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Long Gone Before Daylight Import


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Product Details

  • Audio CD (May 25 2004)
  • Number of Discs: 2
  • Format: Import
  • Label: Koch
  • ASIN: B00020HALU
  • Other Editions: Audio CD
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (57 customer reviews)

1. Communication
2. You're The storm
3. A Good Horse
4. And Then You Kissed Me
5. Couldn't Care Less
6. Please Sister
7. For What It's Worth
8. Lead Me Into The Night
9. Live and Learn
10. Feathers And Down
11. 03.45: No Sleep
12. Hold Me (Mini Version)
13. If There is a Chance
14. For The Boys

Product Description

Product Description

Amazon.ca

Long Gone Before Daylight marks a shift in theme for the Cardigans. Their last album, 1998's Gran Turismo, was a masterpiece. With Peter Svensson's quirky, driving, ultra-modern pop backing Nina Persson's icy dissections of doomed relationships, it was a Love Album informed more by Bret Easton Ellis than any high romance. So catchy, so cool and so incredibly bleak--exceptional, intelligent pop in the tradition of Soft Cell and ABC. Long Gone Before Daylight, then, comes as something of a shock when the opening "Communication" and "You're the Storm"--both lush and beautiful pop--find Persson struggling for love then, come the Doors-like "And Then You Kissed Me", actually finding it. Real love, too--not the fascinatingly twisted variety of before. It's a terrible shame, for love reduces the Cardigans to the level of other musicians. But then, unpredictable devils, they hit you with "Couldn't Care Less", as Persson loses it all again, in the following "Please Sisters" begging for advice, succour, anything. And now you realise; it's a pop-rock opera, the tale of one heart's tortuous and tortured journey through the mill. And it's superb. Persson, the finest pop lyricist working today, is on peak form while the band's back-to-roots grand piano and grander acoustic guitars provide an appropriately magnificent backing. --Dominic Wills --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

4.3 out of 5 stars

Most helpful customer reviews

Format: Audio CD
long gone is one of the best, if not the best album ive heard all year. its hard to understand the cardigans; their music is really happy, yet the lyrics are haunting, sad, and at times very violent. nina persson has one of the best voices in pop, as well as being one of the best lyricists.
long gone is a departure from their earlier works, but it seems to me to be a more folk/pop continuation of the electropop gran turismo. the mood and the dark lyrics are the same, just packaged differently. ninas voice is no longer girlishly cute, yet it is more mature and honest while retaining the innocence of the first couple of albums. like most of her songs, she sings of finding love, losing love, and desperation. her lyrics, as mentioned, are brutally honest, and extremely violent. i cannot tell you how beautiful her voice is. she is by no means a vocalist; but rather if there were someone who youd like to hear singing casually, or singing a lulliby, or singing happy birthday, there is no one better. thus, she creates an intimacy with the listeners where she unlocks her heart and soul, making you believe and feel for her.
the music in long gone is for the most part, very slow, music to sleep/lounge to. however, there are some great pop numbers such as youre the storm, for what its worth, please sister, live and learn, and for the boys. however, their slower tracks are the best, such as communication and feathers and down. do yourself a favor and buy this album. also the dvd is a great bonus, i watch it all the time.
communication: 10/10
youre the storm: 10/10
a good horse: 8/10
and then you kissed me: 7.5/10
couldnt care less: 8/10
please sister: 9/10
for what its worth: 10/10
lead me into the night: 9.
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Format: Audio CD
I love The Cardigans and have missed their music since it'd been so long since they'd released an album. I hadn't heard anything from the album when I bought this, but I enjoy Nina Persson's singing and the band's general musical sense so much that I figured I'd like it.
As you've probably gathered from other reviews, this album is completely different from any of their others. Gone is the happy-go-lucky music and airy, filtered vocals; this album has a generally acoustic, rich, gentle sound that's often very country influenced. Nina's vocals are up front and stunning. At times she even sounds like Sheryl Crow, which was pretty surprising, but it's not an abandonment of her usual style - just more emotional and full. So if you normally like her voice, you'll love it here. Her songwriting (she wrote almost all the lyrics) is also more complete and personal than on any of their previous efforts. It sounds like a singer-songwriter's album, and Peter Svensson did the lyrics justice with the beautiful music that goes along with them.
My only problem with the album is that it kind of overstays its welcome. The three extra tracks at the end that weren't on the original release sound like they were tacked on. I usually appreciate all the tracks I can get, but they don't really work here. Also, toward the end of the album it gets a little samey with all the slow songs. But it's not enough to diminish my overall opinion of the album, and its perfect moments make up for the ones that don't work quite as well.
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By WrtnWrd on June 16 2004
Format: Audio CD
If you didn't know The Cardigans were Swedish before, their fifth release Long Gone Before Daylight would tip you off. It's a depressive slog through the relationship minefields, as bleak and beautiful as an Ingmar Bergman treatise. Those not familiar with the band think they're a pop confection based on the "Lovefool" ditty of a few years back. But their last release, 1998's Gran Turismo, was a dark dance-pop affair that killed their commercial prospects in the U.S., and LGBD, released on the tiny Koch label, won't reverse that trend. Too bad - this could catch on with the underground cabal if NPR gets behind it. But who would trust the silly blonde of "Lovefool" to put out a scathing CD of warts-and-all relationship songs? Regardless, that's what Nina Persson and her band have done, from the alienation ode that opens the CD, "Communication", to the detailed domestic abuse of "And Then He Kissed Me", to the misery-loves-company of "03:45: No Sleep". There's little relief in sight, yet the CD is bracing. Persson never seems to be wallowing in it; far from that, her deadpan normality makes her sound positively realistic, and gives the songs more edge as she never comes across as a shrieking hysteric (e.g., Courtney Love).
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Format: Audio CD
Forget the band that did "Lovefool". They ceased to exist the second they put out 'Gran Turismo'. Now The Cardigans have come even further w/'Long Gone Before Daylight'.
Lyrics are somewhat intense, not always happy, but they are not that immensely bleak either (as some reviews have inferred). The lyrics are smart and creative ("You should know that love will never die - but see how it kills you in the blink of an eye). You can't get that from an American band usually - let alone one from Sweden writing and singing in english.
Musically the band is hard to categorize. Certainly not pop. Not quite rock, though the guitar work on "A Good Horse" would qualify. (Can they be 'Americana' if they're not from America?) Unfortunately, this album is nothing that will get played on mainstream radio. Probably not even on alternative radio. And that is a frickin' shame.
The first eight tracks are the stand-outs (along w/tracks 10 and 14) and are rated 5-stars. But highlights (for me) are "Please Sister", "A Good Horse", "Communication" & "And Then You Kissed Me" - but the other tracks are a solid 4-stars. For my overall rating, I rounded-down.

Usually the bonus disks that have been packaged w/newer releases are worthless. Though I won't got back to the DVD of videos, interviews and (good!)live performances often (if ever), they are at least better than most.
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