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Charles Dickens wrote of his favorite character, David Copperfield, that "he has a disciplined heart", and Lyne brings this eminently sane, innately forgiving love of all the novel's characters to this controlled, beautifully scored and accurately scripted film.
Lyne's closing note on the deaths of Humbert and Lolita (only a month apart, in November and December, 1950 - he of coronary thrombosis in prison, and she of complications in childbirth) tolls like a clear and gentle cathedral bell. It signals the end of an obsession comparable to the medieval idea of courtly love - which had absolutely nothing to do with marriage, but plenty to do with high-quality, sublime booty - and the end of a truly good film: a masterpiece of appreciation.
Some critics claim "Lolita" is a true love story. I disagree. Read more
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