Product Details
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| 1. Elephant Gun |
| 2. My Family's Role In The World Revolution |
| 3. Scenic World |
| 4. The Long Island Sound |
| 5. Carousels |
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Most helpful customer reviews
4.0 out of 5 stars
Lon gisland,
By E. A Solinas "ea_solinas" (MD USA) - See all my reviews (HALL OF FAME) (TOP 10 REVIEWER) (REAL NAME)
This review is from: Lon Gisland (1+ Tracks) (Audio CD)
Beirut dazzled listeners with its shimmering debut "Gulag Orkestar," an enchanting mixture of pop, folk and bittersweet Balkan music.
And now to keep fans' attention, frontman Zach Condon is releasing the "Lon Gisland" EP, which continues the slightly angsty gypsy pop and colourful marches. It doesn't really take Beirut's music anywhere, but it's a glorious piece of work on its own. It opens with a ukelele being strummed, before Condon begins singing mournfully that if he were young, "'I'd flee this town/I'd bury my dreams underground." An accordion and a dramatic blare of trumpets join in as he sings of wanting to escape and "take the big king down." Things get cheerier with the next song, a colourful march full of sprightly brass and lots of drums. And then it's the middle ground with the more intimate, stripped-down flavour of "Scenic World," which sounds like gypsies on a laundry day. "Long Island Sound" is kind of a disappointment, since it's basically just a sprawling trumpet tune with a few other instruments by the sidelines. Quite short, too. But it's more than made up for by the finale, the energetic and meditative "Carousels." Beirut has a unique sound in its music -- warm and celebratory, yet melancholy and mellow. It's hard to believe that a musician as young as Condon could put such depth and passion into his music -- but there it is. As with the full-length album, "Lon Gisland" overflows with smooth accordion, blares of well-worn brass, and rat-a-tat percussion, with the occasional flourish from tambourine or ukelele. It all melds together into a smooth summery sound. Condon's lyrics are not as accomplished as the music itself, but they blend into the music very well. His smooth, strong vocals make up a great deal of the appeal, with a little wobble that adds vulnerability to his singing. "Lon Gisland" is pretty short, but it will have to tide the fans over until the next full-length. Beautiful, bittersweet and utterly enchanting.
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
4.2 out of 5 stars (6 customer reviews) 12 of 13 people found the following review helpful:
5.0 out of 5 stars
Music To Live By,
By M. Boden - Published on Amazon.com
This review is from: Lon Gisland (1+ Tracks) (Audio CD)
If you are one that loves to be surrounded by beauty, this it the album for you. It is the perfect mix of melodic vocals and fanciful instrumentals. The first listen is chaotic. The second listen is enlightening. The third unravels one's socks.
11 of 13 people found the following review helpful:
4.0 out of 5 stars
Lon, lon gisland,
By E. A Solinas "ea_solinas" - Published on Amazon.com
This review is from: Lon Gisland (1+ Tracks) (Audio CD)
Beirut dazzled listeners with its shimmering debut "Gulag Orkestar," an enchanting mixture of pop, folk and bittersweet Balkan music.
And now to keep fans' attention, frontman Zach Condon is releasing the "Lon Gisland" EP, which continues the slightly angsty gypsy pop and colourful marches. It doesn't really take Beirut's music anywhere, but it's a glorious piece of work on its own. It opens with a ukelele being strummed, before Condon begins singing mournfully that if he were young, "'I'd flee this town/I'd bury my dreams underground." An accordion and a dramatic blare of trumpets join in as he sings of wanting to escape and "take the big king down." Things get cheerier with the next song, a colourful march full of sprightly brass and lots of drums. And then it's the middle ground with the more intimate, stripped-down flavour of "Scenic World," which sounds like gypsies on a laundry day. "Long Island Sound" is kind of a disappointment, since it's basically just a sprawling trumpet tune with a few other instruments by the sidelines. Quite short, too. But it's more than made up for by the finale, the energetic and meditative "Carousels." Beirut has a unique sound in its music -- warm and celebratory, yet melancholy and mellow. It's hard to believe that a musician as young as Condon could put such depth and passion into his music -- but there it is. As with the full-length album, "Lon Gisland" overflows with smooth accordion, blares of well-worn brass, and rat-a-tat percussion, with the occasional flourish from tambourine or ukelele. It all melds together into a smooth summery sound. Condon's lyrics are not as accomplished as the music itself, but they blend into the music very well. His smooth, strong vocals make up a great deal of the appeal, with a little wobble that adds vulnerability to his singing. "Lon Gisland" is pretty short, but it will have to tide the fans over until the next full-length. Beautiful, bittersweet and utterly enchanting. 7 of 8 people found the following review helpful:
5.0 out of 5 stars
Best of 2007: Just as good as Gulag Orkestar,
By Manny Hernandez "@askmanny" - Published on Amazon.com
This review is from: Lon Gisland (1+ Tracks) (Audio CD)
Finding out about Beirut was one of the best things to happen to me (musically) in 2007. And it was through "Lon Gisland" that I found out about this fascinating act. Beirut blends a lo-fi sound not unlike a group of East European gipsies with a folk feel like Sufjan Stevens with Zach Condon's voice coming across much like David Byrne. The result is an exquisite and upbeat, though short EP, that makes your heart pound with excitement making you want to jump, clap and laugh.
After "Lon Gisland", I went back to Beirut's "The Gulag Orkestar" and confirmed their quality. For the time being, this EP easily landed a spot among 2007's best releases. Here's hoping that Beirut continues to produce more music... soon. :) |
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