when you kissed Robert Mitchum / Gee, but I thought you'd never catch him!") and the extended sweet blues romp of "Oh! Sweet Nuthin'." On Loaded
the Velvet Underground--who before had hit the sonic ceiling experimenting with shattered chords, feedback, screeching violas, and what Reed once claimed was "the fastest guitar playing ever"--eschew the dark side of noise for clarity. Check out the ringing chime that begins "Who Loves the Sun" and the sterling (no pun intended) guitar riff that drives "Rock & Roll." This is not to say that the old ragged punch of the original Velvets is completely gone. Moe Tucker still beats a mean set of skins; there's no stopping Sterling Morrison's train-wreck rhythm guitar on "Train Round the Bend"; and "Head Held High" achieves near-"Sister Ray" moments of madness. --Tod Nelson