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| Disc: 1 | |||
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| 1. Symphony In C Minor, Hob. I:95: 1. Allegro moderato | |||
| 2. Symphony In C Minor, Hob. I:95: 2. Andante | |||
| 3. Symphony In C Minor, Hob. I:95: 3. Menuetto | |||
| 4. Symphony In C Minor, Hob. I:95: 4. Finale. Vivace | |||
| 5. Symphony In B Flat, Hob. I:98: 1. Adagio - Allegro | |||
| 6. Symphony In B Flat, Hob. I:98: 2. Adagio | |||
| 7. Symphony In B Flat, Hob. I:98: 3. Menuetto. Allegro | |||
| 8. Symphony In B Flat, Hob. I:98: 4. Finale. Presto | |||
| 9. Symphony In D, Hob. I:104: 1. Adagio - Allegro | |||
| 10. Symphony In D, Hob. I:104: 2. Andante | |||
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| Disc: 2 | |||
| 1. Symphony In D, Hob. I:96: 1. Adagio - Allegro | |||
| 2. Symphony In D, Hob. I:96: 2. Andante | |||
| 3. Symphony In D, Hob. I:96: 3. Menuetto. Allegretto | |||
| 4. Symphony In D, Hob. I:96: 4. Finale. Vivace assai | |||
| 5. Symphony In B Flat, Hob. I:102: 1. Largo - Vivace | |||
| 6. Symphony In B Flat, Hob. I:102: 2. Adagio | |||
| 7. Symphony In B Flat, Hob. I:102: 3. Menuetto, Allegro | |||
| 8. Symphony In B Flat, Hob. I:102: 4. Finale, Presto | |||
| 9. Symphony In E Flat, Hob. I:103: 1. Adagio - Allegro con sirito | |||
| 10. Symphony In E Flat, Hob. I:103: 2. Andante piu tosto allegretto | |||
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But where is the joy? Where is the love? Where is the humor? Where is the personality? Haydn composed music of warmth and humanity. None of those qualities are present in these recordings. It's hard to believe that music so quintessentially human, could ever sound as faceless as Davis makes it sound in these performances.
Davis has an unfortunate ability to push the music too fast, as he does in some of the movements of these symphonies, without sounding urgent or passionate about it. Szell or Toscanini were fast conductors, but when they went fast it sounded as though the music was being urged on by a furious and passionate heart. When Davis goes fast, it sounds as if he wants to get the whole thing over with so he can go home and watch Wheel of Fortune.
It's true that music from the classical era is not conducive to performances of roaring passion and heart-on-the-sleeve romanticism, as if it were Beethoven or Schumann. But Davis, and the reviewers, make a huge mistake when they assume that "no romanticism" equals "no feeling". As I said in the one-line synopsis, these performances are like distilled water: no impurities, and no flavor. I bought both volumes of this set, listened to them once, and probably will never listen to them again.
Alternatives? By far the first recommendation is Beecham, although the sound of his recordings is hissy, and all of his recordings are not always available. But it's hard to imagine Davis himself listening to Beecham's performances next to his own, without being embarrassed. Szell recorded a few of these, most of them excellent, and his 93 is particularly good. Personally I think I'll stick with Fischer as the best combination of sound and performance, and I also like Jochum's performances. And unless you have trouble distinguishing between music as a joyful human experience and music as a museum exhibit, for heaven's sake stay away from the "original instruments" recordings!
Symphony 93: Goodman/Hanover Band (Hyperion 66532)
Symphony 94: Monteux/Vienna Phil (Decca 452893-2)
Symphony 95: Britten/ECO (BBC 8008)
Symphony 96: Harnoncourt/Concg. Orchestra (Teldec/Warner 21337-2)
Symphony 97: Szell/Cleveland (Sony 67175)
Symphony 98: Jochum/LPO (DG 437 201-2)
Symphony 99: Davis/Concg. Orchestra (Phillips 442 614-2)
Symphony 100: Walter/Columbia (Sony 64485)
Symphony 101: Mackerras/St. Luke's (Telarc)
Symphony 102: Dorati/Philharmonia Hungarica (Decca 452 259-2)
Symphony 103: Kuijken/La Petite Bande (DHM 77362)
Symphony 104: Hickox/Collegium Musicum 90 (Chandos 0655)
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